Chris Gibson

Chris Gibson Chris has been active in the local theatre scene for over 30 years and reviewing local theatre for over 11. In addition to his acting work, he's also contributed as a director, writer and composer. Though, initially a film buff, he grew tired of the sanitized, PG-13 rated blockbusters that were being continually shoved down his throat by the studios. An opportunity to review theatre in St. Louis has grown exponentially with the sudden explosion of venues and talent in the region. He now finds himself obsessed with witnessing those precious, electric moments that can only happen live, on stage.


MOST POPULAR ARTICLES
LAST 30 DAYS

BWW Review: STAGES St. Louis's Superb SOUTH PACIFICBWW Review: STAGES St. Louis's Superb SOUTH PACIFIC
Posted: Sep. 18, 2017


BWW Review: New Line Theatre's Excellent LIZZIE Rocks Hard!BWW Review: New Line Theatre's Excellent LIZZIE Rocks Hard!
Posted: Oct. 4, 2017


BWW Review: The Repertory Theatre of St. Louis's Brilliant THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIMEBWW Review: The Repertory Theatre of St. Louis's Brilliant THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME
Posted: Sep. 25, 2017


BWW Review: New Jewish Theatre's Touching TUESDAYS WITH MORRIEBWW Review: New Jewish Theatre's Touching TUESDAYS WITH MORRIE
Posted: Oct. 9, 2017


BWW Review: Music Provides the Highlights for THE BODYGUARD at the Fox TheatreBWW Review: Music Provides the Highlights for THE BODYGUARD at the Fox Theatre
Posted: Oct. 6, 2017


BWW Review: Upstream Theater's Delightful Slice of History SWEET REVENGEBWW Review: Upstream Theater's Delightful Slice of History SWEET REVENGE
Posted: Oct. 9, 2017


TUESDAYS WITH MORRIE at New Jewish TheatreTUESDAYS WITH MORRIE at New Jewish Theatre
Posted: Sep. 20, 2017


LAST 365 DAYS

BWW Review: The MUNY Opens Season with Spectacular JESUS CHRIST SUPERSTARBWW Review: The MUNY Opens Season with Spectacular JESUS CHRIST SUPERSTAR
Posted: Jun. 13, 2017


BWW Review: The MUNY's Outstanding and Visually Stunning THE LITTLE MERMAIDBWW Review: The MUNY's Outstanding and Visually Stunning THE LITTLE MERMAID
Posted: Jun. 26, 2017


BWW Review: The MUNY's Incredible and Heartfelt A CHORUS LINEBWW Review: The MUNY's Incredible and Heartfelt A CHORUS LINE
Posted: Aug. 1, 2017


BWW Review: The MUNY's Engaging and Lively ALL SHOOK UPBWW Review: The MUNY's Engaging and Lively ALL SHOOK UP
Posted: Jul. 14, 2017


BWW Review: The New Jewish Theatre's Taut and Intense NEVER THE SINNERBWW Review: The New Jewish Theatre's Taut and Intense NEVER THE SINNER
Posted: Mar. 18, 2017


BWW Review: Remarkable FINDING NEVERLAND at The FOXBWW Review: FINDING NEVERLAND
Posted: Dec. 16, 2016


BWW Review: The MUNY's Uproarious and Delightful A FUNNY THING HAPPENED ON THE WAY TO THE FORUMBWW Review: The MUNY's Uproarious and Delightful A FUNNY THING HAPPENED ON THE WAY TO THE FORUM
Posted: Jul. 9, 2017


BWW Review: Upstream Theater's Delightful Slice of History SWEET REVENGEBWW Review: Upstream Theater's Delightful Slice of History SWEET REVENGE
October 9, 2017

SWEET REVENGE, with the subtitle of: as performed by the Julius Slowacki Players, Saint Louis, 1933, is a delightful look back at our city's own Polish heritage. Artistic Director Philip Boehm translates ZEMSTA by playwright Aleksander Fredo, but gives the work a twist by showing us how the troupe, which ceased performing in 1959, would have staged the piece, albeit, in English. This is an enjoyable romp that's amusing, and supposedly based on a true bit of history that Fredo ran across. Boehm's translation maintains Fredo's clever rhyming scheme, which gives it a playful, lighthearted air.

