Review: THE MAGIC OF ASSEMBLY at Winchester Street Theatre
THE MAGIC OF ASSEMBLY, a vibrant dance show, thrives on making invisible threads visible.
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THE MAGIC OF ASSEMBLY, a vibrant dance show, thrives on making invisible threads visible.
The Canadian Opera Company presents this production of THE MARRIAGE OF FIGARO, originally created by the Salzburg Festival, as part of its 2023 season.
What did our critic think of PRESSURE at Royal Alexandra Theatre? Mirvish Productions presents Pressure playing at the Royal Alexandra Theatre until March 5 2023.
Marius von Mayenburg’s MARTYR tells the story of a radicalized Christian teenager and his crusade of extremism that damages everyone around him.
The highly acclaimed production of JOSEPH AND THE TECHNICOLOR DREAMCOAT has made its way to Toronto.
The National Ballet of Canada has brought its beloved production of THE NUTCRACKER back to the stage for the holiday season.
Looking for an escape this winter season? Ross Petty’s final holiday pantomime is whisking audiences away to Neverland on a whimsical, musical adventure that’s got something for everyone, no matter their age.
Inspired by Martha Baillie’s novel The Incident Report, multi-media artist Naomi Jaye has brought MIRIAM’S WORLD to Passe Muraille.
While a musician underdog story isn’t a brand new concept, it’s refreshing to see it done so well - and luckily for audiences, FISHERMAN’S FRIENDS THE MUSICAL is packed to the gills with gorgeous music and vocal performances.
Ronnie Burkett's LITTLE DICKENS, a partially-improvised puppet homage to A Christmas Carol set in the bawdy and naughty world of show business, is a metatheatrical, in-joke-filled wonderland that pulls all the right strings.
Christmas traditions may come and go, but watching the film WHITE CHRISTMAS has always been an obligatory part of the holiday season for me.
In Kanika Ambrose’s OUR PLACE at Theatre Passe Muraille, Andrea (Virgilia Griffith) and Niesha (Sophia Walker), immigrants without papers, dream of better lives for themselves and their children back home.
Moscovitch’s POST-DEMOCRACY, a new, tight one-hour drama at Tarragon Theatre, bares the seedy, nepotistic underbelly of the glistening penthouse.
As far as coming-of-age stories go, many are predictable and follow a pretty standard template.
John Patrick Shanley’s Pulitzer Prize-winning Doubt claims that doubt may be as enduring a force as certainty.
Mirvish’s production of MEAN GIRLS brings the cult-classic film to life, packed full of iconic lines, loveable characters, and featuring a soundtrack full of funny, new music.
In Human Measure, artist Cassils’ first piece of contemporary dance choreographed by Jasmine Albuquerque, trans and nonbinary bodies are highlighted.
Quite possibly one of the best known opera comiques, CARMEN has returned to the Four Seasons Centre for the Performing Arts’ stage in a bright blaze.
The Canadian Opera Company’s 2010 production of Wagner's THE FLYING DUTCHMAN has sailed back to the Four Seasons Centre for the Performing Arts’ stage.
What do you get when you place three actors at varying points in their careers on a boat, anchor them in the Atlantic Ocean, add a faulty mechanical shark to the equation, and delay shooting for weeks on end?
In a world where films are constantly being adapted for the stage, it’s refreshing to see a stage production that came from a movie and still shines like the sun on a rainy day, despite the difference in medium.
Canadian Stage’s PUBLIC ENEMY is a modern dining-room drama where opinions are loudly aired and ignored.
We regularly use “cockroach” as dehumanizing language for the Other in an attempt to justify their oppression or extermination.
If you live in Stratford, Ontario, you may have heard the buzz around town about a new play at the Stratford Festival’s Studio Theatre.
Originally scheduled for the 2020 season, THE MISER, starring Colm Feore and directed by Antoni Cimolino, is currently playing at the Stratford Festival’s Festival Theatre stage.
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