St. Louis Shakespeare Open Season With THE MERCHANT OF VENICE

If most of the cast survives, and there's no "King" in the title, then you must be watching one of William Shakespeare's comedies. The Merchant of Venice is one such example. And, while it may not be as highly regarded as some of his other work, it's an amusing and intriguing play nonetheless. If you can look past your own modern sensibilities, and accept its unseemly portrayal of a Jewish moneylender named Shylock, then you can truly begin to appreciate its many charms. St. Louis Shakespeare is currently presenting a well-mounted and engaging production.

Bassiano needs some ready cash in order to woo his love, Portia. His good friend Antonio decides to help him out, but his funds are invested in his shipping business. A deal is struck with the moneylender, Shylock, whereby a sum of money will be lent to Bassiano. But, if the loan is defaulted on, Antonio will lose a pound of flesh. You can guess where this is going, but it is a comedy, so even though this sticky business is a part of the plot, romance will come through to save the day in the end.

Todd Gillenardo is riveting as Shylock. Though his cunning may backfire on him, he makes a point of relishing every minute that he's able to make these men squirm. It's a brilliantly captivating performance by Gillenardo. Robert Ashton elicits sympathy as Antonio, and his kind nature has you rooting for a loophole that will set him free. Nick Henderson is likable and forthright as Bassiano, and he's well paired with Elizabeth Birkenmeier's crafty Portia.

Roger Erb brings a lot of energy to his role as Gratiano, enlivening the proceedings every time he appears. Paris McCarthy also impresses as Portia's maid, and comrade-in-arms, Nerissa. Katie Puglisi, Todd Pieper, Stephen Peirick, Kevin Boehm, Nicole Ogden, Bradley Berhmann, Christian Viera, and John Wolbers are all strong in support.

Jerry Vogel's direction is nicely conceived, with clear readings of the text, and a fairly brisk pace maintained throughout. Lex Van Blommestein's scenic design employs a multi-level approach, painted in bright colors to evoke the setting, with Nick Moramarco's lighting providing a great deal of atmosphere, along with the occasional dramatic flourish. Michele Friedman Siler's costumes fit the period in handsome fashion.

There's a lesson we can all learn from Shakespeare's play The Merchant of Venice, and that's to always read the fine print in your loan agreement. But, seriously, this is a fine interpretation that's distinguished by a solid cast.

St. Louis Shakespeare's production of The Merchant of Venice continues through July 26, 2009 at the Grandel Theatre.

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