BWW Review: New Jewish Theatre's Touching TUESDAYS WITH MORRIEBWW Review: New Jewish Theatre's Touching TUESDAYS WITH MORRIE
October 9, 2017

watch, and some people, who might be especially sensitive on these matters, might be put off at the thought of witnessing a person deteriorate over time due to the ravages of ALS. But they'd be depriving themselves of the chance to learn some of the same life lessons that author Mitch Albom did during the precious time he was able to spend with his former teacher before he passed. The New Jewish Theatre opens their 21st season with a warm, funny, and lovingly rendered production of this play, which only gets more relevant with age, as we have become even more tied down to lifestyles that move so fast, and demand so much of us, that we rarely get the time to actually enjoy them. And, maybe, just maybe, we were really meant for other things. It's a question this play asks.

BWW Review: Music Provides the Highlights for THE BODYGUARD at the Fox TheatreBWW Review: Music Provides the Highlights for THE BODYGUARD at the Fox Theatre
October 6, 2017

There have been some truly successful musicals that have been adapted from films, and there have been more than a few that just didn't work. Often, what plays well on screen simply doesn't translate to the stage, no matter how much technical wizardry you utilize. THE BODYGUARD isn't the worst musical taken from a movie that I've ever seen, there are certainly plenty of other contenders for that title, but it seems slightly misguided to me. It isn't a jukebox musical or a revue, and it's not authorized by the estate of Whitney Houston, although its score is made up of selections from the movie along with additional songs from Houston's catalog. But, maybe that would have been a better direction to take since the show changes so many key elements from the film (screenplay by Lawrence Kasdan, disappointing adaptation by recent Academy Award winner Alexander Dinelaris) that only act to weaken the story, not improve upon it. Fans of the flick, and particularly of Houston, will probably enjoy it for the musical performances more than anything, and in that respect I can see the appeal. Others may find it a bit flat and forced, a least in regards to the dramatic aspects.

BWW Review: New Line Theatre's Excellent LIZZIE Rocks Hard!BWW Review: New Line Theatre's Excellent LIZZIE Rocks Hard!
October 4, 2017

LIZZIE is a unique musical experience, and I was absolutely blown away by it. The product of the team of Steven Cheslik-deMeyer, Alan Stevens Hewitt, and Tim Maner, who all contributed to the book, music, lyrics and orchestrations; it's a true rock opera. Watching and listening to this powerful show is like discovering a forgotten concept album from the past, and I'm amazed that no group from rock's rich history ever tackled the subject of Lizzie Borden before, although I could be wrong about that. But you have to realize that none of those predominately male-dominated groups of the late 60's, 70's and early 80's, who were churning out double or triple albums with a narrative thread, had four female vocalists who could take on the various roles that are present here, and not with such a degree of variety. Some selections remind me of blistering Iron Maiden type material, and some have that Runaways vibe, and some are definitely arena rock, but there are also songs that are chamber-pop in style; delicate and rich with harmony. New Line Theatre has put together a production that's like the coolest rock concert ever, and I cannot recommend it highly enough.

BWW Review: The Repertory Theatre of St. Louis's Brilliant THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIMEBWW Review: The Repertory Theatre of St. Louis's Brilliant THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME
September 25, 2017

The Repertory Theatre of St. Louis opens their season with an amazing bit of brilliance called THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME, adapted from the novel by Mark Haddon by playwright Simon Stephens. It's a story filled with marvelous touches that plunges you into a world filtered through the view of a fifteen year old boy who is dealing with what we might perceive as a kind of autism, with aspects of Asperger syndrome, among other personality traits. In fact, it's never truly specified as such. But the story itself is really a mystery, and one that, when solved, only produces further inquiry. It's a superbly acted, imaginatively staged tale, that will engage, stun, and delight you. It's a must-see experience on every level!

TUESDAYS WITH MORRIE at New Jewish TheatreTUESDAYS WITH MORRIE at New Jewish Theatre
September 20, 2017

The New Jewish Theatre will begin its 3rd decade of Theatrical Excellence with an adaptation of Mitch Albom's well-loved book, Tuesdays with Morrie. The play will run October 4 - 22. Albom adapted the play with playwright Jeffrey Hatcher from his book of the same title. It quietly tells the story of the renewed relationship between sports columnist Albom and his former Brandeis professor and mentor, Morrie Schwartz.

