Steve Murray

What did our critic think of THE NOTEBOOK at Orpheum Theatre?

What did our critic think of M. BUTTERFLY at SF Playhouse?

Change is hard, we all know that. We get stuck in patterns and the comfortable, even if that inertia is destructive. Watching Chekhov’s Cherry Orchard, brilliantly directed by American Conservatory Theatre Artistic Director emerita Carey Perloff and starring an all-star cast of local legends, will make to jump into action.

Heidi Schreck’s award-winning 2019 homage to the US Constitution couldn’t be timelier than at this moment of political crisis in America. Written as a remembrance of her 15-year-old self as a debater in love with the constitution, the present-day Heidi narrates the play which links her family’s backstories to the application of the 9th and 14th Amendments.

Trey Parker and Matt Stone are on a high recently, with their long- running animated series South Park skewering the present administration in their inimitable profane and darkly surreal style. 2011’s The Book of Mormon brought their irreverent humor to Broadway in what at the time seemed shocking, blasphemous, and absurdly brilliant.

What did our critic think of MOULIN ROUGE! THE MUSICAL at Orpheum Theatre? The appeal, based on the audience, is the acknowledgment of the song snippets – an “I know that song” reward. But the conceit grows thin and becomes one big cheat.

Mix one part All About Eve, one part Gypsy, and a healthy shot of The Bad Seed in a blender and you’ve got the recipe for Ruthless!, a delightfully dark comedy alternative to the typical holiday fare. A reboot from their 2023 production, Ruthless! is a delight for theatre and old movie references and over-the-top performances, all the while scratching out itch for absurd murder melodramas.

What did our critic think of CINDERELLA at Hillbarn Theatre?

Over two hundred and fifty years after fighting the British for independence, we’re absolutely gaga over Lauren Gunderson and Margot Melcon’s delightful Christmas at Pemberley series and its spot on depictions of Regency England.

What did our critic think of SPENCER DAY: SONMGS FOR A WINTER'S NIGHT at Feinstein's At The Nikko?

Sondheim fans rejoice! We have not one, but two sensational productions to satisfy that itch for smart lyrics and equally solid books. Shotgun Players is running their fabulous Sunday in the Park with George, and now Director Susi Damilano and SF Playhouse have outdone themselves with a stunning Into the Woods. Every component of this production is a winner; casting, technical, and musical.

The fictionalized account of pointillist painter George Seurat’s creation of his masterpiece A Sunday Afternoon on the Island of La Grande Jatte and his great-grandson (also named George), also a troubled artist.

Jessica Huang’s Mother of Exiles, a world premiere at Berkeley Rep, suffers under the weight of its solemn intentions, perhaps attempting too many themes that left this viewer unsatisfied in each.

Russian writer Nikolai Gogol’s play The Government Inspector caused quite the stir in the 1840’s with its biting satire on political corruption in a small rural town. For Naatak theatre group’s 116th production, Harish Agastya has transposed the action to Gujarat, India and the city of Anand, where greed and bureaucratic ineptness have become an art form.

The British sure love their suspense stories. The Woman in Black, which premiered back in 1987, is the second longest-running play in the history of London’s West End, right behind Agatha Christies’ whodunnit The Mousetrap.

Jez Butterworth’s acclaimed West End and Broadway drama opens with a tried-and-true trope of a family reunion over a deathbed scenario or funeral, here, four sisters congregate as their domineering, show biz lies dying of cancer.

Back in 2017, Marin Theatre Company staged Thomas Bradshaw’s historical fiction Thomas and Sally to a firestorm of criticism, with critics damning the production for its hypersexualized view of Sally Hemings and downplaying her position as Thomas Jefferson’s slave.

What did our critic think of A DRIVING BEAT at TheatreWorks Silicon Valley?

I had the pleasure of seeing the original Broadway production of Stereophonic that ruled the 2023 awards season becoming most Tony Award-nominated play of all time, winner of five. My thoughts then were brilliant concept excellently executed, and this touring production, making its San Francisco debut duplicates the magic of this intimate look into the recording of a studio album.