Review: POKER ALICE, Oran Mor
Alice, saddled with debt by her recently departed husband, is playing in a poker game with a chance to win a seat at the finals in Las Vegas.
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Alice, saddled with debt by her recently departed husband, is playing in a poker game with a chance to win a seat at the finals in Las Vegas.
Sheeps: The Giggle Bunch (That's Our Name For You) has been performing at the Edinburgh Festival Fringe for over a decade, and now they’re bringing what may be their final show to the Pleasance.
Alexander Bennett: Emotional Daredevil is certainly a show that presents reviewers with a challenge - how do you discuss a show that the performer asks you to not spoil in any way? This request is not unreasonable for this particular show, as it does heavily depend on audience members coming in with
Riki Lindhome: Dead Inside has Lindhome taking audiences on her infertility journey, a term she hates but still uses.
Character Flaw, written and performed by Philippa Dawson, takes audience members into the mind of Dawson, particularly looking at her experiences with ADHD and queer identity.
The Greatest Magic Show begins with a bang as the incredibly energetic ringmaster, Magnus, bursts on stage, singing a parody of Aladdin’s “Arabian Nights” with lyrics about him travelling the world to find what he considers to be the “greatest show.
Alex Kitson: Must I Paint You A Picture? is a show with a strong hook - Kitson, who has been told to be more personal in his comedy, has a big secret, and he is going to reveal it by the end of the show.
Ivo Graham: Grand Designs is a show, according to Graham, made up of lists to deal with the chaos that the comedian has been facing.
From the beginning of Reuben Kaye: Live and Intimidating, you know you are in for something different than your usual Fringe show.
Come Dine With Me: The Musical.
Alex Prescot: I’ve Got A Song About That has quite the explanatory title - Prescot, a musical comedian, claims to have a song for every situation, and he is here to prove it through a show.
The Irish writer Brendan Behan described critics as “eunuchs in a harem; they know how it’s done, they’ve seen it done every day, but they’re unable to do it themselves”.
With a book by Laura Kleinbaum, music by Jeff Daye and lyrics by both Kleinbaum and Daye, House of Cleopatra brings audiences into the world of the iconic queen through pop music in a club-like atmosphere.
Cook is passionate about bathroom graffiti, and she’s not afraid to tell the world about it.
Larry Dean: Dodger begins with Dean joking about what he thinks will be the first thing that people notice about him - his appearance.
As soon as you enter the venue for Michelle Brasier: Legacy, you are greeted by Brasier herself, who welcomes you with a smile and asks for your name.
Erin Farrington-Think Better: Manifesting Money, Real Estate and Hot People is a seminar in which audience members will “learn how to manifest a better life by simply just thinking hard and good.
Kathleen Hughes: Cryptid begins with a presentation on cryptids, including Bigfoot, Mothman, Loch Ness Monster and aliens.
Who doesn't love a fun chick flick? Playwright Frances Poet delivers a playful adaptation of one of the oldest love stories, Jane Austen's Sense and Sensibility.
Harry Mould's play debut zooms in on a fascinating, lesser-known historical tidbit.
In total transparency, I was apprehensive about this one because I’ve always associated opera with being outdated and inaccessible.
As you are taking your seats for Eleanor Morton: Haunted House, you are greeted by a spooky voice, reminiscent of Disney’s Haunted Mansion attraction.
Six Chick Flicks, less commonly known by its full name, Six Chick Flicks .
Plastic Jeezus: Leave Them Wanting Less, a musical comedy by Simon and Aaron, is an hour of the duo playing ukuleles and singing, all while keeping a deadpan expression on their face.
Walking into Bishops: Farewell Bruce Porcelain, you are greeted by the titular bishops, Chris Curran and Noah Matthews, welcoming you to the funeral of Bruce Porcelain and handing out booklets with the order of service as an organ version of Toto’s “Africa” plays.
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