BWW Review: STAGES St. Louis's Superb SOUTH PACIFICBWW Review: STAGES St. Louis's Superb SOUTH PACIFIC
September 18, 2017

STAGES St. Louis ends their season with an wonderfully mounted production of Rodgers and Hammerstein's SOUTH PACIFIC. It's a classic musical absolutely filled to the brim with memorable songs, many of which have become standards. In fact, you'll likely find yourself humming any number of them as you head home after the show. Then there are the social issues that this Pulitzer prize winning drama tackles, which were groundbreaking for their time, yet still retain their impact today. Sadly, issues concerning race and acceptance have only intensified in our current volatile and divisive environment. Sparked by an excellent cast, this is an incredibly touching testament to the power this work still wields.

BWW Review: STL Opera Collective Presents TESLA'S PIGEON and TO HELL AND BACKBWW Review: STL Opera Collective Presents TESLA'S PIGEON and TO HELL AND BACK
September 13, 2017

Since our resident opera critic, Steve Callahan, was appearing in one of the pocket operas produced this past weekend (September 8-9, 2017) by the STL Opera Collective, he asked if I would cover the shows, and I was happy to do so. This is a group that is just in their second season, but judging by the quality of the performances presented they show a great deal of promise. Two short operas were showcased on this occasion; TESLA'S PIGEON (by Melissa Dunphy) and TO HELL AND BACK (music by Jake Heggie and libretto by Gene Scheer). Both are striking, artful productions that move and challenge an audience, and I found them both to be highly engaging and superbly performed.

BWW Review: New Line Theatre's Lovely OUT ON BROADWAY THE THIRD COMINGBWW Review: New Line Theatre's Lovely OUT ON BROADWAY THE THIRD COMING
August 22, 2017

Originally conceived by artistic director Scott Miller over 20 years ago, OUT ON BROADWAY (THE THIRD COMING), is, as titled, the third incarnation of a revue designed to reinterpret songs from an array of classic and offbeat, but brilliant, musicals ( this time with a new song from Jason Robert Brown, 'Hope'). This production acts to show just how much these works still retain their emotion, even when the players in each are now gay. I can assure you that the meaning remains, and so does the depth of feeling. It's a collection of over 30 pieces that are arranged to weave together a kind of narrative. Some people might find some of the choices obscure, but that actually adds to the charm for me, because then I'm exposed to things that I'll want to seek out afterwards. I'm late with this review, so forgive me, but life intrudes sometimes. But, if you didn't catch it you really missed an exceptional theatrical cabaret of sorts, which was truly wonderful, and which I hope sparks a fourth coming!

BWW Review: The MUNY Closes with Spirited and Charming NEWSIES!BWW Review: The MUNY Closes with Spirited and Charming NEWSIES!
August 11, 2017

The original film version of NEWSIES wasn't exactly a blockbuster when it was released in 1992, but it developed a substantial cult following, especially as kids and adults alike discovered its many charms on cable and DVD. Actually, the fact that it wasn't a huge hit initially is why it seems like such a great, and logical, choice to rework for Broadway, where its transformation resulted in Tony Awards for best score (music by Alan Menken and lyrics by Jack Feldman) and choreography back in 2012. Perhaps this is proof that the material might have been better served as a stage production from the start. As The MUNY's current, and final, presentation of the season it packs an entertaining wallop that brings the season to a close on a delightfully high note. Audiences certainly will find plenty to enjoy, and I cannot recommend this show highly enough!

BWW Review: MAMMA MIA! Has a Grand Farewell at the FOX This WeekendBWW Review: MAMMA MIA! Has a Grand Farewell at the FOX This Weekend
August 1, 2017

MAMMA MIA! officially ended it's farewell tour this past weekend, and it was interesting to see the audience reaction to a show I've seen at least six times. But, I'm a critic. The appeal is obvious really, it's a simple story (book by Catherine Johnson) that allows you to enjoy the undeniably catchy Swedish pop of ABBA (music and lyrics of Benny Andersson and Bjorn Ulvaeus, and Stig Anderson). With the length of time that it's been touring, nationally and internationally, there's no doubt that generations will grow up knowing and loving this music, which, at the time, seemed like a passing fad back in the 1970's and 80's, although I'm not ashamed to admit I own their greatest hits vol. 1 and 2, most of which shows up in the score. The touring show that graced the stage of the Fox Theatre this past weekend (July 28-30) put on a splendid production, as engaging and charming as we've come to expect, and brimming with enough good humor to please everyone.

