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UK / WEST END THEATER REVIEWS

The latest reviews and critic recommendations from UK / West End
BWW Review: RAILED, Brighton Spiegeltent

BWW Review: RAILED, Brighton Spiegeltent

by Fiona Scott — May 29, 2019
Head First Acrobats return to Brighton Fringe, bringing their new Wild West themed show, Railed, to the Spiegeltent. The Australian quartet previously won Best Cabaret Award at the 2015 festival for their previous show Elixir....
BWW Review: THE MERRY WIVES OF WINDSOR, Shakespeare's Globe

BWW Review: THE MERRY WIVES OF WINDSOR, Shakespeare's Globe

by Laura Jones — May 29, 2019
There's something magical about watching Shakespeare at the Globe theatre, especially on a sunny summer evening. The Merry Wives of Windsor is an intricate play with various subplots and a multitude of characters and in this production, director Elle While places a 1930s spin on things....
BWW Review: RUTHERFORD AND SON, National Theatre

BWW Review: RUTHERFORD AND SON, National Theatre

by Marianka Swain — May 29, 2019
Rain gushes down the front of the Lyttelton stage, a pitiless wall of water trapping and framing the Rutherfords - a clan very much defined by their environment. It's an arresting image to open Polly Findlay's sure revival of Githa Sowerby's 1912 drama, inspired by Sowerby's own family's dealings in...
BWW Review: TOSCA, Royal Opera House

BWW Review: TOSCA, Royal Opera House

by Gary Naylor — May 28, 2019
Gorgeous and gruesome, this revival of Jonathan Kent's production fills the Royal Opera House with emotion and passion - and a warning of what chaos can ensue in a failing state....
BWW Review: MARIAH CAREY: CAUTION WORLD TOUR, Royal Albert Hall

BWW Review: MARIAH CAREY: CAUTION WORLD TOUR, Royal Albert Hall

by Charlotte Downes — May 27, 2019
Mariah Carey's Caution World Tour kicked off its European leg in Dublin last week. It's spending three nights at London's Royal Albert Hall before taking off to France, Spain, Denmark, Germany and Holland....
BWW Review: BENEATH THE BLUE RINSE, Park Theatre

BWW Review: BENEATH THE BLUE RINSE, Park Theatre

by Cindy Marcolina — May 25, 2019
Simon Sudgebury (Kevin Tomlinson) has been scamming older ladies forcing them to buy expensive alarm systems in order to earn a huge bonus. 75-year-old Flora Parkin (Marlene Sidaway) isn't the kind to let anyone take advantage of her. When the salesman shows up at her door, he quickly finds out that...
BWW Review: BLUEPRINT MEDEA, Finborough Theatre

BWW Review: BLUEPRINT MEDEA, Finborough Theatre

by Cindy Marcolina — May 24, 2019
Medea (Ruth D'Silva) becomes a Kurdish militant seeking asylum in the UK. Blueprint Medea tracks her journey from 2006 to 2016 as she leaves her home country, meets Jason (Max Rinehart), and then departs again. Written and directed by Julia Pascal, the piece is introduces too many themes at once onl...
BWW Review: DOES MY BOMB LOOK BIG IN THIS?, Soho Theatre

BWW Review: DOES MY BOMB LOOK BIG IN THIS?, Soho Theatre

by Aliya Al-Hassan — May 26, 2019
What makes a seemingly ordinary 15-year-old girl travel to Syria to become a jihadi bride? Years before Shamima Begum became front page news, writer and actor Nyla Levy was developing the story of Does My Bomb Look Big In This? after being repeatedly cast as the girlfriend of terrorists in her own a...
BWW Review: A MIDSUMMER NIGHT'S DREAM, St Nicholas' Rest Garden

BWW Review: A MIDSUMMER NIGHT'S DREAM, St Nicholas' Rest Garden

by Fiona Scott — May 24, 2019
The Lord Chaimberlain's Men return to Brighton Festival with their dreamy production of A Midsummer Night's Dream. This year the all-male Shakespeare outdoor theatre company are launching their 15th anniversary season at the St Nicholas Rest Gardens in Brighton city centre....
BWW Review: OUR TOWN, Regent's Park Open Air Theatre

BWW Review: OUR TOWN, Regent's Park Open Air Theatre

by Laura Jones — May 23, 2019
The first production for Regent's Park Open Air Theatre's summer 2019 season is a revival of Thornton Wilder's 1938 play, Our Town. It's a show that is constantly being revived, particularly popular in the United States where the play is set. It was last on the London stage at the Almeida in 2014 in...
BWW Review: COOPED, Worthing Pavilion Theatre

BWW Review: COOPED, Worthing Pavilion Theatre

by Fiona Scott — May 23, 2019
Spymonkey are a quartet of performers from Spain, Germany and England formed in 1997. They are celebrating 20 years of performing together by bringing their horror spoof, Cooped, to Worthing's Pavilion Theatre as part of the Brighton Festival....
BWW Review: THE TALENTED MR. RIPLEY, Wilton's Music Hall

BWW Review: THE TALENTED MR. RIPLEY, Wilton's Music Hall

by Cindy Marcolina — May 23, 2019
Tom Ripley is struggling to make a living in New York City. When he's approached by Herbert Greenleaf - shipping magnate and father to an old university acquaintance of his - he sets sail for Italy to convince his son Dickie, whose friendship he exaggerates greatly, to go back to the US and join the...
BWW Review: DEAD DOG IN A SUITCASE (AND OTHER LOVE SONGS), Lyric Hammersmith

