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UK / WEST END THEATER REVIEWS

The latest reviews and critic recommendations from UK / West End
BWW Review: THE COMEDY OF ERRORS, Barbican

BWW Review: THE COMEDY OF ERRORS, Barbican

by Cindy Marcolina — November 24, 2021
“These jokes are 400 years old, help me out here!” Dromio of Syracuse begs the audience at the Barbican. In truth, he doesn't need help. The whole company don't need any help. Director Phillip Breen succeeds in summoning such a direct and resolute style of comedy in his staging of The Comedy of ...
BWW Review: RUMI: THE MUSICAL, London Coliseum

BWW Review: RUMI: THE MUSICAL, London Coliseum

by Abbie Grundy — November 24, 2021
The teachings, poems and philosophy of Rumi have been celebrated across the world for centuries. As such, it's hardly surprising that his story has found its way onto the stage in Rumi: The Musical. ...
BWW Review: THE NUTCRACKER, Royal Opera House

BWW Review: THE NUTCRACKER, Royal Opera House

by Gary Naylor — November 24, 2021
A beautiful production that does not intend to break new ground - and is all the better for it....
BWW Review: LA CLIQUE, Christmas In Leicester Square

BWW Review: LA CLIQUE, Christmas In Leicester Square

by Charlie Wilks — November 23, 2021
If you’re looking for a brilliant night out, full of thrill, danger and humour, then this show is for you. The celebrated, Olivier award-winning circus troupe arrive in the West End, to delight audiences of all ages. Featuring your favourite type of acts and some things you may have next seen befo...
BWW Review: THE VALKYRIE, London Coliseum

BWW Review: THE VALKYRIE, London Coliseum

by Gary Naylor — November 20, 2021
Some curious directorial choices fail to blunt the force of Wagner's musical donner und blitzen as the gods bicker and bully and the mortals bleed ...
BWW Review: LITTLE WOMEN, Park Theatre

BWW Review: LITTLE WOMEN, Park Theatre

by Cindy Marcolina — November 18, 2021
The March sisters seem to spike in popularity every decade or so, due to films, series or feminist movements. Most recently Greta Gerwig turned Louisa May  Alcott’s novel into a high grossing blockbuster featuring a stellar cast. Now the Park Theatre have resurrected Little Women in the form of a...
BWW Review: A MERCHANT OF VENICE, Playground Theatre

BWW Review: A MERCHANT OF VENICE, Playground Theatre

by Gary Naylor — November 17, 2021
Shakespeare in Italy's debut production clarifies and amplifies the wonderful, if problematic, play...
BWW Review: THE WIFE OF WILLESDEN, Kiln Theatre

BWW Review: THE WIFE OF WILLESDEN, Kiln Theatre

by Debbie Gilpin — November 17, 2021
“All were worthy men in their degree.” The Canterbury Tales is a collection of stories written by Geoffrey Chaucer in 1392, all linked by the central narrative of a pilgrimage from the Tabard Inn in Southwark to Thomas A Beckett's shrine in Canterbury Cathedral; it features characters such as th...
BWW Review: VANYA AND SONIA AND MASHA AND SPIKE, Charing Cross Theatre

BWW Review: VANYA AND SONIA AND MASHA AND SPIKE, Charing Cross Theatre

by Cindy Marcolina — November 16, 2021
It’s diminutive to say that a lot has changed in the past nine years. What are we even saying, a lot has changed in the last two alone! After Vanya and Sonia and Masha and Spike premiered in New Jersey in 2012, it went on to open on Broadway the following year and won a coveted Tony Award for Best...
BWW Review: DEATH OF ENGLAND: FACE TO FACE, Sky Arts

BWW Review: DEATH OF ENGLAND: FACE TO FACE, Sky Arts

by Cindy Marcolina — November 16, 2021
The team behind Death of England and its spin-off-slash-standalone-sequel Death of England: Delroy have been busy since their last involvement with the material, with Delroy dramatically closing on press night due to the measure of the second lockdown. Now, Clint Dyer and Roy Williams’s latest col...
BWW Review: SESSIONS, Soho Theatre

BWW Review: SESSIONS, Soho Theatre

by Charlie Wilks — November 14, 2021
Tunde’s 30th birthday is on its way. But he isn’t in the mood for celebrating like he usually does, much to the dismay of his friends and family. He’s also not attending the gym, his mood his low, he’s broken up with his girlfriend of 5+ years and now, every time he has sex with someone new,...
BWW Review: TICK, TICK... BOOM!