BWW Review: The MUNY's Incredible and Heartfelt A CHORUS LINEBWW Review: The MUNY's Incredible and Heartfelt A CHORUS LINE
August 1, 2017

A CHORUS LINE was the creation of Michael Bennett, one of Broadway's finest choreographers, who held a series of workshops in the mid 1970's to explore a way to examine the life that dancers lead. Then book writers James Kirkwood, Jr. and Nicholas Dante crafted a musical from this wealth of material collected to tell the story of Broadway's 'gypsies', the singers and dancers of the chorus that make their living by moving from production to production. And, it's how those stories are often vividly brought to life that distinguishes the current production at The MUNY. Instead of just relying solely on the compelling reasons that each character became a dancer, although some are left to stand alone in truly dramatic fashion, younger versions of themselves, whether through video projections or by using actual younger performers to act out their recollections as they speak are incorporated. It's an utterly charming touch that really stands out in stunning fashion. It makes this version particularly special, and when you combine that with a very talented ensemble, and an orchestra that sounds superb, you wind up producing a must-see show!

BWW Review: STAGES St. Louis's Hilarious Must-See 9 TO 5BWW Review: STAGES St. Louis's Hilarious Must-See 9 TO 5
July 29, 2017

It's not surprising that the 1980 film 9 to 5 was turned into a musical, since it's revenge driven farcical plot is a natural fit, and it's a period piece, so it has that going for it as well. Plus, you have Dolly Parton, whose physical attributes sometimes make one forget how great a songwriter she is, providing material written for the show, and adding pieces plucked from her own recordings. It's a great show for a strong and varied female cast, and STAGES' current production doesn't disappoint, with the lead roles filled by outstanding performers. And, one thing is certain, it's a real crowd-pleaser, generating tons of laughs, and a number of memorable moments.

BWW Review: The MUNY's Amazing and Wonderful THE UNSINKABLE MOLLY BROWNBWW Review: The MUNY's Amazing and Wonderful THE UNSINKABLE MOLLY BROWN
July 25, 2017

Dick Scanlan (revised book and additional lyrics) deserves a hand for the long process that led to a reinvigorated and refocused version of Meredith Willson's THE UNSINKABLE MOLLY BROWN. A few years ago he started tinkering with this venerable classic, having workshops and readings before finally hitting the stage. Scanlan retains more than a half dozen of the original numbers, and adds some of Willson's trunk songs, as well as some songs written for the movie, to flesh out this tale, which truly highlights the life of Molly Brown in more accurately historical fashion. It's the current production playing at the MUNY, and it's a breath of fresh air, led by Beth Malone's scintillating performance, and staged with a scope that opens the show up like a piece of Colorado real estate. It's an invigorating must-see!

BWW Review: The MUNY's Engaging and Lively ALL SHOOK UPBWW Review: The MUNY's Engaging and Lively ALL SHOOK UP
July 14, 2017

ALL SHOOK UP, a celebration of music performed by the King, Elvis Presley, is a entertaining mash-up of Shakespeare's TWELFTH NIGHT, combined with some ideas from FOOTLOOSE, and with just a pinch of the movie version of GREASE (book by Joe DiPietro). I know how that sounds, but instead of taking itself or the music too seriously, this show actually achieves a sort of subversive and hilarious kitsch appeal. It's the current production on the MUNY's stage, and it's a splashy, funny, silly, and tune-filled hoot from start to finish.

BWW Review: The MUNY's Uproarious and Delightful A FUNNY THING HAPPENED ON THE WAY TO THE FORUMBWW Review: The MUNY's Uproarious and Delightful A FUNNY THING HAPPENED ON THE WAY TO THE FORUM
July 9, 2017

Brimming with painfully amusing puns, by gag writers Larry Gelbart and Bert Shevelove , who bring a bit of borscht belt humor and a sprinkling of vaudeville to the proceedings, and adorned with the wonderful music and lyrics of Stephen Sondheim, A FUNNY THING HAPPENED ON THE WAY TO THE FORUM is an incredibly engaging and entertaining show, and it's the current attraction at The MUNY. It's a great match, and a perfect show for a summer evening, filled with sparkling, bawdy jokes, and brought to life with considerable energy by a stellar cast. I highly recommend this classic musical!

