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SCOTLAND THEATER REVIEWS

The latest reviews and critic recommendations from Scotland
Edinburgh 2024 Review: READING THROUGH SINGING TIME, Pleasance Courtyard

Edinburgh 2024 Review: READING THROUGH SINGING TIME, Pleasance Courtyard

by Christiana Rose — August 12, 2024
Happy Singing Kids makes its debut at The Edinburgh Fringe 2024, at the baby-centric and much-loved child friendly area Kidzone at sub-venue The Green at The Pleasance Courtyard....
Review: EDINBURGH 2024: PENTHESILEA, The Lyceum

Review: EDINBURGH 2024: PENTHESILEA, The Lyceum

by Katie Kirkpatrick — August 11, 2024
Penthesilea is the queen of the Amazons, a race of warrior women who can only sleep with men they’ve defeated in battle. When she falls for the Greek warrior Achilles, an inevitable tragedy is set in motion. Arbo and the ITA Ensemble bring their version of the myth to the Edinburgh International F...
Review: EDINBURGH 2024: OFF WITH YOUR HEAD!, 32 Below

Review: EDINBURGH 2024: OFF WITH YOUR HEAD!, 32 Below

by Mary Baillie — August 12, 2024
In a world where theatre often conforms to traditional actors and spectators, Off with your Head is a breath of fresh air - a delightful fusion of art, comedy, choose-your-own-adventure and interactive gaming that redefines the boundaries of live performance. ...
Review: EDINBURGH 2024: THE BLACK BLUES BROTHERS, Assembly Rooms Music Hall

Review: EDINBURGH 2024: THE BLACK BLUES BROTHERS, Assembly Rooms Music Hall

by Mary Baillie — August 9, 2024
Fringe royalty 'The Black Blues Brothers' have a lengthy list of achievements. They've appeared at the Royal Variety Performance, Monte Carlo Festival, Moulin Rouge... now they return to the Edinburgh Fringe, performing for the fully-packed Music Hall at Assembly Rooms. All 670 seats were filled wit...
Review: EDINBURGH 2024: A LITTLE NIGHT MUSIC, Assembly Rooms

Review: EDINBURGH 2024: A LITTLE NIGHT MUSIC, Assembly Rooms

by Mary Baillie — August 12, 2024
Stephen Sondheim's 'A Little Night Music' is one of the Royal Conservatoire of Scotland's two performances at the Fringe this year. The 1973 musical unfolds in Sweden, where romantic entanglements and taboo desires spark shocking revelations....
Review: JUNE CARTER CASH : THE WOMAN, HER MUSIC AND ME, Summerhall

Review: JUNE CARTER CASH : THE WOMAN, HER MUSIC AND ME, Summerhall

by Natalie O'Donoghue — August 6, 2024
In this raw yet uplifting show, Charlene Boyd gets to grips with a life less ordinary. More than a simple biography of June’s life and music, this play with songs sees Charlene explore her own relationship with her musical heroine and their shared experience as performers and working mothers....
Review: SO YOUNG, Traverse Theatre

Review: SO YOUNG, Traverse Theatre

by Natalie O'Donoghue — August 6, 2024
When Milo invites his two best friends Davie and Liane around for a takeaway to meet his new girlfriend, it promises to be a great night reconnecting....
EDINBURGH 2024: Review: BIRDWATCHING, TheSpace @ Venue45

EDINBURGH 2024: Review: BIRDWATCHING, TheSpace @ Venue45

by Abbie Grundy — August 5, 2024
The kind of horror that leaves you looking over your shoulder as you leave the auditorium....
EDINBURGH 2024: Review: IS THE WIFI GOOD IN HELL, Underbelly Cowgate

EDINBURGH 2024: Review: IS THE WIFI GOOD IN HELL, Underbelly Cowgate

by Abbie Grundy — August 5, 2024
Is The Wifi Good In Hell? is a coming-of-age story with heart....
EDINBURGH 2024: Review: I SELL WINDOWS, Assembly George Square Studios

EDINBURGH 2024: Review: I SELL WINDOWS, Assembly George Square Studios

by Abbie Grundy — August 5, 2024
I Sell Windows is a heartfelt and brutally honest production that dives into the messier side of grief and ambition....
EDINBURGH 2024: Review: TENDING, Underbelly Cowgate

EDINBURGH 2024: Review: TENDING, Underbelly Cowgate

by Abbie Grundy — August 5, 2024
Honest and raw, Tending is a performance that elevates the voices of life's helpers....
Review: CYRANO, Traverse Theatre

Review: CYRANO, Traverse Theatre

by Natalie O'Donoghue — August 5, 2024
A joyous, gender-flipped retelling of Cyrano de Bergerac, packed with music, wit and aching romance....
Review: IN TWO MINDS, Traverse Theatre

