BWW Review: INSTRUCTIONS FOR A TEENAGE ARMAGEDDON, Southwark Playhouse
“Thirteen is young for an existential crisis”. Eileen has barely entered her teens when her older sister, Olive, dies of anorexia. It was sudden, during their family Sunday roast. Eileen had made the Yorkshire puddings, so it must be her fault. Rosie Day writes an intense rollercoaster of a play...
BWW Review: THE CHAIRS, Almeida Theatre
Kathryn Hunter shines in this updated version of a classic exemplar of the Theatre of the Absurd...
BWW Review: AN EVENING WITHOUT KATE BUSH, Soho Theatre
Kate Bush was just 19 when she had her first hit in 1977 and went on to produce a catalogue of songs which are still admired today. In her show, superfan Sarah-Louise Young pays tribute not only to the iconic music but also to the star and her loyal supporters....
BWW Review: HAMLET, Holy Trinity Church, Guildford
There’s a certain gravitas that follows Hamlet, a reverence that seems to accompany the great Dane alone. When you happen to have a centuries-old church at hand for Shakespeare’s greatest tragedy, this happenstance only grows. Freddie Fox stars at the Prince and Holy Trinity Church in Guildford ...
BWW Review: THE RED LION, Bristol Old Vic
Football is not a subject often tackled in the theatre. The Red Lion though is set a world away from the riches of the professional game. Here we find the kit man, the manager and a talented, young prospect – all in the changing room of the semi-pro non-league game....
BWW Review: DIRTY DANCING - THE CLASSIC STORY ON STAGE, Dominion Theatre
I did not have the time of my life at Dirty Dancing at the Dominion Theatre...
BWW Review: TWO BILLION BEATS, Orange Tree Theatre
First seen in a 20-minute version in April 2021, as part of the Orange Tree's foray into theatrical streaming Outside, Two Billion Beats is Sonali Bhattacharyya's engaging and vibrant play that explores the relationship between two South Asian teenage sisters as they confront injustice, racism a...
BWW Review: BLOOD BROTHERS, New Wimbledon Theatre
Willy Russell’s Blood Brothers remains one of only three shows to play for over 10,000 performances in the West End, bringing audiences to their feet night after night in the days when standing ovations were not always the default. A tale more than tinged with Greek tragedy, Russell’s examinatio...
BWW Review: A NUMBER, Old Vic
Marking twenty years since its premiere, Caryl Churchill’s sci-fi masterpiece A Number returns to the London stage. The hotly anticipated production stars Lennie James as a grief-stricken father who opts to clone his deceased son with the mindset of reattempting parenthood and making up for past m...
BWW Review: HAMLET, Sam Wanamaker Playhouse
As if the Sam Wanamaker Playhouse wasn’t already atmospheric enough, it feels like a special treat to witness their first candlelit Hamlet. After directing the colourful A Midsummer Night’s Dream just across the courtyard at the Globe, Sean Holmes goes darker and moodier with our favourite reven...
BWW Review: WUTHERING HEIGHTS, National Theatre
“I am Heathcliff – he’s always, always in my mind.” Wise Children’s latest production – an ambitious adaptation of Emily Bronte’s Wuthering Heights – has finally made its way to the National Theatre, following COVID delays and a rearranged tour, starting at the Bristol Old Vic last y...
BWW Review: COULD IT BE MAGIC?, Wilton's Music Hall
Comedy and magic show with scope to explore its format more fully...
BWW Review: PURPLE SNOWFLAKES AND TITTY WANKS, Royal Court
What do nuns, granola bars and a string of pearls all have in common? It sounds like the start of a bad joke but really, they’re all part of Sarah Hanly’s vibrant one-woman show, Purple Snowflakes and Titty Wanks....
BWW Review: LA BOHÈME, London Coliseum
Another revival of a beautifully realised crowdpleaser that works perfectly in the difficult days of February 2022....
BWW Review: JARMAN, Greenwich Theatre
Derek Jarman, a seminal figure in British culture, is given a 21st century voice in this one-man show...
BWW Review: SAVING MOZART (CONCEPT ALBUM), Spotify
Since Hamilton debuted in 2015, the biographical musical genre has been at an all-time high. People love them, look at Six! Charlie Eglinton has now released a concept album for a new one based on Wolfgang Amadeus Mozart’s life. Peter Shaffer gave us an imaginary account of the lives of the Salzbu...
BWW Review: THE NATIONAL LOTTERY'S BIG NIGHT OF MUSICALS, BBC1
Finally – a major theatrical event in a prime-time slot on a Saturday night. Not since Andrew Lloyd Webber’s array of reality shows have we seen musical theatre put front and centre on a mainstream channel, and after years of The Olivier Awards broadcast being relegated to a truncated late night...
BWW Review: THE WINSTON MACHINE, New Diorama Theatre
Ambitious new play that examines the iniquitous effect of nostalgia requires greater clarity in its storytelling...
BWW Review: THE GLOW, Royal Court
Beautifully executed production is let down by a dud script...
BWW Review: DR SEMMELWEIS, Bristol Old Vic
'Doctors must not carry their ghosts,' advises Johann Klein to his impatient assistant Dr Ignaz Semmelweis, a 19th-century obstetrics doctor. But Semmelweis is troubled: he feels it is only by carrying those ghosts that progress can be made....
BWW Review: AVA: THE SECRET CONVERSATIONS, Riverside Studios
One star recreates another, but we learn more about Ava's men than about Ava herself...
BWW Review: BARELY METHODICAL TROUPE - KIN, Peacock Theatre
KIN at Sadler's Well Peacock Theater. Barely Methodical Troupe's Director, Ben Duke, together with 6 brilliantly talented performers, and a crack technical team have created magic with almost nothing and turn the nearly-empty stage into the arena for one of the most breathtaking theatrical events th...
BWW Review: DOUBT: A PARABLE, Chichester Festival Theatre
John Patrick Shanley's Pulitzer Prize-winning play, Doubt: A Parable, is a court room built to question your understanding of integrity. Chichester Festival Theatre's offering is equally sharp and profound, echoing the vast ambiguity and loss of faith hidden within a pursuit of righteousness....
Gary Naylor's Nominations For The 2021 BroadwayWorld UK Awards
One of our reviewers shares his top picks!...
BWW Review: ROMEO & JULIET, Southwark Playhouse
Nicky Allpress puts Shakespeare's star-crossed lovers in the midst of an 80s Brixton feud....
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