BWW Review: The MUNY's Outstanding and Visually Stunning THE LITTLE MERMAIDBWW Review: The MUNY's Outstanding and Visually Stunning THE LITTLE MERMAID
June 26, 2017

It's interesting to imagine just what fairy tale author Hans Christian Andersen would think of the musical version of THE LITTLE MERMAID (book by Doug Wright, music by Alan Menken, and lyrics by Howard Ashman and Glenn Slater) that's now gracing the stage of The MUNY. Though he might quibble with the liberties the book takes with his story, I think he would be absolutely blown away by the performances and stagecraft that are on display. It's a terrific and captivating production that doesn't skimp on the eye candy. Though the Disney film has been around since 1989, it's still a hugely popular movie for members of the younger set, and the equally successful musical has been beguiling audiences for almost 10 years as well. It's timeless charms are a perfect match for the MUNY's vast expanses, which are filled with imaginative imagery that families will find exquisitely appealing.

BWW Review: STAGES St. Louis's Incredibly Fun SEUSSICALBWW Review: STAGES St. Louis's Incredibly Fun SEUSSICAL
June 26, 2017

There's just something magical about the world of Dr. Seuss and its hold on children. It's the language he uses to tell his fanciful tales. It's re-invented and rhymed in a manner that clearly appeals to children and adults. SEUSSICAL is a catchy and clever musical that adapts various elements from some of his most famous works, and it comes in many shapes and sizes. STAGES St. Louis is presenting a wonderful production of one of the shorter versions in their Theatre for Young Audiences series this season, and I cannot recommend it highly enough! It seems like I'm always saying that at this time of the year, but the professionalism you see each season is amazing, and it continues to develop, especially at the Westport Playhouse, where the intimate confines allow close and plentiful contact with audience members. This particular aspect really makes a difference when you're taking your child to the theatre for the first time. They actually become completely immersed in the experience, and adults will as well.

BWW Review: The MUNY Opens Season with Spectacular JESUS CHRIST SUPERSTARBWW Review: The MUNY Opens Season with Spectacular JESUS CHRIST SUPERSTAR
June 13, 2017

Growing up in the 1970's I can't tell you how many times I came across the boxed LP set, complete with booklet, that housed Tim Rice (lyrics) and Andrew Lloyd Webber's (music) classic, JESUS CHRIST SUPERSTAR. For those of us who grew up on the records, and even the movie version, it was a rock, pop, rhythm and blues, funk, and music hall influenced opera that produced a bumper crop of wildly tuneful and intriguing compositions. JESUS CHRIST SUPERSTAR opens The Muny's 99th season and it's a fabulously constructed and performed production that's jaw-droppingly amazing. Back in the day the songs themselves conjured up mental images that are unique to each individual, and on this stage they came alive anew, with loads of energy, and a heavy dose of anachronistic charm. The action is superb, the vocalists shine, the orchestra sounds fantastic, and I simply can't think of more uplifting way to spend an evening under the stars.

BWW Review: STAGES St. Louis's Highly Entertaining JOSEPH AND THE AMAZING TECHNICOLOR DREAMCOATBWW Review: STAGES St. Louis's Highly Entertaining JOSEPH AND THE AMAZING TECHNICOLOR DREAMCOAT
June 9, 2017

I've seen several stagings of JOSEPH AND THE AMAZING TECHNICOLOR DREAMCOAT over the years, and I've always enjoyed the Tim Rice (book and lyrics) and Andrew Lloyd Webber (music) show each time. However, STAGES St. Louis has really outdone themselves with their latest production of this exuberant musical. The piece has always lent itself to approaching it with a great deal of imagination and creativity, since it's chock-full of hilarious, anachronistic humor and song, and this production takes full advantage of that fact. This show is a real treat, with strong performances and plenty of fun to go around, and I highly recommend it!



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