Review: ASHLAND AVENUE at Goodman Theatre
by Rachel Weinberg - Sep 22, 2025
ASHLAND AVENUE is a genial and charming play set in Chicago. Directed by Goodman Theatre’s Artistic Director Susan Booth, the Chicago setting of Lee Kirk’s world premiere certainly seems fitting for the opening of the theater’s centennial season. But this isn’t the kind of gritty, metaphorical “blood on the walls” kind of play often associated with Chicago-style theater. Instead, Kirk’s story about a Chicago family-owned business is much gentler.
Jenna Fischer-Led ASHLAND AVENUE Opens Goodman's Centennial Season Next Month
by Chloe Rabinowitz - Aug 12, 2025
When Goodman Theatre opened its doors in fall of 1925, its first audiences were treated to ground-breaking new plays; now, one hundred years later, Chicago audiences are first to experience two world-premiere productions that launch the theater’s milestone Centennial 2025/2026 Season.
BLACK SUNDAY Opens at TimeLine Theatre Next Month
by Stephi Wild - Apr 12, 2024
Actors, designers, technicians, staff, and supporters gathered at TimeLine Theatre on Tuesday, April 9 for the first rehearsal of Black Sunday, a startling new look at, as described by playwright Dolores Díaz, “a dust storm so massive, so great, nobody had ever seen anything like it before.”
Review: THE CHERRY ORCHARD at Goodman Theatre
by Rachel Weinberg - Apr 11, 2023
It’s only fitting that for his swan song at Goodman Theatre Artistic Director Robert Falls has adapted and directed Anton Chekhov’s THE CHERRY ORCHARD, a play that’s also very much a swan song. With this staging, Falls has completed the cycle of directing all four of Chekov’s full-length plays for the Goodman stage. Fall’s take on THE CHERRY ORCHARD is surprisingly comedic and strips the play of the more obscure Russian references (though it’s still a period piece), which also demonstrates an artful understanding of the text and how 2023 audiences are best primed to receive it. THE CHERRY ORCHARD’s central character, estate owner Lyubov Ranevskaya, desperately clings to her glamorized version of the past even as the world around her moves inexorably forward. It’s a farewell, indeed, and a lesson in learning when to hold on and when to let go.