Native American Fashion Designers Link Clothing to Cultural Heritage Tourism at Annual Conference
The American Indian Alaska Native Tourism Association (AIANTA) presents the session "Tourism Trends: Indigenous Fashion" at the 15th Annual American Indian Tourism Conference (AITC) at the Hard Rock Hotel & Casino in Tulsa, September 22 - 26.
Fashion is an important part of every community and can be a valuable product for tourism programs. The panel consists of three Native designers work with traditional, historic and contemporary fashion. These ladies will describe their journeys in clothing design and how their works are used in living history re-enactments, cultural demonstrations and mainstream fashion events.
"My culture has influenced my work so much and has given me more of a voice in the fashion industry," said Margaret Roach Wheeler of Mahota Handwovens and costume designer for Chickasaw Nation. "There is an excitement among people over fashion and designs that relate to cultural history. I'm able to design pieces that reflect tribal traditions, yet make them edgy and modern for today."
· Margaret Roach Wheeler, Mahota Handwovens
· Tonia Hogner-Weavel, Cherokee Heritage Center
· Lisa Rutherford
Margaret Roach Wheeler, a Chickasaw textile artist discusses her early work, the textile pieces she is creating for the Chickasaw Nation. At the Chickasaw Arts Academy, she teaches fashion design to high school students. Each year, the Academy provides two students with scholarships to the Fashion Institute of Technology in New York. She is a descendant of the Chickasaw-Choctaw tribes.
Tonia Hogner-Weavel has been called a living cultural treasure by Cherokee Nation for her historic research. She designed the period clothing for Diligwa, a living Cherokee Village based on 1710, and the Cherokee tear dresses for the Cherokee Nation Youth Choir. She is a citizen of the Cherokee Nation.
Lisa Rutherford is an award-winning artist recreates southeast appliqué Cherokee beadwork and clothing, using materials as authentic as possible from the late 1700s to early 1800s. She collaborated with Navajo designer Orlando Dugi who took her traditional southeast feather cape and made it haute couture on the runway. She is a citizen of the Cherokee Nation.