Review: THE HEADLANDS at A.C.T. Tells a True Crime Tale That Hits Close to Home
What did our critic think of THE HEADLANDS at A.
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What did our critic think of THE HEADLANDS at A.
What did our critic think of THE HEADLANDS at American Conservatory Theatre?
What did our critic think of MEAN GIRLS at Golden Gate Theatre? When her mother gets a new job in Chicago, Cady must leave the wilds of Kenya for High School in yet another type of jungle, where the power cliques prey on the weaker links.
What did our critic think of MEAN GIRLS at Golden Gate Theatre?
What did our critic think of CASHED OUT at SF Playhouse? Cashed Out, an SF Playhouse commission two and a half years in the making, delivers on its portrayal of the bleak realities of reservation life including domestic violence, alcoholism, drug addiction, loss of culture and the casino culture and
What did our critic think of GETTING THERE at New Conservatory Theatre Center?
What did our critic think of SONGS THAT RAISED ME at Orinda Theatre?
What did our critic think of CLYDE'S at Berkeley Rep?
What did our critic think of DEAR EVAN HANSEN at Orpheum Theatre?
What did our critic think of NEXT@90 FESTIVAL - BLANC / SCHREIER / POSSOKHOV PREMIERES at San Francisco Ballet? BroadwayWorld reviews the 3rd program of San Francisco Ballet's 'next@ 90 festival' of world premieres, running through February 7th.
What did our critic think of NEXT@90 GARLAND / ROBERTS / ROWE PREMIERES at San Francisco Ballet? BroadwayWorld reviews the first program of San Francisco Ballet's 'next@90' festival featuring an eclectic lineup of world premieres by choreographers Robert Garland, Jamar Roberts & Danielle.
What did our critic think of IN EVERY GENERATION at TheatreWorks Silicon Valley? The traditions of the Passover seder are the jumping off point for the West Coast premiere of Ali Viterbi's thoughtful time-hopping reflection on the Jewish experience.
Read BroadwayWorld's review of Donna McKechnie in Take Me To The World: The Songs of Stephen Sondheim at Catalina Jazz Club.
What did our critic Linda Hodgesthink of ANNIE at Broadway San Jose? It's a hard knock life for sure, but Broadway San Jose's ANNIE infuses even today's troubled times with unrestrained optimism.
What did our critic think of AS YOU LIKE IT at San Francisco Playhouse? BroadwayWorld reviews Shaina Taub & Laurie Woolery's fanciful musical adaptation of Shakespeare's 'As You Like It' running through January 14 at San Francisco Playhouse.
What did our critic think of BEETLEJUICE at Golden Gate Theatre? Beetlejuice, Beetlejuice, beat a path to San Francisco's Golden Gate Theatre for a night of frighteningly funny laughs about death.
What did our critic think of LITTLE SHOP OF HORRORS at TheatreWorks Silicon Valley? BroadwayWorld reviews TheatreWorks Silicon Valley's new production of Howard Ashman and Alan Menken's 'Little Shop of Horrors' reset in San Francisco's Chinatown.
What did our critic think of NUTCRACKER at San Francisco Ballet? BroadwayWorld reviews San Francisco Ballet's wondrous production of the classic Tchaikovsky holiday balletr.
What did our critic think of PHILHARMONIA FANTASTIQUE at Chicago Orchestra Hall? An amazing feat
What did our critic think of THE BOOK OF MORMON at San Jose Center For The Performing Arts?
What did our critic think of DISNEY'S FROZEN at Orpheum?
What did our critic think of WUTHERING HEIGHTS at Berkeley Repertory Theatre?
What did our critic think of FROZEN at Orpheum Theatre? Disney Theatrical Productions (also known as Disney On Broadway or Disney Theatrical Group) owns the market on transforming hit animated films into mega successes.
What did our critic think of NATASHA, PIERRE & THE GREAT COMET OF 1812 at Shotgun Players?
What did our critic think of AIN’T TOO PROUD: THE LIFE AND TIMES OF THE TEMPTATIONS at Golden Gate Theater, SF?
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Pickleball Hillbarn Theatre (8/20-9/13) |
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The Fantasticks San Anselmo Playhouse (9/04-9/07) |
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“E4TT Call For Scores: Solo Piano, Vol. 3” Berkeley Piano Club (10/25-10/25) |
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