Photos: RIGOLETTO at The Santa Fe Opera by BWW News Desk
- July 15, 2025 See first look photos of the Santa Fe Opera's new production of Verdi's Rigoletto directed by Julien Chavaz and starring Michael Chioldi, Elena Villalón, Duke Kim and Stephano Park.
San Francisco Opera's 2025–26 Season to Opens in September by BWW News Desk
- July 11, 2025 San Francisco Opera’s 2025–26 season, the tenth under the leadership of Tad and Dianne Taube General Director Matthew Shilvock, kicks off in September. Learn more about the season!
Portland Opera's 2025/26 Season Single Tickets On Sale Now by BWW News Desk
- July 10, 2025 Portland Opera has announced that single tickets are now on sale for its 2025/26 season, Love Through Adversity. Subscription packages will remain available throughout the season, which runs September 2025 through May 2026 and features eight productions ranging from beloved classics to immersive new works.
OPERA America Reveals 2025–2026 Protégés for Mentorship Program for Women Administrators by BWW News Desk
- July 08, 2025 OPERA America has announced the selection of four outstanding women administrators for the 2025–2026 Mentorship Program for Women Administrators. The program is designed to foster professional growth and leadership advancement by pairing rising opera professionals with seasoned executives in the field.
Review: LE NOZZE DI FIGARO, Glyndebourne Festival by Clementine Scott
- June 30, 2025 You could be forgiven for thinking that there isn’t much more to be said about Le nozze di Figaro, the most performed opera in Glyndebourne’s history. However, Mozart’s classic role subversion comedy is deceptive in its simplicity: beneath the farce and improbable plot twists is a complex web of power dynamics and social cues upended, and above all a libretto full of dry humour that’s striking in its timelessness.
Yongzhao Yu to Make San Francisco Opera Debut as The Duke in RIGOLETTO by BWW News Desk
- June 30, 2025 San Francisco Opera has announced a casting update for the opening production of its 2025–26 season. Chinese tenor Yongzhao Yu will make his Company debut in the role of The Duke of Mantua in Giuseppe Verdi’s Rigoletto, replacing Giovanni Sala, who has withdrawn for personal reasons.
Opera in the Heights Names Kathryn Frady as Interim General Director by BWW News Desk
- June 30, 2025 Opera in the Heights (Oh!) has announced the appointment of Kathryn Frady as the company’s Interim General Director, effective immediately. Frady steps into the role to lead the 2025–26 season, taking the reins from outgoing general director Eiki Isomura, who will continue as the company’s music director.
Sondheim's A LITTLE NIGHT MUSIC and More Set for Opera In The Heights 2025-26 Season by BWW News Desk
- June 30, 2025 Opera in the Heights has announced its 2025–2026 season. The lineup includes Stephen Sondheim's A Little Night Music in November, a joyful holiday concert in December, the Texas premiere of Lucidity by Laura Kaminsky and David Cote in March, and Donizetti's sparkling comedy Don Pasquale in April.
Cincinnati Opera Launches Free Ticket Initiative For Students In Grades 7–12 by BWW News Desk
- June 25, 2025 Cincinnati Opera has announced a new student access initiative designed to welcome and inspire the next generation of opera lovers. Thanks to a generous donation, students entering grades 7–12 (including 2025 high school graduates) are invited to attend select performances during the company's 2025 Summer Festival free of charge.
Review: Old Meets New at Lincoln Center, Mixing George Lewis and Monteverdi in THE COMET/POPPEA by Richard Sasanow
- June 20, 2025 The recent New York premiere of Yuval Sharon’s production of THE COMET/POPPEA at Lincoln Center kicked off the summer’s 5-week residency of the American Modern Opera Company (cheekily known as AMOC, after its penchant for taking a somewhat wild and crazy approach to the art form).
Guest Blog: 'It Might Be The Best Opera Ever Written': Director Mariame Clément on Glyndebourne's New Production of LE NOZZE DI FIGARO by Guest Author
- June 20, 2025 Le Nozze di Figaro is a piece I’ve been living with as long as I can remember. To me, it might be the best opera ever written: it makes me laugh, it moves me to tears, the plot twists still fill me with delight, and all the characters have potential for complexity and depth. It is the only piece I’ve ever revisited: this production will be my third, and not only do I not get tired of it, it seems to get more exciting each time.
Review: Puccini’s TRITTICO Storms the Bastille, Giving Asmik Grigorian Three Times the Showcase by Richard Sasanow
- June 15, 2025 One of the operas at the top of my list for next season at the Met is the Deborah Warner staging of Tchaikovsky’s EUGENE ONEGIN that brings back soprano Asmik Grigorian for the first time since her 2024 debut in MADAMA BUTTERFLY.
Not that there’s anything wrong with Puccini, the major composer I’ve heard her sing. The first was that Met debut with her golden-throated, heart-breaking Cio-Cio San, followed by her blonde bombshell of a Freudian Turandot (plus a recital) at the Vienna State Opera. Very recently, there was this season’s justifiable cheering from the audience--myself included--when she took on the three soprano roles in IL TRITTICO at the Paris Opera’s home at the Bastille.
Review: THIS HOUSE at Opera Theatre Of St. Louis by Steve Callahan
- June 03, 2025 'This House', a world premiere opera at Opera Theatre of St. Louis is the saga of a Harlem family that is both blest and cursed.
Review: QUEEN OF SPADES at Metropolitan Opera by Peter Danish
- May 28, 2025 The Metropolitan Opera's revival of Tchaikovsky’s *The Queen of Spades*, which opened on Friday, May 23, 2025, offered a visually opulent and musically ambitious evening, though not without its challenges. Elijah Moshinsky’s elegant 1995 production, with its sumptuous sets and period costumes, provided a rich backdrop for the unfolding drama.
Review: PORGY AND BESS at Kennedy Center by David Friscic
- May 27, 2025 The pivotal and star-crossed main characters and the Catfish Row community come alive in the highly influential, thought-provoking, and engrossing opera Porgy and Bess. This much discussed opera has its partisans and detractors but there is a distinct need to ponder and consider a work of this quality. This Washington National Opera production beautifully melds content and form in this story of a crippled man (Porgy) who must travel the lonely road (“When Gawd make cripple, He means him to be lonely. Night time, day time, He got to travel that lonesome road.”) to find wholeness with the easily gratified yet complex and caring Bess.