BWW Review: DEAD DOG IN A SUITCASE (AND OTHER LOVE SONGS), Lyric Hammersmith

by Debbie Gilpin — May 24, 2019
"Bring it down. Bring it all down and start again!" An unexpected European election day in the UK and anticipation of Theresa May's resignation formed the backdrop for Kneehigh's London press night for Dead Dog in a Suitcase (and other love songs), making its presence more vital than ever - and its ...
BWW Review: USER NOT FOUND, The CoffeeWorks Project, Battersea Power Station

BWW Review: USER NOT FOUND, The CoffeeWorks Project, Battersea Power Station

by Gary Naylor — May 23, 2019
USER NOT FOUND plunges us into the very contemporary and very real issues concerning one's digital legacy. Do you hit the big red button and kill ?that person again? Or do you let them live on, haunting ever diminishing spaces in the digital world?...
BWW Review: ANNA, National Theatre

BWW Review: ANNA, National Theatre

by Marianka Swain — May 22, 2019
The audience plays surveillance state in this pioneering collaboration between playwright Ella Hickson and sound designers Ben and Max Ringham. We experience the action through individual sets of headphones, corresponding to a hidden mic on our protagonist Anna - listening in to her every exchange a...
BWW Review: HOARD, Arcola Theatre

BWW Review: HOARD, Arcola Theatre

by Cindy Marcolina — May 22, 2019
Bili (Kemi Durosinmi) is introducing her boyfriend Brian (Tyler Fayose) to her sisters Rafi (Elizabeth Ita) and Ami (played by Estella Daniels on book due to Emmanuella Cole's being ill on press night). When their mother Wura (Ellen Thomas) decides to crash their dinner party unannounced, the reason...
BWW Review: MAN OF LA MANCHA, London Coliseum

BWW Review: MAN OF LA MANCHA, London Coliseum

by Fraser MacDonald — May 22, 2019
As the alternate Aldonza/Dulcinea, Cassidy Janson would be forgiven for feeling a little out of place amongst the otherwise established company. On the contrary, Janson brings the feisty Scottish (why is she Scottish?) waitress to life, giving the drama a much-needed burst of energy....
BWW Review: VINCENT RIVER, Trafalgar Studios

BWW Review: VINCENT RIVER, Trafalgar Studios

by Gary Naylor — May 21, 2019
When Davey musters the courage to go speak to Anita instead of merely stalking her, both have to confront psychological trauma that can no longer be denied....
BWW Review: ANDREA CHENIER, Royal Opera House

BWW Review: ANDREA CHENIER, Royal Opera House

by Gary Naylor — May 21, 2019
Andrea Chenier is a feast for eyes and ears with Roberto Alagna, Sondra Radvanovsky and Dimitri Platanias magnificent in the tale of the poet who stays true to love as the world descends into madness....
BWW Review: AMELIE, New Wimbledon Theatre

BWW Review: AMELIE, New Wimbledon Theatre

by Aliya Al-Hassan — May 24, 2019
It is the irresistible tale of a lonely Parisian waitress who tries to spread happiness in the lives of others, set in a fantasy world. Having been significantly reworked since appearing on Broadway and following some excellent reviews at The Watermill Theatre, a wonderfully inventive and entertaini...
BWW Review: SUPERHOE, Attenborough Centre For The Contemporary Arts

BWW Review: SUPERHOE, Attenborough Centre For The Contemporary Arts

by Fiona Scott — May 20, 2019
Nicole Lecky brings her sell-out London show to Brighton Festival. Due to an unforeseen injury, this performance was adapted after Lecky suffered a twisted ankle. Directed by Jade Lewis and in collaboration between the Talawa Theatre Company and the Royal Court Theatre, Superhoe is a one-handed piec...
BWW Review: STING AND SHAGGY, Roundhouse

BWW Review: STING AND SHAGGY, Roundhouse

by Charlie Wilks — May 20, 2019
On first glance, these two may seem like an odd pairing. The pair became friends back in 2017, after having so much fun working together on Shaggy's Don't Make Me Wait. After this they decided to make an album together, naming it '44/876'; the title coming from the duos phone area codes....
BWW Review: TESTAMENT, The Hope Theatre

BWW Review: TESTAMENT, The Hope Theatre

by Cindy Marcolina — May 19, 2019
Max (Nicholas Shalebridge), his girlfriend Tess (Jessica Frances), and his brother Chris (William Shackleton) are involved in a terrible car accident that results in Tess' death. After he wakes up in a hospital following a suicide attempt months later, he believes Tess is still alive and wonders why...
BWW Review: THE WIND IN THE WILLOWS, Stepney City Farm

BWW Review: THE WIND IN THE WILLOWS, Stepney City Farm

by Aliya Al-Hassan — May 19, 2019
Take one of the best-loved stories for children and some fantastic food served by waiters who are also the actors and you have the latest project from Scripts For Supper, creators of immersive theatrical and dining experiences. The Wind In The Willows, adapted and performed in a series of London cit...
BWW Review: THE CURIOUS CASE OF BENJAMIN BUTTON, Southwark Playhouse

BWW Review: THE CURIOUS CASE OF BENJAMIN BUTTON, Southwark Playhouse

by Cindy Marcolina — May 18, 2019
F. Scott Fitzgerald was 26 years old when his short story The Curious Case of Benjamin Button was first published in Collier's Magazine. It tells the tale of Benjamin, a man born in unusual circumstances. Instead of growing old, he becomes younger, trapped into a body he doesn't recognise as his ...
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