BWW Review: NETFLIX & CHILL, Drayton Arms Theatre
Ben is a working class chef whose life spirals out of control when he attempts to rekindle his relationship with his mother.
UK / West End Theater Reviews
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BWW Review: LOVE, LOSS & CHIANTI, Riverside Studios
The second production at the recently reopened Riverside Studios in Hammersmith marks Robert Bathurst's highly anticipated return to the stage.
BWW Review: DUMBLEDORE IS SO GAY, The Vaults
Following their collaboration with My Dad's Gap Year, Tom Wright reunites with actor Alex Britt for this magical coming of age fantasy, only this time the writer is in the director's chair.
BWW Review: THIS QUEER HOUSE, VAULT Festival
A debut play is always tricky business and This Queer House is no exception, with poet Oakley Flanagan penning a piece that's all over the place stylistically and thematically.
BWW Review: WOMEN BEWARE WOMEN, Sam Wanamaker Playhouse
Following the lacklustre reception of The Taming of the Shrew, Thomas Middleton's Women Beware Women opens in the candlelit Sam Wanamaker Playhouse as part of the Globe's continuing 'She Wolves and Shrews' season.
BWW Review: IAN ASHPITEL AND JONTY STEPHENS AS ERIC AND ERN, Richmond Theatre
Morecambe and Wise have been a part of my life since childhood.
BWW Review: LIFE AND DEATH OF A JOURNALIST, VAULT Festival
Laura (Lucy Roslyn) has just returned from Hong Kong after reporting from the protests.
BWW Review: NOT I, CATASTROPHE AND ROCKABY, Brockley Jack Theatre
Angel Theatre Company bring Beckett to Brockley and leave this first time viewer looking forward to more.
BWW Review: ALICE, VAULT Festival
Actor and writer Emily Renée pens a story about family love, coincidences, immigration, and all the elements that, combined, build an identity.
BWW Review: THE CREATURE: FRANKENSTEIN RETOLD, Rose Theatre
The Rose Youth Theatre has great form in developing new theatrical talent.
BWW Review: WIGS SNATCHED, PERCEPTIONS DESTROYED, VAULT Festival
Erinn Dhesi invites her audience to an educated analysis of social media usage, its effects on perception and lifestyle, and how cultivating an identity has become a feasible female-centric career.
BWW Review: THE WHIP, Swan Theatre
The Whip packs so much into its near three hour running time that its issues, anger and need to educate drowns its dramatic potential and we're left with something that fails to reach its considerable potential.
BWW Review: FATHER'S SON, The Vaults
The bond between father and son can be incredibly strong but also incredibly fraught.
BWW Review: JEKYLL / HYDE, VAULT Festival
The premise of Fire Hazard Games' latest feat is simple: a series of horrendous crimes are being discovered by the police and there are reasons to believe you are involved.
BWW Review: THE PRINCE OF EGYPT, Dominion Theatre
When you think of theatre, what shows come to mind? An obvious answer may well be Wicked.
BWW Review: DANCES AT A GATHERING / THE CELLIST, ROH Live
Covent Garden's Royal Opera House continues its successful series of live screenings to over 1000 cinemas across the world.
Michael Billington Talks About His Career at the National Theatre
At a platform at the National Theatre on a blustery February evening, Michael Billington spoke with artistic director Rufus Norris about his career and processes.
BWW Review: THE PIRATE QUEEN, London Coliseum
Some might consider The Pirate Queen an odd choice for a producing debut, but Tom Gribby clearly has an affection for the material and no-one can question the credentials of the great Boublil and Schonberg - most notable for writing the book and score to Les Misérables and Miss Saigon.
BWW Review: ZORRO: THE MUSICAL IN CONCERT, Cadogan Hall
The legend of Zorro has proved to be a well-loved and enduring story - providing the basis for a novel by Isabel Allende, several popular movies, and a West End musical which toured internationally.
BWW Review: ON YOUR FEET, New Wimbledon Theatre
With 22 Grammys and hundreds of millions in worldwide sales, the potentially fascinating story of Gloria Estefan, her husband Emilio and their journey to success with the Miami Sound Machine has the potential to be a fantastic jukebox musical.
BWW Review: ALINA COJOCARU, Sadler's Wells
A busy week of dance in London is brought to a radiant conclusion by the perfect delicacy of English National Ballet Lead Principal Alina Cojocaru, with support from some esteemed friends.
BWW Review: ESSENCE, VAULT Festival
Elyot is a peculiar man.
BWW Review: NEARLY HUMAN, VAULT Festival
a?oeExcept for Hydrogen, all the atoms that make each of us up [.
BWW Review: MICHAEL BALL AND ALFIE BOE: BACK TOGETHER, SSE Hydro, Glasgow
Michael Ball and Alfie Boe recently shared the Gielgud Theatre stage as Javert and Jean Valjean respectively in Les Miserables: The Staged Concert.
BWW Review: GRACE CAMPBELL: WHY I'M NEVER GOING INTO POLITICS, Soho Theatre
Grace Campbell's Why I'm Never Going into Politics is a mash-up of political anecdotes, infused with some MEGA gossip from Grace's childhood spent hanging out with the Blairs, Putins and Corbyns.
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