UK / WEST END OPERA NEWS COVERAGE - PAGE 2
The latest news on performances of Opera in UK / West End.
by Gary Naylor - July 22, 2025
Jennifer France gives everything in a role demanding bel canto singing and bloody revenge...
by Gary Naylor - July 21, 2025
It's a long way from Santiago to the West End. Isabela Díaz explains how she did it and what the Jette Parker Programme means to its artists...
by Aliya Al-Hassan - July 21, 2025
Now on its third revival, Rodula Gaitanou's heart-stopping version of Verdi's tragic La Traviata is as affecting as ever. Opening with courtesan Violetta gasping for air, it never lets up its hold on the senses....
by Aliya Al-Hassan - July 19, 2025
Adapted from Shakespeare’s The Merry Wives of Windsor, director Richard Jones’s glorious Falstaff makes a welcome return to Glyndebourne, losing none of its charm or deft comedy. It is playful, witty and a pure delight....
by Alexander Cohen - July 01, 2025
Forget Arcadian landscapes and Corinthian columns. Oliver Mears’s new production of Handel’s Semele remoulds Greek myth to a 20th century manor house where mortals are servants of Gods who lounge around in velvet ball gowns. Semele is a maid plucked from service by master of the house, a cigaret...
by Clementine Scott - June 30, 2025
You could be forgiven for thinking that there isn’t much more to be said about Le nozze di Figaro, the most performed opera in Glyndebourne’s history. However, Mozart’s classic role subversion comedy is deceptive in its simplicity: beneath the farce and improbable plot twists is a complex web ...
by Guest Author - June 20, 2025
Le Nozze di Figaro is a piece I’ve been living with as long as I can remember. To me, it might be the best opera ever written: it makes me laugh, it moves me to tears, the plot twists still fill me with delight, and all the characters have potential for complexity and depth. It is the only piece I...
by Aliya Al-Hassan - June 16, 2025
Even ardent opera fans may struggle to recall the story or the score for Mazeppa. Based on a poem by Pushkin, Tchaikovsky's opera has been unjustly overshadowed by his Eugene Onegin. Last staged at the London Coliseum in 1984, Grange Park Opera have landed a coup by engaging the English National O...
by Aliya Al-Hassan - June 09, 2025
Just how much fun can you have at an oratorio about a Old Testament tale of jealousy, madness and death? Well, quite a lot as it happens at the return of Barry Kosky's remarkable production of Handel's Saul. This staging is opera at its most theatrical, with severed heads, a breast-feeding witch, a ...
by Aliya Al-Hassan - June 09, 2025
Grange Park Opera has opened its new season with a crowd-pleaser. Giacomo Puccini's Madama Butterfly remains problematic, with its story of a Japanese teenage geisha, impregnated and cruelly abandoned by an American lieutenant. However, it is still wildly popular, mainly due to its ravishing score....
by Franco Milazzo - June 04, 2025
Opera Holland Park has never shied away from audacious programming, and with Jonathan Dove’s Itch, it plunges boldly into radioactive territory—literally. Originally seen here in 2023 and based on Simon Mayo’s YA novel about a teenage element hunter who stumbles upon a potentially world-alteri...
by Michael Higgs - May 28, 2025
Stormy weather and an enthusiastic audience mark Julia Burbach’s The Flying Dutchman as it proves a smashing success to open the 2025 season of Opera Holland Park....
by Michael Higgs - May 24, 2025
Celebrating its sixth revival, David McVicar’s critically acclaimed production of Faust is a spectacular success with stunning sets and costumes, a magnificent cast, and some of Gounod’s greatest music....
by Aliya Al-Hassan - May 19, 2025
Opera buffa is an ever-popular genre of the art, and more than two centuries after its composition, Rossini's Il barbière di Siviglia remains one this genre's most often staged operas. The music and lyrics are pure genius, but the success of this particular opera comes from an inherent understand...
by Gary Naylor - May 04, 2025
Super show that lightens a very dark subject (corecive control), but does not diminish it...
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