Stereophonic mines the agony and the ecstasy of creation as it zooms in on a music studio in 1976. Here, an up-and-coming rock band recording a new album finds itself suddenly on the cusp of superstardom. The ensuing pressures could spark their breakup — or their breakthrough. Written by David Adjmi, directed by Daniel Aukin, and featuring original music by Arcade Fire's Will Butler, Stereophonic invites the audience to immerse themselves — with fly-on-the-wall intimacy — in the powder keg process of a band on the brink of blowing up.
Structurally, it’s a three-and-a-bit-hour interrogation of the creative process that features little more than the band chatting to each other or recording. Set solely in a windowless studio, director Aukin has supreme confidence in the play’s pacing and rhythms. There is a lot – like a lot – of fannying around over drum sounds and guitar tones, but the play leads us to the right psychological space to understand that there’s much more to this than musos muso-ing. A blizzard of coke, exhaustion, the enormous pressure to follow up their previous album, and of course cataclysmic inter-band tensions all go some way to explain why the band and their affable engineers Grover (Eli Gelb) and Charlie (Andrew R Butler) find themselves agonising over every detail.
Animated by music by Will Butler (formerly of Arcade Fire), played and recorded live by the actors on stage, it’s a probing examination of what it means to make art, and why it matters that someone should. As the songs soar and lives collapse, it asks questions about relationships, the cost of things, and the value of seeking joy or giving in to despair. It is almost existential in its concerns, yet its overlapping, quickfire dialogue is both funny, pungent and entirely naturalistic. I think it is a masterpiece.
| 2023 | Off-Broadway |
Playwrights Horizons Off-Broadway Production Off-Broadway |
| 2024 | Broadway |
Original Broadway Production Broadway |
| 2025 | West End |
West End |
| 2025 | US Tour |
US Tour |
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