BWW Review: TICK, TICK... BOOM!

by Gary Naylor — November 14, 2021
Lin-Manuel Miranda brings Jonathan Larson (winningly played by Andrew Garfield) to the screen as he tries to get his first musical produced against the backdrop of New York's AIDS pandemic...
BWW Review: LOVE DANCE, Chiswick Playhouse

BWW Review: LOVE DANCE, Chiswick Playhouse

by Gary Naylor — November 14, 2021
Gentle rom-com that breaks no new ground but is easy on the eye and ear and has its fair share of laughs and 'ahhsss'....
BWW Review: ABIGAIL'S PARTY, Park Theatre

BWW Review: ABIGAIL'S PARTY, Park Theatre

by Gary Naylor — November 12, 2021
The classic play has all the set-pieces and much imitated dialogue in a revival that also underlines the persistence of the anxieties and neuroses it exposes....
BWW Review: SIX SERPENTS AND A TARANTULA, Hen & Chickens Theatre

BWW Review: SIX SERPENTS AND A TARANTULA, Hen & Chickens Theatre

by Cindy Marcolina — November 12, 2021
A town in the middle of nowhere, a violent relationship, a heinous crime, a tell-all letter. Wyoming, 1888. The gold rush came and went in the American state, leaving marks only in the popularity of Belle, the star of the Mermaid brothel. It’s “A story about tyrants and those who survive them”...
BWW Review: INNOCENCE, Bread & Roses Theatre

BWW Review: INNOCENCE, Bread & Roses Theatre

by Cindy Marcolina — November 11, 2021
There aren’t that many plays that deal with grooming and David Mamet’s Oleanna is the one piece that always springs to mind. Even then, we have an older professor accused of sexual harassment by one of his students. What happens when we shift the light and it’s a young boy who reports his spor...
BWW Review: LOST ORIGIN, Hoxton Docks

BWW Review: LOST ORIGIN, Hoxton Docks

by Abbie Grundy — November 14, 2021
Bold ideas, impressive sets, and innovative technology transport audiences into an entirely new realm in this immersive production from Factory 42, in collaboration with the Almeida and Sky....
BWW Review: STRAIGHT WHITE MEN, Southwark Playhouse

BWW Review: STRAIGHT WHITE MEN, Southwark Playhouse

by Paige Cochrane — November 17, 2021
What happens when Christmas Day becomes a playing ground to expose the tangible relationship between privilege and identity? Written by Young Jean Lee, Straight White Men is an ambitious study of those who gain the most from the world and their awareness of the power they possess....
BWW Review: THE SEVEN POMEGRANATE SEEDS, Rose Theatre

BWW Review: THE SEVEN POMEGRANATE SEEDS, Rose Theatre

by Aliya Al-Hassan — November 12, 2021
There’s a huge amount going on in a short time in Colin Teevan’s The Seven Pomegranate Seeds, now showing at the Rose Theatre. Seven stories about maternal pain and loss from the women in the plays of Euripides are transported from classic mythology to modern-day scenarios. Despite this intrigui...
BWW Review: THE ENBY SHOW, Vaudeville Theatre

BWW Review: THE ENBY SHOW, Vaudeville Theatre

by Charlie Wilks — November 10, 2021
Bringing together the best gender-benders and cis-them offenders that the UK has to offer, The Enby Show is an electric, unique and vibrant all-star comedy night - that was performed at the Vaudeville Theatre, in London’s West End. The aim is to bin the binary by showcasing queer talent from all w...
BWW Review: THE CHOIR OF MAN, Arts Theatre

BWW Review: THE CHOIR OF MAN, Arts Theatre

by Charlie Wilks — November 10, 2021
If you were to read the copy and watch the trailer assigned for this show, you’d probably assume that it was just a bunch of macho, metrosexual men singing hit songs in a fictional local pub, and to be honest, you’d be absolutely right in that assumption. Full of raucous cheer, dancing and beer-...
BWW Review: BALLET BLACK, Linbury Theatre, Royal Opera House

BWW Review: BALLET BLACK, Linbury Theatre, Royal Opera House

by Vikki Jane Vile — November 9, 2021
Celebrating their 20th anniversary this year, Black Black return to the Linbury Theatre with a double bill of new work, and in signature style you’ll be hard pressed to leave without your heart feeling a little fuller than before. Cassa Pancho’s company has always been small, at present featurin...
BWW Review: PRIVATE LIVES, Richmond Theatre

BWW Review: PRIVATE LIVES, Richmond Theatre

by Aliya Al-Hassan — November 10, 2021
Private Lives is often considered Noel Coward’s masterpiece: an elegantly acerbic commentary on the relationships and morality of society’s upper classes. Both scathing and witty, its warmth is cut through with an icy centre of cruelty. Nigel Havers has chosen the show as the inaugural productio...
BWW Review: BIRMINGHAM ROYAL BALLET - CURATED BY CARLOS, Sadler's Wells

BWW Review: BIRMINGHAM ROYAL BALLET - CURATED BY CARLOS, Sadler's Wells

by Vikki Jane Vile — November 7, 2021
There’s a particular anticipation for this new triple bill from Birmingham Royal Ballet. In a programme that feels like the start of a new chapter, after being first trailed in Autumn of 2019, Artistic Director Carlos Acosta finally has the opportunity to share his Curated ... works to a London au...
BWW Review: GISELLE, Royal Opera House

BWW Review: GISELLE, Royal Opera House

by Vikki Jane Vile — November 6, 2021
Sir Peter Wright's Giselle is one of the Royal Ballet's most recognisable productions and offers the most coveted of roles for any ballerina. But it is Natalia Osipova who treats opening night audiences to her take on the role - and what a captivating and very complete experience it is....
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