BWW Review: QUEEN GONERIL at Soulpepper Theatre
Set seven years before the tragic events in King Lear, playwright Erin Shields takes on the dynamic character of Goneril, Lear's eldest daughter, posing the question of what drives her ambition?
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Set seven years before the tragic events in King Lear, playwright Erin Shields takes on the dynamic character of Goneril, Lear's eldest daughter, posing the question of what drives her ambition?
Soulpepper Theatre brings Shakespeare's King Lear, the classic tale of a King's descent into madness and his daughters' struggle with power, to the Young Centre for the Performing Arts until October 1.
Banishment, unassailable friendships, brotherly hate, love at first sight, philosophy, a magical forest, and a witty young woman in disguise.
If you are a theatre-goer looking to venture outside your comfort zone, or if you often don’t feel seen or represented by the societal norms typically presented in modern theatre pieces – then Sunny Drake’s new play EVERY LITTLE NOOKIE might be exactly what you are looking for.
WÉI, a new 50-minute dance piece choreographed by Yvonne Ng, is billed as an exploration of identity and belonging, asking questions about the importance of nature versus nurture.
For the sixth time in the Stratford Festival’s history, a production of ALL’S WELL THAT ENDS WELL is being mounted.
A breezy comedy of manners, as only Oscar Wilde could pen, is a welcome way to return to Niagara-on-the Lake's SHAW FESTIVAL.
“Isn’t it funny how nothing ever happens?” That line from Lisa D’Amour’s DETROIT, now playing at the Coal Mine Theatre, could be the motto for its portrayal of suburban ennui.
A beloved story has been adapted for the stage and for the whole family at the Stratford Festival this season and it had its world premiere last Thursday night.
Gone are the days where Juliet is a tragic, gone-to-soon character in a Shakespeare play; she’s given a new lease on life in a new musical, with a diverse cast of characters and enough pop power anthems to have audiences dancing in their seats, no matter their age.
Richard Greenblatt and Ted Dykstra are two accomplished pianists who also happen to be pretty darn funny.
Taking on Sondheim is a daunting task.
With the world on fire in so many different ways, we could all use a good laugh.
Mirvish has brought a truly spellbinding production to the CAA Ed Mirvish Theatre this season.
A Victorian thriller melded with a dash of 21st century female fortitude makes up the fabric of the Shaw Festival's gripping new production of GASLIGHT.
It’s been nearly two years since the National Ballet of Canada had planned on premiering their new SWAN LAKE, but in this case late is definitely better than never.
Dixon Road, a new musical by Fatuma Adar produced by The Musical Stage Company and Obsidian Theatre in association with Canadian Stage, would not let the burst of rain drenching the High Park stage drown its opening night exuberance.
What did our critic think? Soulpepper Theatre along with Native Earth Performing Arts presents Where the Blood Mixes written by Kevin Loring.
A riveting production of Shakespeare's RICHARD III at the brand new (and gorgeous) Tom Patterson Theatre.
Stratford Festival audiences have been waiting a while for some 'razzle dazzle' and we finally got it when, after being sidelined by the pandemic in 2020, CHICAGO had its much-anticipated opening at the Festival Theatre exactly 47 years to the day the original production opened on Broadway! This pro
The audience's enthusiasm for the much anticipated Stratford Festival production of HAMLET swas palpable.
“Are we ready to play God?” is the question that pervades R.
Americana and the Golden Age of the Broadway musical has happily landed at the Shaw Festival in their knock it out of the park production of DAMN YANKEES.
Canadian Stage with Obsidian Theatre Company and Necessary Angel Theatre Company present Is God Is playing at the Berkeley Street Theatre until May 22, 2022, written by Aleshea Harris and directed by Mumbi Tindyebwa Otu.
What are the essential qualities that make people who they are? What are the ties that bind us together, emotionally and physically? Is memory crucial to continuing a relationship, or does love conquer all? These are some of the questions asked in LESSON IN FORGETTING, Emma Haché’s heart-wrenchin
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