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X-TRA Opens at Lesley Heller Workspace Today

Lesley Heller Workspace presents X-tra, an exhibition of nine mid-career artists, all preoccupied with interdisciplinary relationships, running today, January 30 - March 3, 2013, with an opening reception set for Friday, February 1, from 6-8 p.m. and a performance by Black Lake on Friday, February 8, at 6:30 p.m.

The exhibition features the works of Lisa Beck, Lydia Dona, Scott Grodesky, Black Lake (Susan Jennings and Slink Moss), Fabian Marcaccio, Peter Rostovsky, Kanishka Raja and Daniel Wiener.

Extra material, extra gaze, extra messy, extra energetic, extra light moving into extra dark, extra blast, extra pull, and extra push. X-tra is an attempt to be about "this is too much," not as categorical hermeticism, but as a creation of intricacies that allow expression and definitions of mediums into a more charged and dynamic model.

Light and dark operate as bipolar forces within the attitudes of the artists. Our sensory overload of visual information gives the mind a possibility that allows combat zones of light that is not exactly nature in the work of Black Lake and Peter Rostovsky. Urbanism is a leaking city, without borders or contrasts of its phantasms in the paintings of Lydia Dona and Kanishka Raja. With Fabian Marcaccio, the body is no longer itself, and the elasticity of political communities and American legacies stretch themselves from loaded materiality into the problematic content and its reversal.

The questions asked by these artists are compressed within their mediums, holding onto the medium, but reversing its perspective as subject-object relation. Scott Grodesky pushes the excessive figural and linear to the most extreme compression of minute and inner-loaded drawings grouped in contrasting inner darkness and highlights.

Daniel Wiener's materials dig and morph visually into a sculptural mass. The "extra" lightening of silence and the activation of drawing through performative combinations of movement and sound is exemplified in the installation and performance of Black Lake. (Susan Jenning's silvered objects and Slink Moss' drawings). The play of light and shadow continues in Lisa Beck's transparent and endless ready-made balls. Vertically stacked glass balls, where light disappears and passes through the object, not recalling where it originally started, leave one with the mentality of putting things out-a complex attitude of stretching pictorial time outside of itself. The irony of confrontational time is viewed in an extreme parallel with its lighting zone of "Switzerland for Movie Stars" by Kanishka Raja.


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