The author, a former deputy chairman of the Royal Opera House, may well become the Anna Russell of print with this irreverent guide to plots, singers, composers, and recordings of more than 80 operas.
Forman's criteria for selection is that of recorded popularity--the opera must have had three or more versions listed in the Gramophone CD catalog of December 1992. Operas are alphabetically arranged from the backstage tragedy Adriana Lecouvreur to the psychiatric tragedy, Wozzeck. All are described in degrees of irreverence and are also rated--from alpha-plus to gamma. Also included is a description of the cast, running time, and a unique commentary on the major arias, described as "Look Out For," with the maximum of a three-star rating awarded "at the whim of the author." The arias are listed in "minutes from start." Notes, news and gossip, and a comment section complete the entries. The book concludes with a dictionary of opera terms; brief biographies of composers, conductors, and singers; and an index.
Although there is much in this volume that might be considered sacrilegious by the serious opera aficionado, Forman's style is humorous, entertaining, and insightful--Hansel and Gretel is said to be loved in Munich because of its "Grimm Teutonic nature." Originally published in Britain in 1994 as the Good Opera Guide, A Night at the Opera belongs in all music reference collections. It will balance the serious, weighty tomes and perhaps spark an interest in opera for those who think it dull and boring.
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Publisher: Modern Library
Released: 1998
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