Steve Murray
Review: WRECKAGE - A MUSICAL TRAGICOMEDY at San Francisco Mime Troupe
Could it possibly be that events have finally confirmed just what the San Francisco Mime Troupe has been howling at the wind for 67 years! The troupe whose shows have been called whacko, conspiratorial, commie and alarmist now find themselves leading the pack when it comes to shining a bright light
Review: THE EMPLOYEE DHARMA HANDBOOK at TheatreWorks Silicon Valley
There’s an HR nightmare threatening a critical launch and successful IPO at a Silicon Valley aerospace company.
Review: GOAT BLOOD at Theatre Rhinoceros
Two co-workers are shooting the bull at an overlook on a starry night – pot gummies about to kick in, beers in hand.
Review: BECOMING A MAN at Z Space
What did our critic think of BECOMING A MAN at Z Space?
Review: THE LUNCHBOX at Berkeley Rep
What did our critic think of THE LUNCHBOX at Berkeley Rep?
Review: LA CAGE AUX FOLLES at Theatre Rhinoceros
What did our critic think of LA CAGE AUX FOLLES at Theatre Rhinoceros?
Review: DRACULA: A FEMINIST REVENGE FANTASY, REALLY at SF Playhouse
Kate Hamill’s cheeky feminist reimagination of Bram Stoker’s Dracula is a lot to chew tacking issues of toxic masculinity, female empowerment, and even a political message on unchecked power and megalomaniacal dangers.
Review: HEDWIG AND THE ANGRY INCH at New Conservatory Theatre Center
This production is a touch bittersweet – it’s NCTC Founder Ed Decker’s last programed show after passing the baton to new Artistic Director Ben Villegas Randle.
Review: PICTURES FROM HOME at Marin Theatre
What did our critic think of PICTURES FROM HOME at Marin Theatre?
Review: DAVID MARINO LIVE AT THE ORINDA at Orinda Theatre
What did our critic think of DAVID MARINO LIVE AT THE ORINDA at Orinda Theatre?
Review: THE WIZARD AND I: LIZ CALLAWAY SINGS STEPHEN SCHWARTZ at Feinstein's At The Nikko
What did our critic think of THE WIZARD AND I: LIZ CALLAWAY SINGS STEPHEN SCHWARTZ at Feinstein's At The Nikko?
Review: HELL'S KITCHEN at Orpheum Theatre
Hell’s Kitchen recently closed on Broadway where it was a critical and commercial success garnering 13 Tony nomination and winning two.
Review: HAMNET at American Conservatory Theatre
Maggie O’Farrell’s fictionalized account of Agnes Hathaway was a solid hit when released in 2020, winning literary awards for its unique perspective on the little-known woman maligned by scholars.
Review: THE SONGS + STORIES OF STEPHEN SCHWARTZ at Chan National Queer Arts Center
Composer, lyricist, and pianist extraordinaire Stephen Schwartz presented an evening of conversation and song- a celebration of his continuing support and collaboration with the San Francisco Gay Men’s Chorus.
Review: THE MONSTERS at Berkeley Rep
Berkely Rep’s co-production with La Jolla Playhouse of Ngozi Anywanu’s The Monsters is a joyous, heartwarming story of the bond between sister and brother that will want to make you hug your sibling.
Review: FLEX at SF Playhouse
For Starra Jones, a baller from rural Plainnole, Arkansas, fulfilling her mother’s dream of basketball glory is her prime motivation.
Review: OUR CLASS at Z Space
There are many types of great theatre- light, cheerful, romantic, uplifting, silly, classic.
Review: ASSASSINS at Oakland Theatre Project
I admit I’ve never seen Stephen Sondhiem’s Assassins, nor ever heard the score or read the synopsis.
Review: TOTALLY '80S : SAN FRANCISCO GAY MEN'S CHORUS at Curran Theatre
The San Francisco Gay Men’s Chorus, the world's first openly gay chorus, continues it’s forty-eighth season with a concert both cheerful and deeply emotional celebrating the music and events of the 1980’s.
Review: AN INTIMATE EVENING WITH LUCIE ARNAZ at Feinstein's At The Nikko
What did our critic think of AN INTIMATE EVENING WITH LUCIE ARNAZ at Feinstein's At The Nikko?
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