Eva Noblezada to Play Final Performance in HADESTOWN in August

Original Broadway cast member Eva Noblezada will play her final performance as ‘Eurydice’ in Hadestown on Sunday, August 13.

Noblezada began playing ‘Eurydice’ in 2018 at London’s National Theatre before transferring with the production to Broadway in 2019. 

Written by Anaïs Mitchell and directed by Rachel Chavkin, Hadestown is currently playing at the Walter Kerr Theatre (219 W 48th Street).

Mitchell commented, “Eva’s Eurydice is/was everything – punk rock, tender, mythic. She seems to throw sparks all over the stage. She can do literally anything (and she will!) and I’m forever grateful she chose to spend so much time in Hadestown. We love you, Eva!”

Noblezada said, “I could’ve never dreamed of the extent of how much my life would be radically blessed by this epic love song of a show. As heartbreaking as it feels to leave, I am comforted by the gloriously infinite memories this show has given me and I know I can look back whenever and be serenaded by them.  There will always be endless love when I think of all the people who were/are part of the adventure. The casts! Crew members and our creative team. Our producers and company management. Family. And especially the tens of thousands of people who support Hadestown and hold the show in their hearts just like we do. Through all iterations, this show will always be about love and rebirth. Muchas Gracias. Salamat. Thank you all so much. Peace out!”

Hadestown currently stars Grammy Award winner Reeve Carney as Orpheus, Tony Award winner Lillias White as Hermes, Jewelle Blackman as Persephone, and Tom Hewitt as Hades. They are joined by Amelia Cormack, Lindsey Hailes, and Brit West as the Fates. The chorus of Workers is played by Emily Afton, Malcolm Armwood, Alex Lugo, Sayo Oni, Alex Puette, and Grace Yoo. The cast includes swings Brandon Cameron, Max Kumangai, Yael “YaYa” Reich, Eddie Noel Rodríguez, and Allysa Shorte. 

Hadestown originated as Anaïs Mitchell’s indie theater project that toured Vermont which she then turned into an acclaimed album. With Rachel Chavkin, her artistic collaborator, Hadestown has been transformed into a genre-defying new musical that blends modern American folk music with New Orleans-inspired jazz to reimagine a sweeping ancient tale.

 Following two intertwining love stories — that of young dreamers Orpheus and Eurydice, and that of King Hades and his wife Persephone — Hadestown invites audiences on a hell-raising journey to the underworld and back. Mitchell’s beguiling melodies and Chavkin’s poetic imagination pit industry against nature, doubt against faith, and fear against love. Performed by a vibrant ensemble of actors, dancers, and singers, Hadestown delivers a deeply resonant and defiantly hopeful theatrical experience.

Hadestown marks the first time in over a decade that a woman has been the solo author of a musical: writing the music, lyrics, and book, and is the fourth time in Broadway history a woman has accomplished this creative feat. It also marks the first time in Broadway history that a show’s female composer and female director both won Tony Awards for their work. Earlier this year, the landmark musical became the longest running show in the history of the Walter Kerr Theatre and holds the record for highest grossing musical in that venerated stage’s 100-year history.

The creative team features Tony Award winner Rachel Hauck (set design), four-time Tony Award nominee Michael Krass (costume design), two-time Tony Award winner Bradley King (lighting design), Tony Award winners Nevin Steinberg and Jessica Paz (sound design), Obie Award® winner and Chita Rivera Award® winner David Neumann(choreography), Liam Robinson (music supervision, direction, and vocal arrangements), Tony Award winners Michael Chorney and Todd Sickafoose (arrangements and orchestrations), Ken Cerniglia (dramaturgy), and Whitley Theatrical (casting).

The North American tour is in its Canadian premier with a multi-week engagement at the Royal Alexandra Theatre in Toronto through Sunday, August 20.  The tour then heads to Ottawa, August 22-27, before returning to the States and San Francisco for a week, opening September 12.  More stops include Sacramento, San Jose, Los Angeles and Seattle.  For the latest tour route and other information, please visit: www.hadestown.com/tour

The Original Broadway Cast Recording of Hadestown is one of the most streamed cast albums of all time with over 300 million streams to date. It was released the summer of 2019, topped Billboard’s Broadway Cast Recording chart, and debuted at #8 on the Top Album chart. The CD edition features a 64-page booklet and a two-disc set, while the triple vinyl edition features a 16-page booklet. Both editions include complete song lyrics and never before seen photos of the Hadestown cast and creative team in the studio, and other exclusive content.

In fall of 2020, Mitchell released Working On A Song: The Lyrics of Hadestown, an illuminating book of lyrics and stories about her more than decade’s long process of building the musical from the ground up. Working On A Song is available from Penguin Random House. 

Hadestown electrified audiences with its 2016 world premiere at New York Theatre Workshop, which is the longest-running show in that celebrated theater’s 40-year history. The production then received its Canadian premiere at Edmonton’s Citadel Theatre in 2017 and then a 2018 sold-out engagement at the London’s National Theatre prior to Broadway.Hadestown was developed with funding from the Eli and Edythe Broad Stage at the Santa Monica College Performing Arts Center and was further developed by The Ground Floor at Berkeley Repertory Theatre. Hadestown was co-conceived by Ben t. Matchstick.

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