Performances will run from June 2-7.
Single tickets for the North American Tour of BEETLEJUICE, the edgy and irreverent Broadway smash hit musical comedy, will go on sale at The Raymond F. Kravis Center on October 31.
Based on Tim Burton's dearly beloved film, this hilarious musical tells the story of Lydia Deetz, a strange and unusual teenager whose whole life changes when she meets a recently deceased couple and a demon with a thing for stripes. With an irreverent book, an astonishing set, and a score that's out of this Netherworld, BEETLEJUICE is “SCREAMINGLY GOOD FUN!” (Variety). And under its uproarious surface (six feet under, to be exact), it's a remarkably touching show about family, love and making the most of every Day-O!
BEETLEJUICE features original direction by Tony Award winner Alex Timbers (Moulin Rouge!) with an score by Tony Award nominee Eddie Perfect (King Kong); a book by Tony Award nominee Scott Brown (“Castle Rock”) and Tony and Emmy Award nominee Anthony King (“Broad City”); music supervision, orchestrations and incidental music by Kris Kukul (Joan of Arc: Into the Fire); and original choreography by Connor Gallagher (The Robber Bridegroom). The tour is directed by Catie Davis and choreographed by Michael Fatica based on the original Broadway direction and choreography.
BEETLEJUICE includes scenic design by three-time Tony Award nominee David Korins (Hamilton); costume design by six-time Tony Award winner William Ivey Long (The Producers); lighting design by Tony Award winner Kenneth Posner (Kinky Boots); sound design by Tony Award winner Peter Hylenski (Moulin Rouge!); projection design by Tony Award nominee and Drama Desk Award winner Peter Nigrini (Dear Evan Hansen); puppet design by Drama Desk Award winner Michael Curry (The Lion King); special effects design by Jeremy Chernick (Harry Potter and the Cursed Child), illusions by Michael Weber (“Forrest Gump”), hair and wig design by Drama Desk Award nominee Charles G. LaPointe; make-up design by Joe Dulude II; casting by Geoff Josselson Casting.
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