Inside The UK Launch of THE PRINCE OF EGYPT
'There can be miracles, when you believe'a?? This is the overarching message in the Kimpton Fitzroy Hotel in London a?' the location of the launch of the new Dreamworks musical, The Prince of Egypt.
UK / West End Theater Reviews
The latest reviews and critic recommendations from UK / West End.
Our UK / West End Critics
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BWW Review: ROOM SERVICE, Bread And Roses Theatre
In a nondescript but not-too-distant future, hotels are starting to use anthropomorphic robots to enhance the stay of their guests.
BWW Review: HELLO AGAIN, Union Theatre
Hello Again is lovely to look at and a wonder to hear, let down only by a slightly half-hearted approach to the messy business of sex.
BWW Review: HANSARD, National Theatre
Could any fictional political tale top the latest dramatic entry in the Brexit Chronicles? Actor Simon Woods has a good crack at it with his debut play, featuring the powerhouse pairing of Alex Jennings and Lindsay Duncan and sure directorial hand of Simon Godwin.
BWW Review: I CAPULETI E I MONTECCHI, Grimeborn, Arcola Theatre
Gary Naylor sees his last show at this season's Grimeborn, an Italian opera based on the original sources of Romeo and Juliet sung with tremendous panache.
BWW Review: THE SON, Duke Of York's Theatre
After an astonishing success at the Kiln Theatre earlier in the year, Florian Zeller's The Son (in a translation by Christopher Hampton) transfers to the West End.
BWW Review: DOCTOR ZHIVAGO, Cadogan Hall
Boris Pasternak's 1957 novel Doctor Zhivago won its author a Nobel Prize for Literature and later spawned a lengthy (and fairly sluggish) film directed by David Lean in 1965.
BWW Review: HOTSPUR/PIERROT LUNAIRE, Grimeborn, Arcola Theatre
FormidAbility's unique approach to integrating those with disabilities on either side of the fourth wall enhances two pieces that prove tricky for the uninitiated to appreciate fully.
BWW Review: WORLD'S END, King's Head Theatre
It's the late 1990s and Ben (Tom Milligan) and his mother's Viv (Patricia Potter) have just moved to the World's End Estate in Chelsea from Norfolk.
BWW Review: BARTHOLOMEW FAIR, Sam Wanamaker Playhouse
'Drink to the cause, and pure vapours.
BWW Review: FLEABAG, Wyndham's Theatre
Phoebe Waller-Bridge is big business.
BWW Review: TREEMONISHA, Grimeborn Festival, Arcola Theatre
You know Scott Joplin is a genius, but having that conformed by this wonderful, uplifting, yet shocking opera, is a delight and a privilege.
BWW Review: MY ONE TRUE SELF, Tristan Bates Theatre
Lady L's 60th birthday is approaching and her children Gordon and Oonagh (Theo Bamber and Lucy Lowe) join her for the celebration.
BWW Review: PROM 50: ORCHESTRE DE PARIS, Royal Albert Hall
Prom 50 featured the Orchestre de Paris playing three pieces: Robert Schumann's Genoveva-overture, Jörg Widmann's Babylon Suite, and Ludwig van Beethoven's Symphony No.
BWW Review: THE SECRET RIVER, National Theatre
Kate Grenville's acclaimed 2005 novel, The Secret River, centres around the brutality and tragedy surrounding the colonisation of Australia.
BWW Review: AS YOU LIKE IT, Queen's Theatre Hornchurch
After the success of an en masse production of Pericles last year, the National Theatre has collaborated with the Queen's Theatre Hornchurch to bring together a colourful and joyous large-scale musical version of Shakespeare's As You Like It as part of their Public Acts scheme.
BWW Review: UNLOVABLE, Etcetera Theatre
At 30 years old, Judith is has never been in a relationship but now she's getting ready to entertain her date.
BWW Review: TRUTH AFTER MURDER, Etcetera Theatre
Psychiatrist Orestes Carter (Riccardo Carollo) is presenting his new thriller.
BWW Review: DEATH SUITS YOU, Theatro Technis
Death feels unappreciated.
BWW Review: NO LIMITS - A SONG CYCLE, Hen And Chickens Theatre
People in their twenties will start to notice that all their friends are either getting married or having children.
BWW Review: PUTTANA, Hen And Chickens Theatre
Oskar is 32 years old.
BWW Review: OPHELIA REWOUND, Camden People's Theatre
Performer Antigoni Spanou wades through her depression and eating disorders exploring the character of Ophelia and puts her own lived experiences next to the character's in her interactive piece Ophelia Rewound.
BWW Review: MUSE, Camden People's Theatre
Dora Maar was Pablo Picasso's muse for about nine years across the mid-1930s and 1940s before she was discarded like his other women.
BWW Review: THE KING IN YELLOW, The Lion And Unicorn Theatre
The first lethal chamber has just been open in Washington Square.
BWW Review: CAMP, The Lion And Unicorn Theatre
Becky (Camille Wilhelm), Felix (Nicholas Marrast-Lewis), and Mary (Fizz Waller) are spending the summer at Camp in the hopes of earning their Gay-Card.
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