BWW Review: THE MAGIC FLUTE makes a triumphant return to Toronto
If you’ve ever wanted to experience Mozart’s work live, there’s no time like the present to do so in Toronto.
The latest reviews and critic recommendations from Toronto.
If you’ve ever wanted to experience Mozart’s work live, there’s no time like the present to do so in Toronto.
In Guillaume Côté’s CRYPTO, a man has nightly visions of a mysterious beast.
The Canadian Opera Company marked its return-to-stage after nearly two years with this all-around stunning production of one of Verdi’s most well-known works.
“What do you do when life disappoints you?” is the question asked in the program of Jake Epstein’s BOY FALLS FROM THE SKY.
ITALIAN MIME SUICIDE, in a new production by Bad New Days playing at The Theatre Centre, is both more tongue-in-cheek and more serious than its name suggests.
Generational trauma, familial obligation, and the futile and inevitable results of “an eye for an eye” justice are given voice in Indrit Kasapi’s powerful TOKA, a Theatre Passe Muraille and lemonTree creations digital co-production currently enjoying its digital premiere.
What lengths would a mother go to to save her son and his future? In PIPELINE, there doesn’t seem to be a limit.
Set over 40, 000 years BCE, ORPHAN SONG follows the story of a Homo-sapiens couple struggling through the recent loss of a child.
Adopted for the stage by Emma Donoghue, the writer of the novel, ROOM is a 2-act spectacle full of imaginative creative choices, heart wrenching performances, and original music.
The work soared when its highly skilled dancers were given the chance to show off their control; however, the production struggled to maintain its original ideas as it moved further from dance and towards more theatrical components.
Nothing is guaranteed in life - not our relationships, our health, the time we get, or even how we’ll be remembered once we’re gone.
It’s unlikely that there’s ever been a production of AS YOU LIKE IT quite like this.
The Stratford Festival’s production of the FINALLY THERE’S SUN Cabaret allows us to reflect on the challenges, triumphs, hope, and self discovery that accompanied the past year and a half.
Director Kimberley Rampersad and a fine company bring Marcia Johnson's delightful and important story to life at the Stratford Festival.
Every year, the Stratford Festival mounts a production geared towards young people and I was thrilled to see that despite the unique season that COVID protocols have demanded, the Festival still made this a priority.
In BLINDNESS, people resort immediately to cruelty and selfishness.
The fresh new PLAY ON! Cabaret at the Stratford Festival offers an impressive celebration of what popular music pulls from Shakespeare, what Shakespeare has to say about music, and what themes are frequently explored in both.
The Tomson Highway play, THE REZ SISTERS was supposed to debut on a Stratford Festival stage in the 2020 season, but of course those plans were put on hold due to the pandemic.
After what feels like an eternity, Shakespeare has made its triumphant return to the Stratford Festival.
After over a year without live theatre pretty much anywhere in the world, Canadian musical theatre lovers made it known just how much they missed this art form by quickly scooping up tickets to YOU CAN’T STOP THE BEAT - a Cabaret at the Stratford Festival curated and directed by Thom Allison.
This exquisite cabaret delves deep into the catalogue of African American Musical Theatre and not only poses the titular question of WHY WE TELL THE STORY but also leaves audiences wondering why theatres haven’t been telling these stories nearly enough.
Toronto, Theatre, Review, WhiskyKids, SketchComedy, CLAREBLACKWOOD, RYANF.
It's a tale that's captivated audiences for hundreds of years, and although it contains some of the most iconic lines in theatre, it transitions to a non-spoken tale of forbidden love and tragedy seamlessly in this remount of the National Ballet of Canada's 2011 production.
All-male ballet companies aren't uncommon, but one of the world's leading groups in the genre have taken classical ballet to a whole new level with a laugh-out-loud program of iconic works, performed gorgeously by a talented ensemble.
I was born too late to enjoy disco, too early to quite understand what Billie Eilish is.
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