School is in session! Manhattan Theatre Club brings Jonathan Spector’s play Eureka Day, directed by Anna D. Shapiro, to Broadway.
What's it all about? Eureka Day is a private California elementary school with a Board of Directors that values inclusion above all else – that is, until an outbreak of the mumps forces everyone in the community to reconsider the school’s liberal vaccine policy. As cases rise, the board realizes with horror that they’ve got to do what they swore they never would: make a choice that won’t please absolutely everybody.
Despite its familiar subject matter, Spector has explained that he wrote the play long before the COVID pandemic.
Before Broadway, the comedy had its world premiere at Aurora Theatre Company in Berkeley, California as part of their 2017-2018 season and was commissioned through their Originate+Generate program. It went on to have its east coast premiere off-Broadway at Walkerspace in 2019, and opened at the Old Vic in London in 2022. It arrives on Broadway with an all new cast.
*CRITIC'S PICK* That the intimate downtown version, directed by Adrienne Campbell-Holt, instead ended softly did not make the play less incisive. But Shapiro’s production has been majorly and satisfyingly scaled up for Broadway. The library is much bigger and brighter (sets by Todd Rosenthal, lights by Jen Schriever); the costumes (by Clint Ramos) telegraphic in their sociology and the bassoon-heavy interstitial music (by Rob Milburn and Michael Bodeen) almost cartoonishly apt. The cast, too, hits the sweet spot between broad and deep, with Irwin, a clown by training, especially good at fatuousness, and Hecht at steely ditziness. In a slightly underwritten role, Gray beautifully counters the others with sly wit.
Happily, director Anna D. Shapiro, who has an illustrious history of finding comedy in discord, has assigned the role of Suzanne to a theater veteran whose distinctive presence and exquisite comic timing are ideally suited to the part, Jessica Hecht. Ms. Hecht’s Suzanne is, like many women she has played, a little flighty on the surface, but the actress also, eventually, mines the deep pain this character carries inside her with shattering authenticity. Amber Gray brings an effortless dignity to Carina, who quickly finds her footing and emerges as a rival to Suzanne’s authority. As the rather temperamental Meiko and Eli, who’s complacent and a bit clueless but fundamentally decent, Chelsea Yakura-Kurtz and Thomas Middleditch engagingly flirt, spar, and endure their own crises. Don is played by the estimable Bill Irwin, who predictably finds the clown in this scrupulously well-intentioned but overburdened fellow. Don gets to say the last sentence in “Eureka Day,” which serves as a brilliant punchline for a play that finds refreshing humor, and some poignance, in subject matter that has proven burdensome for all of us.
| 2024 | Broadway |
MTC Original Broadway Production Broadway |
| Year | Ceremony | Category | Nominee |
|---|---|---|---|
| 2025 | Drama League Awards | DISTINGUISHED PERFORMANCE | Amber Gray |
| 2025 | Drama League Awards | OUTSTANDING DIRECTION OF A PLAY | Anna D. Shapiro |
| 2025 | Tony Awards | Best Performance by an Actress in a Featured Role in a Play | Jessica Hecht |
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