David Adjmi’s Stereophonic zooms in on a music studio in the mid-1970s, where an up-and-coming rock band recording a new album finds itself suddenly on the cusp of superstardom. Will the ensuing pressures spark their breakup — or their breakthrough? Featuring original music by Arcade Fire’s Will Butler, this intimate, electric play mines the agony and the ecstasy of creation.
Fortunately, for Adjmi and viewers alike, Daniel Aukin’s production of the work, now on view at Playwrights Horizons, could not be more immaculate – from David Zinn’s unbelievable re-creation of a California recording studio (aided by the superb sound design by Ryan Rumery) to the stunningly authentic costumes by Enver Charkatash (flares, flares, everywhere), to the deeply-felt performances by a mostly little-known, seven-person cast.
There’s a lot to admire about Stereophonic. The cast gives feel-real performances under the thoughtful direction of Daniel Aukin. David Zinn's recording studio set could pass for the real thing. Enver Chakartash's costumes, particularly the chunky-heeled huaraches, could have walked out of a ’70s closet. On the B-side (er, downside), Adjmi calls the play a “love letter to artists.” In terms of fresh ideas about the creative process, the play doesn’t deliver an LP’s worth of insights. In the end, it feels like a song we’ve heard before.
Videos