Review: IN TWO MINDS, Traverse Theatre

by Natalie O'Donoghue — August 5, 2024
Explored through the dynamic of a mother-daughter relationship, In Two Minds is deeply personal, inventive, funny and life-affirming....
Review: THE SOUND INSIDE, Traverse Theatre

Review: THE SOUND INSIDE, Traverse Theatre

by Natalie O'Donoghue — August 5, 2024
An Ivy League creative writing professor is captivated by a brilliant, rebellious freshman student. Delicate, provocative, bursting with wit - so begins the story of two outsiders on the threshold of breaking an indelible taboo....
Review: THE OUTRUN, Church Hill Theatre

Review: THE OUTRUN, Church Hill Theatre

by Natalie O'Donoghue — August 4, 2024
Olivier Award-winning playwright Stef Smith joins forces with Vicky Featherstone, former Artistic Director of the National Theatre of Scotland, to reimagine Amy Liptrot’s bestselling memoir. Edinburgh’s producing theatre The Lyceum returns to the International Festival to present this world prem...
Review: A HISTORY OF PAPER, Traverse Theatre

Review: A HISTORY OF PAPER, Traverse Theatre

by Natalie O'Donoghue — August 4, 2024
A musical love story about a man and a woman and the little bits of paper that make up a life....
Review: JESUS CHRIST SUPERSTAR, King's Theatre

Review: JESUS CHRIST SUPERSTAR, King's Theatre

by Natalie O'Donoghue — July 30, 2024
Timothy Sheader (Crazy for You, Into the Woods) directs this mesmerizing new production of the iconic global phenomenon, Jesus Christ Superstar. Originally staged by London’s Regent’s Park Open Air Theatre, this reimagined production won the 2017 Olivier Award for Best Musical Revival, garnering...
Q&A: EDINBURGH 2024: Eleanor Greene on GIRLS REALLY LISTEN TO ME

Q&A: EDINBURGH 2024: Eleanor Greene on GIRLS REALLY LISTEN TO ME

by Kat Mokrynski — July 23, 2024
BWW caught up with Eleanor Greene about bringing Girls Really Listen To Me to the 2024 Edinburgh Festival Fringe....
Review: The Knight of the Burning Pestle, RSC

Review: The Knight of the Burning Pestle, RSC

by Natalie O'Donoghue — July 20, 2024
The theatre’s always there for you. And if everything gets to be too much, you can take that literally. Such is the case with The London Merchant as it’s taken over by interlopers without shame or decorum. Suddenly, this simple tale of star-crossed lovers bursts its banks....
Review: MEASURE FOR MEASURE, Glasgow Botanic Gardens

Review: MEASURE FOR MEASURE, Glasgow Botanic Gardens

by Natalie O'Donoghue — July 18, 2024
Isabella’s brother has been condemned to death, by force of a harsh law, being used to curb what some see as dangerous levels of depravity in Vienna....
Review: The Merry Wives of Wishaw, Glasgow Botanic Gardens

Review: The Merry Wives of Wishaw, Glasgow Botanic Gardens

by Natalie O'Donoghue — July 18, 2024
Rejected by his former companions and hounded out of London, Sir John Falstaff must find fertile new ground for his get-rich-quick schemes....
Review: THE WIZARD OF OZ, King's Theatre

Review: THE WIZARD OF OZ, King's Theatre

by Natalie O'Donoghue — July 4, 2024
Direct from The London Palladium, the sensational new production of one of the world’s most beloved musicals comes to Glasgow....
Review: THE SYNDICATE, Theatre Royal

Review: THE SYNDICATE, Theatre Royal

by Natalie O'Donoghue — July 3, 2024
Based on her hit BBC TV series that entertained millions of viewers over four series, The Syndicate is the new stage hit comedy drama by the legendary Kay Mellor which is getting five star reviews and standing ovations from audiences around the country....
Review: MUMBELINA, Òran Mór

Review: MUMBELINA, Òran Mór

by Natalie O'Donoghue — June 30, 2024
One morning Mumbelina wakes up to discover she’s shrunk to smaller than Glasgow city council arts budget. And to make matters worse she’s been kidnapped by the wicked amphibian dark overlord Froggie Mercury....
Review: RADIANT VERMIN, Tron Theatre

Review: RADIANT VERMIN, Tron Theatre

by Natalie O'Donoghue — June 29, 2024
A wickedly comic satire about a young couple offered a ‘too-good-to-be-true’ way onto the property ladder. Playful, provocative and viciously sharp, this outrageous black comedy is a meditation on how far we will go to satisfy – and justify – materialistic greed....
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