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UK / WEST END THEATER REVIEWS

The latest reviews and critic recommendations from UK / West End
BWW Review: BACON, Finborough Theatre

BWW Review: BACON, Finborough Theatre

by Cindy Marcolina — March 17, 2022
“The memories are imprinted in my mind like ink that spreads”. This is Mark’s story. New at school, his Year-10 classmates ignore him and the highlight of his day is going back home to play with his dog Barney. Then, he meets Darren. A lads’ lad and part of the local bully group, he chooses ...
BWW Review: THE WASHING LINE, Chickenshed

BWW Review: THE WASHING LINE, Chickenshed

by Gary Naylor — March 17, 2022
A unique approach to storytelling proves triumphant in a deeply moving production that demands our attention and repays it handsomely....
BWW Review: COCK, Ambassadors Theatre

BWW Review: COCK, Ambassadors Theatre

by Marianka Swain — March 16, 2022
It's 13 years since Mike Bartlett's provocatively named play made its debut at the Royal Court. Now, Marianne Elliott assembles a starry cast for this West End revival. But how has Bartlett's exploration of sexuality and identity aged, and does it earn its place in the current theatre landscape?...
BWW Review: TOM FOOL, Orange Tree Theatre

BWW Review: TOM FOOL, Orange Tree Theatre

by Aliya Al-Hassan — March 17, 2022
On the night marking two years since theatres were forced to close their doors due to the pandemic, we are reminded of the power of theatre in Franz Xaver Kroetz’s Tom Fool. This poignant and disquieting play from 1978 neatly explores the crumbling of a family as social pressures thwart the...
BWW Review: COSÌ FAN TUTTE, London Coliseum

BWW Review: COSÌ FAN TUTTE, London Coliseum

by Franco Milazzo — March 15, 2022
Phelim McDermott is among the very top tier of opera directors and, with this welcome revival of his 2014 interpretation of Così fan tutte, it is easy to see why....
BWW Review: LITTLE WIMMIN, Queen Elizabeth Hall

BWW Review: LITTLE WIMMIN, Queen Elizabeth Hall

by Debbie Gilpin — March 14, 2022
When you think of Little Women, what probably springs to mind is a group of earnest young ladies in Massachusetts learning how to navigate the adult world – or, potentially, Joey’s reaction to Beth getting sick when he reads the book in an episode of Friends. What you don’t immediately think o...
BWW Review: DOGS OF EUROPE, Barbican

BWW Review: DOGS OF EUROPE, Barbican

by Alexander Cohen — March 12, 2022
A powerful cacophony of visceral imagery, music, and poetry, Dogs of Europe paints a haunting vision of fractured identities, nations, and narratives. It is unsettling to watch because it is a future that is increasingly tangible....
BWW Review: SWAN LAKE, Royal Opera House

BWW Review: SWAN LAKE, Royal Opera House

by Vikki Jane Vile — March 11, 2022
​Some nights at Covent Garden feel heavy with a sense of occasion and this particular performance of Swan Lake, taking place a week after opening night, was certainly one of them. Liam Scarlett’s Swan Lake is not even 4 years old as a production in the Royal Ballet’s repertoire but it already ...
BWW Review: GHOSTS OF THE TITANIC, Park Theatre

BWW Review: GHOSTS OF THE TITANIC, Park Theatre

by Cindy Marcolina — March 11, 2022
Just a few days after it was announced that Ernest Shackleton’s Endurance was found in near-perfect conditions off the coast of Antarctica after it sank in 1915, a play about another tragic, marginally more famous shipwreck opens at the Park Theatre....
BWW Review: DANCE, Sadler's Wells

BWW Review: DANCE, Sadler's Wells

by Franco Milazzo — March 10, 2022
This rare revival of Dance is the epitome of Philip Glass' artistic ethos, combining minimalism and layered music with huge projections and skilful dancing....
BWW Review: FIJI, Omnibus Theatre

BWW Review: FIJI, Omnibus Theatre

by Aliya Al-Hassan — March 10, 2022
The concept behind Fiji really shouldn’t work. A black comedy about the incongruous combination of online dating and consensual cannibalism was well-received when it ran for a few performances back in 2019. This unlikely premise, inspired by the 1991 case of the 'Rotenburg Cannibal', sparks a surp...
BWW Review: MARIA FRIEDMAN & FRIENDS - LEGACY, Menier Chocolate Factory

BWW Review: MARIA FRIEDMAN & FRIENDS - LEGACY, Menier Chocolate Factory

by Marianka Swain — March 9, 2022
Among the many reflections on the legacy of the late, great Stephen Sondheim, here comes a touchingly personal one from his frequent collaborator Maria Friedman, who also pays tribute to two other dearly departed composers: Marvin Hamlisch and Michel LeGrand....
BWW Review: MORENO, Theatre 503

