A.C.T. Extends THE SCOTTSBORO BOYS thru July 22

ACT-Extends-SCOTTSBORO-BOYS-thru-July-22-20010101

Due to popular demand, American Conservatory Theater (A.C.T.) has announced the extension of the Bay Area premiere of The Scottsboro Boys, the critically acclaimed musical based on a tragic chapter in American history. Tickets are now on sale through Sunday, July 22. Preview performances begin tomorrow, June 21, with opening night scheduled for Wednesday, June 27.

Tickets for all performances are on sale now and may be purchased online at act-sf.org or by calling 415.749.2228.

Nominated for twelve 2011 Tony Awards, The Scottsboro Boys features music and lyrics by the legendary Broadway songwriting team of John Kander and Fred Ebb (Cabaret, Chicago, Kiss of the Spider Woman), book by David Thompson (Steel Pier, Chicago), musical direction by Eric Ebbenga, and direction and choreography by five-time Tony Award winner Susan Stroman (The Producers, Young Frankenstein, Contact). Jeff Whiting will serve as associate director and choreographer. Tony and Emmy Award winner Hal Linden (Barney Miller, The Rothschilds on Broadway) joins the stellar cast as The Interlocutor.

Based on the notorious Scottsboro trials of the 1930s, The Scottsboro Boys tells the story of nine African American teenagers—ranging from 12 to 19 years old—convicted of raping two white girls on a Southern Railroad freight train while hitching a ride to Memphis in search of employment. Despite the fact that one of the original complainants later denied that any rape had occurred, the nine teenagers were subjected to years of brutal imprisonment, death-sentence verdicts, and denied appeals. Reclaiming the framework of a minstrel show and “turning the taboo form on its head,” explains Stroman, the musical—through high-energy dance numbers and exuberant music—courageously addresses one of the most abhorrent episodes in American history.

Based on the notorious 1931 “Scottsboro Case,” The Scottsboro Boys tells the story of nine African American teenagers—ranging from 13 to 19 years old—convicted of raping two white girls on a Southern Railroad freight train while hitching a ride to Memphis in search of employment. Despite the fact that one of the original complainants later denied that any rape had occurred, the nine teenagers were subjected to years of brutal imprisonment, death-sentence verdicts, denied appeals, and long-delayed pardons for a crime they did not commit. Reclaiming the framework of a minstrel show, the musical—through high-energy dance numbers and upbeat music—courageously addresses one of the most abhorrent episodes in American history.

The Scottsboro Boys had its world premiere in February 2010 at the Vineyard Theatre in New York City. The show moved to the Guthrie Theater in Minneapolis in July 2010, where it played to sold-out houses, before moving to Broadway’s Lyceum Theatre in October 2010. Hailed as “a masterwork, both daring and highly entertaining” (New York Post) and “a theatrical triumph” (Philadelphia Magazine), the show was nominated for twelve 2011 Tony Awards, including Best Musical, and was the recipient of the 2010 Lucille Lortel Award for Outstanding Musical and the 2010 Outer Critics Circle Award for Outstanding Off-Broadway Musical. The show was also nominated for nine 2010 Drama Desk Awards and received a Drama League Award nomination for Distinguished Production of a Musical.

Says A.C.T. Artistic Director Carey Perloff: “Susan Stroman is an American treasure whose work has never been seen on the A.C.T. stage. It’s such an honor to welcome her to San Francisco with this seamless, passionate, and imaginative staging of Kander and Ebb’s fascinating tale. With The Scottsboro Boys, Stroman manages to fuse astonishing dancing with heartfelt and complex storytelling in a unique and masterful way that will provide a wonderful complement to A.C.T.’s history of edgy musicals like The Threepenny Opera, Urinetown, Sweeney Todd, and last season’s production of Armistead Maupin’s Tales of the City.”

The Scottsboro Boys marks the fourth and final collaboration for John Kander, Fred Ebb, Susan Stroman, and David Thompson. Previous collaborations included the 1987 off-Broadway revival of Flora, The Red Menace, the 1991 off-Broadway production of And the World Goes ’Round, and the 1997 Broadway production of Steel Pier. Looking at famous trials of the 20th century as inspiration, the four were immediately drawn to the compelling story of the Scottsboro Boys trials.

