Fall In Love All Over Again.
One of the most beloved romances of all time is now on Broadway! Pretty Woman: The Musical, features direction and choreography by two-time Tony Award winner Jerry Mitchell (Kinky Boots, Legally Blonde, Hairspray), an original score by Grammy winner Bryan Adams ("Summer of '69," "Everything I Do") and his longtime songwriting partner Jim Vallance, and a book by the movie's legendary director Garry Marshall and screenwriter J.F. Lawton. Starring Samantha Barks and Andy Karl.
Once upon a time in the late '80s, unlikely soulmates Vivian and Edward overcame all odds to find each other... and themselves. Experience the moments you love from the movie - and get to know these iconic characters in a whole new way - in this dazzlingly theatrical take on a love story for the ages. Brought to life by a powerhouse creative team representing the best of music, Hollywood and Broadway, Pretty Woman: The Musical will lift your spirits and light up your heart.
Jerry Mitchell directs and choreographs, with book by Garry Marshall and J.F. Lawton, and music & lyrics by Bryan Adams and Jim Vallance.
Mitchell, overusing the game Anderson and Bracco, crams far too much extraneous comic business into "Pretty Woman." It's as if the questionable levity of men paying top dollar for hookers and those hookers holding out for the much bigger ticket of a wedding ring needed to be gussied up with silly same-sex diversions.
As you approach the Nederlander Theatre, the marquee flashes a series of bold all-caps phrases: "BOLD WOMAN - FIERCE WOMAN - FUNNY WOMAN - SMART WOMAN," and finally, inevitably, the title: Pretty Woman. Inside the theater, posters and T-shirts at the merch stand bear the same messaging. The show's producers have been trying to get out in front of the fact that their material doesn't exactly scream 2018 for a while, now opting for this catechism of empowerment. They needn't have bothered. For one thing, more adjectives are never the solution to a problem. For another, Pretty Woman: The Musical has plenty of problems outside of its politics. If the show were a witty, brilliantly scored, fleet-footed theatrical gem, then it might be worthwhile to attempt a nuanced excavation of the kind of worldview it's espousing beneath the top-notch presentation.
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