BWW Review: MORENO, Theatre 503

by Gary Naylor — March 9, 2022
An imbalance between thematic exposition and dramatic tension means that a promising play fails to reach its full potential...
BWW Review: CLUEDO, Richmond Theatre

BWW Review: CLUEDO, Richmond Theatre

by Aliya Al-Hassan — March 9, 2022
Was it Professor Plum in the library with the dagger? To many of us, the board game Cluedo is a family staple, but director Mark Bell’s play takes more of its influence from the 1985 American film Clue. The play retains the characters, weapons and location of a spooky manor house and turn it into ...
BWW Review: THE WOODS, Southwark Playhouse

BWW Review: THE WOODS, Southwark Playhouse

by Abbie Grundy — March 8, 2022
David Mamet's 1977 play, exploring and exposing gender differences, is given its first London Revival in 25 years....
BWW Review: BRIDGERTON BALL, Secret Cinema

BWW Review: BRIDGERTON BALL, Secret Cinema

by Abbie Grundy — March 6, 2022
Secret Cinema never shy away from the challenge - but transforming a warehouse in Wembley into a 19th Century Ballroom may be their most impressive feat yet....
BWW Review: BEAUTIFUL - THE CAROLE KING MUSICAL, Leicester Curve

BWW Review: BEAUTIFUL - THE CAROLE KING MUSICAL, Leicester Curve

by Laura Lott — March 6, 2022
At one point in Beautiful - The Carole King Musical, Carole declines a request to sing with a band, because she can't imagine anyone would want 'to hear a normal person sing'. As it turns out, millions of people want exactly that, and the show starts and ends with Carole performing her smash-hit alb...
BWW Review: BLOODY DIFFICULT WOMEN, Riverside Studios

BWW Review: BLOODY DIFFICULT WOMEN, Riverside Studios

by Cindy Marcolina — March 5, 2022
Let’s rewind to 2016. The fires of Brexit are being stoked left and right and the discourse is rife everywhere, the news swarm with opinions and facts. Theresa May is about to go from Home Secretary to Prime Minister. Kenneth Clarke is being interviewed by Sky and he’s passing judgement on the c...
BWW Review: SHEDDING A SKIN, Soho Theatre

BWW Review: SHEDDING A SKIN, Soho Theatre

by Paige Cochrane — March 5, 2022
Myah is in her thirties, recently single, homeless, now unemployed, and agonizingly uncomfortable in her own skin. After a tense weekend at her parents it's time to get her life together... again....
BWW Review: THE MERCHANT OF VENICE, Sam Wanamaker Playhouse

BWW Review: THE MERCHANT OF VENICE, Sam Wanamaker Playhouse

by Laura Jones — March 3, 2022
The Merchant of Venice is vastly considered to be Shakespeare’s most controversial and problematic play and director Abigail Graham does not shy away from the tough antisemitic and racist themes covered in the bard’s text....
BWW Review: SMALL ISLAND, National Theatre

BWW Review: SMALL ISLAND, National Theatre

by Aliya Al-Hassan — March 4, 2022
Rufus Norris’ stage production of Andrea Levy’s Small Island was hailed as a triumph on its debut in 2019. The epic story of race, friendship and betrayal set among the Windrush generation was a welcome distraction when streamed during lockdown and now makes an exultant return to the grandeur of...
BWW Review: AFTER THE END, Theatre Royal Stratford East

BWW Review: AFTER THE END, Theatre Royal Stratford East

by Cindy Marcolina — March 3, 2022
The theatre gods work in mysterious ways. Right when Putin is wreaking havoc in Ukraine, threatening to start a nuclear world war, a show set in a fallout shelter opens at Theatre Royal Stratford East. Dennis Kelly’s After The End is a play about power and displays scenes of spine-chilling violenc...
BWW Review: PERSUASION, Rose Theatre

BWW Review: PERSUASION, Rose Theatre

by Aliya Al-Hassan — March 4, 2022
First seen back in 2017 at Manchester’s Royal Exchange, Jeff James and James Yeatman’s boldly modern adaptation of Jane Austen’s last novel Persuasion now makes a triumphant entrance at the Rose Theatre. It is often cited that Austen was ahead of her time and this adaptation throws away the co...
BWW Review: HENRY V, Donmar Warehouse

BWW Review: HENRY V, Donmar Warehouse

by Debbie Gilpin — March 2, 2022
What a time to be opening a play about war, nationalism, and power. Max Webster’s new production of Henry V is now running at the Donmar Warehouse, and offers us a ringside seat to the harsh realities of warfare, both medieval and modern....
BWW Review: OUR GENERATION, National Theatre

BWW Review: OUR GENERATION, National Theatre

by Gary Naylor — March 2, 2022
An epic sweep of the millennials' generation told through verbatim theatre, maximising all the opportunities (and problems) that format brings...
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