Says Kander: “As a young boy growing up in Kansas City, I remember when the Scottsboro Boys were first in the headlines. I remember the conversations with my parents about what the trials meant. I am sure there were similar conversations at kitchen tables across the country. I also remember when the headlines began to fade and the Scottsboro Boys gradually disappeared from the national spotlight. As we began to write The Scottsboro Boys, it was immediately apparent why it was so important to tell their story. Behind the headlines, the spectacle, the ongoing trials, and the histrionics of politicians and lawyers was the story of nine young African American boys, determined to prove that they mattered.”

The cast of The Scottsboro Boys features Hal Linden as The Interlocutor, Clifton Duncan as Haywood Patterson, Jared Joseph as Mr. Bones, and JC Montgomery as Mr. Tambo. The cast also includes David Bazemore as Olen Montgomery, Cornelius Bethea as Willie Roberson, Nile Bullock as Eugene Williams, Christopher James Culberson as Andy Wright, Eric Jackson as Clarence Norris, James T. Lane as Ozie Powell/Ruby Bates, Clifton Oliver as Charles Weems/Victoria Price, Clinton Roane as Roy Wright, and C. Kelly Wright as The Lady, with Audrey Martells as an understudy for The Lady and Shavey Brown and Max Kumangai as swings.

A.C.T.’s production of The Scottsboro Boys reunites the original creative team of Jeff Whiting (associate director and choreographer), Beowulf Boritt (scenic design), Toni-Leslie James (costume design), and Ken Billington (lighting design). The creative team also includes Jon Weston (sound design), Eric Santagata (assistant choreographer), Rick Sordelet (fight director), Janet Foster, CSA (casting), and Joshua Halperin (stage manager). This production of The Scottsboro Boys is presented in association with The Old Globe.

A.C.T. will offer numerous InterACT events—many of which are presented free of charge—in association with The Scottsboro Boys that will give patrons opportunities to get closer to the action while making a whole night out of their evening at the theater:

• Audience Prologue: Tue., June 26, at 5:30 p.m.
Get inside the artistic process at this lively preshow discussion with Scottsboro Boys associate director and choreographer Jeff Whiting and a member of the A.C.T. artistic staff.

• Theater on the Couch: Fri., June 29, at 8 p.m.
Led by Mason Turner, chief of psychiatry at San Francisco’s Kaiser Permanente Medical Center, this exciting postshow discussion series explores the minds, motives, and behaviors of the characters and addresses audience questions.

• Audience Exchanges: Tue., July 3, at 7 p.m. | Sun., July 8, at 2 p.m. | Wed, July 11, at 2 p.m.
After the show, stick around for a lively Q&A session with the actors and artists who create the
work onstage.

• OUT with A.C.T.: Wed., July 11, following the 8 p.m. performance
The best LGBT night in town! Mingle with the cast and enjoy free drinks and treats at this popular afterparty. Visit www.act-sf.org/out for information about how to subscribe to OUT nights throughout the season.

• A.C.T. PlayTime Workshop: Saturday, July 14, before the 2 p.m. performance
Get hands-on with the art of theater with the artists who make it happen at this interactive preshow workshop. Doors open at 12:45 p.m.; the workshop will begin promptly at 1 p.m.

A.C.T.’s production of The Scottsboro Boys is sponsored by Deloitte and Farella Braun + Martel LLP. The Scottsboro Boys is made possible by executive producers Lesley Ann Clement and Barry Lawson Williams and Lalita Tademy; producers Rose Hagan and Mark Lemley, Marcia and Jim Levy, Terry and Jan Opdendyk, David and Carla Riemer, Bert Steinberg and Lucia Brandon, Lorenzo Thione and David Palmer, and Larry and Robyn Varellas; and associate producers Anne and Jerry Down, Robert Hulteng, Christine and Stan Mattison, Maria and Jeff Spears, and Judy and Bill Timken. A.C.T. would also like to acknowledge its 2011–12 season company sponsors Ray and Dagmar Dolby, Frannie Fleishhacker, Ambassador James C. Hormel and Michael P. Nguyen, Koret Foundation, Fred M. Levin and Nancy Livingston, The Shenson Foundation, Burt and Deedee McMurtry, Mary and Steven Swig, Doug Tilden, and Jeff and Laurie Ubben.

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