Ebony Molina

Training: Bird College of Performing Arts.

Theatre includes: Lorraine Fleming and understudy Ann Reilly in 42nd Street (Curve, Leicester), Broadway Ballet Girl and understudy Lina Lamont in Singin’ in the Rain (Chichester Festival Theatre), Soho Cinders (Stiles and Drewe, Queen’s), soloist in Stephen Mear’s Shoes (Sadler’s Wells), The Frug Girl in Sweet Charity (Haymarket and Menier Chocolate Factory), Showgirl in L’Heure Espagnole (Royal Opera House), The Right Girl in Shall We Dance choreographed by Adam Cooper (original company, Sadler’s Wells), soloist in Be Mine choreographed by Drew McOnie (The Place and Jackson’s Lane), ensemble in On the Town choreographed by Stephen Mear (Théâtre du Châtelet, Paris), Picture of Dorian Gray directed and choreographed by Matthew Bourne (original company, Sadler’s Wells and UK tour), Mrs Dross in The Nutcracker! (UK tour), Mercedes and alternate Lana in The Car Man by Matthew Bourne (Sadler’s Wells and UK tour), Mrs Charity Upton in Edward Scissorhands by Matthew Bourne (USA tour), Ava Gardner in Sinatra choreographed by Stephen Mear (original cast, London Palladium), Go-To-Hell Kitty and understudy ‘Mama’ Morton in Chicago (Adelphi), Estella in West Side Story directed by Francesca Zambello (Bregenz Festival), ensemble and understudy Veronique in Beauty and the Beast (RSC), ensemble and understudy Anouska in On Your Toes (Japan tour), Esther in Les Demoiselles de Rochefort (Paris), ensemble in My One and Only and Romeo and Juliet (Piccadilly) and The Black Queen in Chess (Denmark). Workshops: Shoes (Sadler’s Wells), Sleeping Beauty, Disney’s The Little Mermaid, Matthew Bourne’s The Car Man and Desperately Seeking Susan.

Other work includes: Assistant choreographer on Tommy and Spring Awakening (English Theatre, Frankfurt).