Natalie O'Donoghue
Latest Articles
Review: EMERGENCE, Theatre Royal
Enter a mesmerising underworld where human-kind dissolves into something altogether more elemental.
Max Wilkinson Guest Blogs on Night City at Southwark Playhouse
Max Wilkinson guest blogs for BroadwayWorld about Night City ahead of its run at Southwark Playhouse.
Review: BURLESQUE, King's Theatre
From executive producer Christina Aguilera and written by Steven Antin, based on the hit movie, Burlesque invites you to a club like no other: a hidden world beneath the city lights where sequins sparkle, seduction shimmers and lives can change in the flick of a feather boa.
Review: READY TAE DRAP, Oran Mor
A rabbit, a refugee and a racist get stuck in a lift.
Review: ONE HUNDRED VOICES, Citizens Theatre
One Hundred Voices is an interactive, audio-guided installation, bringing creative insight into living in the care system.
Review: 1984, Citizens Theatre
The Thought Police monitor every word you say.
Review: HIGH SOCIETY, King's Theatre
Helen George (Call the Midwife, The King and I) leads a 28-strong cast as glamorous socialite Tracy Lord, joined by stage and screen favourites Freddie Fox (Slow Horses), Nigel Lindsay (Kiss Me, Kate), Julian Ovenden (South Pacific), and Malcolm Sinclair (Pie in the Sky).
EDINBURGH 2026: BACKSTAGE Q&A
BroadwayWorld catches up with Yilin Yan, director of the Chinese production of Backstage and founder of Blue Eyes Theatre, to talk about bringing the production to the Camden Fringe and Edinburgh Festival Fringe this summer.
EDINBURGH 2026: Review: OIL AND WHISKEY, The Street
Come see Oil and Whiskey, the award-winning, off-Broadway, country rock musical from New York City.
EDINBURGH 2026: Review: WOODY SEZ, Underbelly
This award-winning show celebrating the life and career of Woody Guthrie makes its triumphant return to Fringe! Join us on an authentically American musical journey, using Guthrie's own words and over two dozen of his timeless songs in one joyous, toe-tapping musical.
EDINBURGH 2026: Review: CRAIG WILSON: THIS MIGHT BE NOTHING, Waverley Bar
After ten years of backhanded compliments, rude drunks, and being bullied by teenagers, Craig is starting to wonder if fast food is the career for him after all.
EDINBURGH 2026: Review: COPYCAT, Pleasance
'This technology is being pushed on us at a time when the world is moving towards authoritarianism' (Geoffrey Hinton).
EDINBURGH 2026: Review: LIBERACE AND LIZA- A TRIBUTE, Underbelly
Winners of Best Show 2026 at Brighton Fringe and a Five Star Offie Award in London, Liberace and Liza – A Tribute brings together two of entertainment's most flamboyant legends in a show that never was – but absolutely should have been! Direct from a West End run having played at many iconic ven
EDINBURGH 2026: Review: THE SUMO SHOW HIRAKUZA, Underbelly
Step into the world of Japan’s legendary national sport as former pro wrestlers collide in powerful, high action matches right before your eyes! Presented entirely in English, get ready to learn the rules, rituals and techniques behind this incredible sport.
EDINBURGH 2026: Review: THE PITCH, Pleasance
Robbie is a sports-mad Belfast boy.
EDINBURGH 2026: Review: ANNA THOMAS: HOW TO JUGGLE A FERRET
In her debut hour, Anna recounts tales of hibernation, loss and what to do when life gives you ferrets.
EDINBURGH 2026: Review: DAY OF THE LOCUST, Pleasance
The sun is hot.
Review: THE SILENCE OF THE LAMBS, Theatre Royal
Come face to face with the chilling cultural phenomenon THE SILENCE OF THE LAMBS as it makes its world stage play premiere.
EDINBURGH 2026: Review: MAXX EDDY: BI MEETS WORLD, Gilded Balloon
Comedian Maxx Eddy has spent his life trying to be an alpha male, despite being wimpy and bisexual.
EDINBURGH 2026: Review: RIGHT BEFORE I GO, Pleasance
From Stan Zimmerman (writer of Golden Girls and Gilmore Girls), Right before I go.
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