Chris has been active in the local theatre scene for over 30 years and reviewing local theatre for over 11. In addition to his acting work, he's also contributed as a director, writer and composer. Though, initially a film buff, he grew tired of the sanitized, PG-13 rated blockbusters that were being continually shoved down his throat by the studios. An opportunity to review theatre in St. Louis has grown exponentially with the sudden explosion of venues and talent in the region. He now finds himself obsessed with witnessing those precious, electric moments that can only happen live, on stage.
It's always interesting when sequels are written to famous works because, in order to succeed, they must project some of the same style, skill, and taste of the original author.
A touring company of Rodgers and Hammerstein's THE KING AND I is currently playing the Fox Theatre, and it's a very engaging revival of the classic musical.
There are jukebox musicals that utilize the catalog of a group to hang a story thread onto that may or may not fit particularly well, and there are those that are portraits of the songwriters themselves.
As the liner notes reveal, this collection by composer/pianist David Lanz sprang forth from improvisations that resulted during preparations for the NORWEGIAN RAIN album.
SWEET REVENGE, with the subtitle of: as performed by the Julius Slowacki Players, Saint Louis, 1933, is a delightful look back at our city's own Polish heritage.
watch, and some people, who might be especially sensitive on these matters, might be put off at the thought of witnessing a person deteriorate over time due to the ravages of ALS.
Since our resident opera critic, Steve Callahan, was appearing in one of the pocket operas produced this past weekend (September 8-9, 2017) by the STL Opera Collective, he asked if I would cover the shows, and I was happy to do so.
Originally conceived by artistic director Scott Miller over 20 years ago, OUT ON BROADWAY (THE THIRD COMING), is, as titled, the third incarnation of a revue designed to reinterpret songs from an array of classic and offbeat, but brilliant, musicals ( this time with a new song from Jason Robert Brow
The original film version of NEWSIES wasn't exactly a blockbuster when it was released in 1992, but it developed a substantial cult following, especially as kids and adults alike discovered its many charms on cable and DVD.