BWW Review: THE FUTURE IS MENTAL, VAULT Festival
This year, Network Theatre Company take their audience to an unspecified futuristic time with The Future is Mental, an anthology of six short plays that are heavily recalling of Black Mirror.
UK / West End Theater Reviews
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BWW Review: MESSAGE IN A BOTTLE, Peacock Theatre
Kate Prince is known for her unique blend of joyous, feel-good street and contemporary dance.
BWW Review: SWAN LAKE, Bolshoi Ballet in Cinema
As part of the 243rd season of the iconic ballet company, several productions by the Bolshoi Ballet are again being broadcast on cinema screens across sixty countries.
BWW Review: JEEVES & WOOSTER IN PERFECT NONSENSE, Tacchi-Morris Arts Centre
Barn Theatre's production of Jeeves & Wooster in Perfect Nonsense stopped off at the Tacchi-Morris Arts Centre in Taunton, Somerset, for two nights during its UK tour.
BWW Review: ANGELS, VAULT Festival
Three strippers are working in a decadent venue in London.
BWW Review: HOW WE LOVE, VAULT Festival
Same-sexual relationships of any kind are illegal in Nigeria.
BWW Review: PASS OVER, Kiln Theatre
After you have seen Antoinette Nwandu's Pass Over, you might give a second thought to the next street beggar you see and, probably, ignore.
BWW Review: ACOSTA DANZA UP CLOSE, Royal Opera House
This show, by the company of ex-Principal dancer at The Royal Ballet, Carlos Acosta, gives the audience a mixed bill, as up close as the title suggests, with as much Cuba as you would find in a hand-rolled cigar.
BWW Review: NOTCH, VAULT Festival
Croatian writer and performer Danaja Wass brings her latest project Notch to VAULT Festival directed by Madelaine Moore.
BWW Review: MADAME OVARY, VAULT Festival
After a triumphant presence at Edinburgh Festival Fringe last year, Rosa Hesmondhalgh has taken Madame Ovary back to London for what's looking like another bewilderingly successful run.
BWW Review: CYRANO DE BERGERAC, NT Live
Martin Crimp's blisteringly raw version of Cyrano de Bergerac has been a great success so far during its run at The Playhouse Theatre in London's West End.
BWW Review: A NUMBER, Bridge Theatre
Back in 2002, when Caryl Churchill's A Number premiered at the Royal Court, genetics was the hot new topic.
BWW Album Review: West End Production of Dolly Parton's 9 TO 5 Still Giving Women a Voice Almost 40 Years Later
While it's fun to re-live 80's fashion in the workplace and bop along to the renowned “9 to 5” tune, this cast album explores the tough emotions and issues that give voice to women who didn't have the visibility, as more current social movements have allowed.
BWW Review: BE MORE CHILL, The Other Palace
It's safe to say that Be More Chill's journey to the major stages has been decidedly unconventional.
BWW Review: THE CELLIST / DANCES AT A GATHERING, Royal Opera House
The first mixed programme of 2020 from the Royal Ballet sees Cathy Marston's much anticipated and arguably long overdue first work for the main stage at Covent Garden.
BWW Review: THE UPSTART CROW, Gielgud Theatre
Born out of the celebrations for the 400th anniversary of Shakespeare's death in 2016, Ben Elton's sit-com Upstart Crow went on to have three series and multiple Christmas specials.
BWW Review: LUCIE JONES LIVE AT THE ADELPHI, Adelphi Theatre
Lucie Jones has certainly earned her musical theatre stripes in the past few years.
BWW Review: CROOKS 1926, King William IV
COLAB Theatre have woven another thrilling adventure: the company strikes gold with the Peaky Blinder infused Crooks 1926.
BWW Review: MADAM BUTTERFLY, Bristol Old Vic
Founded in 2009, OperaUpClose's mission is to create 'innovatively staged, unintimidating, and crucially high quality English Chamber re-imaginings of well known work and premieres of new operas'.
BWW Review: A MONSTER CALLS, Chichester Festival Theatre
Produced by The Old Vic, in association with Bristol Old Vic, Oliver award-winning A Monster Calls is making its way around the UK on tour, and has just closed its appearance at Chichester Festival Theatre.
BWW Review: ROLE PLAY GOURMET, VAULT Festival
Mixing theatre and food has become a bit of a craze in the past couple of years, so it was only a matter of time before shows involving food were introduced in festivals.
BWW Review: STICKY DOOR, VAULT Festival
Katie Arnstein returns to VAULT Festival after Bicycles and Fish and Sexy Lamp to complete her It's a Girl! trilogy presenting Sticky Door directed by Ellen Howard.
BWW Review: ALONE IN BERLIN, Royal and Derngate
Given the turbulent times that we live in, a new stage adaptation of Hans Fallada's Alone in Berlin would seem like a smart choice for an ambitious theatre (or theatres, as this is a co-production with York Theatre Royal, in association with Oxford Playhouse).
BWW Review: THE HIGH TABLE, Bush Theatre
Love was in the air at the Bush Theatre this Valentine's Day with the opening of Temi Wilkey's new play The High Table.
BWW Review: BIBLE JOHN, VAULT Festival
In 1969, a serial killer brutally murdered three women in Scotland.
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