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HERE Arts Center has announced additional programming for its Spring 2026 season, including the HARP world premiere of Dream Feed by The HawtPlates as part of the Under the Radar Festival.

OFC Creations Theatre Center will present the regional premiere and pilot production of Jim Henson’s Emmet Otter’s Jug-Band Christmas as part of its 2025–2026 Broadway in Brighton Series. See photos from inside rehearsal.

Folger Theatre at the Folger Shakespeare Library revealed the plays and playwrights for the fourth annual Reading Room Festival, a four-day festival of staged readings, panel discussions, workshops, and community celebrations.

HERE Arts Center has revealed additional programming for their Spring 2026 lineup including the HARP world premiere of DREAM FEED by The HawtPlates as part of the Under the Radar Festival and more.

An Interview with Berto Fernández and Giovanny Diaz de Leon, who bring Old Max and Young Max to life ¡Cómo el Grinch robó la Navidad!' a world premiere Spanish language concert adaptation, “Dr. Seuss’s How the Grinch Stole Christmas!” at The Old Globe.

Dixon Place will present the world premiere of Concrete Temple Theatre’s PACKRAT: The Quest por la Abundancia, a visually crafted puppet-forward play that asks urgent questions about home, belonging, and responsibility.

Jamie Lloyd’s Broadway production of Samuel Beckett’s Waiting for Godot, starring Keanu Reeves and Alex Winter, has recouped its initial investment of $7.5 million in just eight weeks.

Anna Ziegler's new play Evening All Afternoon will make its world première at the Donmar Warehouse next year. Diyan Zora, making her Donmar debut, directs Anastasia Hille and Erin Kellyman in this new play.

St. Ann’s Warehouse has announced two new international productions for early 2026, following its upcoming staging of Eugene O’Neill’s Anna Christie, directed by Thomas Kail and starring Michelle Williams (November 25, 2025–February 1, 2026).

L’Alliance New York has announced its Winter 2026 programming, featuring dance, theatre, cinema, and interdisciplinary events across its Skyroom and the Florence Gould Theater.

The Asylum Theatre returns to the Rita Deanin Abbey Art Museum for the second annual Solo Play Day Festival with an exceptional performance of Gifts of Gratitude from 3 to 5 p.m. on Sunday, November 23.

English National Opera has released new production photos for PARTENOPE, returning to the London Coliseum from 20 November to 6 December 2025. The revival of Christopher Alden’s Olivier Award-winning staging features Nardus Williams in the title role and is conducted by Christian Curnyn.

​Capital Stage presents a Special Limited Production and the Sacramento premiere of I AND YOU by Bay Area native, and nationally renowned playwright, Lauren Gunderson.

Great Canadian Theatre Company will continue its 25-26 Season with Big Stuff - written, created by, and starring Matt Baram & Naomi Snieckus, a real-life married comedy duo, and co-created and directed by Kat Sandler.

Houston Grand Opera will launch its winter repertoire on January 23, 2026, with the Houston premiere of Kevin Puts and Mark Campbell’s SILENT NIGHT. Presented in a new co-production with the Metropolitan Opera, the staging marks the first major revision of the Pulitzer Prize-winning work since its 2011 debut.

Short+Sweet Hollywood has announced the full slate of finalists for its 2025 season, featuring a mix of returning artists and first-time participants. The festival will present Latin X Finals on November 21, English Finals on November 22, and an Awards Show and Gala on November 23 at the Victory Theatre in Burbank.

Jenny Mollica, Chief Executive of English National Opera (ENO), has been appointed the new CEO of the Roundhouse. She will step down from her current role in summer 2026.

There are terrible things going on in the world and specifically at the Kennedy Center, where the staff’s been decimated, attendance is way down, booked engagements have withdrawn, and others have been cancelled in a few weeks  to make way for activities related to the World Cup or maybe eventually the UFC.

Written by MacArthur “genius” fellow and award-winning screenwriter Samuel D. Hunter and directed by Danilo Gambini, A Case for the Existence of God is vulnerable, funny, and intense. It builds like a wave on the horizon that slowly and steadily gathers power as it nears, landing with massive energy and impact.

Ballet Nights will open 2026 with THE NEW YEAR’S DAY CONCERT, a one-night programme of classical ballet, contemporary dance, and live music at Cadogan Hall.

Russian writer Nikolai Gogol’s play The Government Inspector caused quite the stir in the 1840’s with its biting satire on political corruption in a small rural town. For Naatak theatre group’s 116th production, Harish Agastya has transposed the action to Gujarat, India and the city of Anand, where greed and bureaucratic ineptness have become an art form.

From November 14 - December 6, Different Stages offers an evening of classic mystery and refined theatrical craft in poresnting Mark Shanahan’s adaption of Agatha Christie’s THE MURDER OF ROGER ACKROYD at The VORTEX Theatre in Austin.

Poudre High School Theatre demonstrates how Stage Mag can be used by organizations of all shapes and sizes to build a fully interactive show program. In New York, the Performing Arts Library prepares a major Martha Graham exhibition, and Leigh Silverman steps into her new role as President of the Stage Directors and Choreographers Foundation. Regionally, IN Series appoints its first Executive Director and Dallas restores funding to Dallas Black Dance Theatre. Abroad, the National Youth Theatre expands its Assemble programme with a significant new grant.

Make Portugal Great Again! In their production of Saloz’un Mavalı, adapted for Turkish stages by Can Yücel, Cihangir Atölye Sahnesi stages the clash between an imagined glorious past and a bleak, oppressive present. First performed in English as The Song of the Lusitanian Bogey in 1965, the play has, unfortunately, lost none of its relevance. Originally a two-act work, the CAS production condenses the material into just under an hour, but the ensemble fills that hour with a tightly woven collage of images, rhythms, and political critique.

Directed with pinpoint focus and lots of movement by Cate Caplin to keep the play from becoming a typical “talking heads” production, I guarantee An Inspector Calls will keep you captivated until its startling conclusion.