Kelli O’Hara and Brian d’Arcy James star in a searing new musical about a couple falling in love in 1950s New York and struggling against themselves to build their family. The New York Times calls Days of Wine and Roses “a jazzy, aching new musical with wells of compassion!” (Critic’s Pick) and The Washington Post raves, “Kelli O’Hara and Brian d’Arcy James soar! One of the best new musicals this year.”
Adapted from JP Miller’s 1962 film and original 1958 teleplay, composer & lyricist Adam Guettel (Floyd Collins) and playwright Craig Lucas (An American in Paris) reunite in their first collaboration since their acclaimed The Light in the Piazza. Directed by Michael Greif (Dear Evan Hansen).
While the musical respects the film’s structure and setting (though the location is moved from San Francisco to New York City) and recycles much of the original dialogue, it proves to be one of the relatively few theatrical adaptations that expands upon its cinematic source material, as seen in how the score (which is grounded in mid-century jazz) artfully captures the characters’ circumstances (including the high-flying, euphoric rush of endless cocktails) and subsequent breakdowns and melancholy.
Of course, there is a perspective from which too much grousing about Days of Wine and Roses feels unkind: Lucas has been sober for 19 years, Guettel went through his own journey to sobriety more recently, and O’Hara has told the story of a woman thanking her after the show and whispering, in parting, “23 years.” If the show—if any show—strikes someone, somewhere, for some reason, to the heart, well, so shines a good deed in a weary world. And yet… I hunger for more. O’Hara and James are capable of leaving us not simply pensive, but elated and shattered, if they had a show that would let them.
Digital Rush
Price: $49
Where: on the TodayTix app.
When: 9am on the day of the performance
Limit: Two per customer
Information: Subject to availability.
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