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Wednesdays at 7:30pm
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Fridays at 7:30pm
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Who knew Mary Todd Lincoln could be so funny? The first lady is the subject of Broadway's most hilarious new play- Oh, Mary!
Oh, Mary! is a dark comedy about a miserable, suffocated Mary Todd Lincoln in the weeks leading up to Abraham Lincoln’s assassination. Unrequited yearning, alcoholism, and suppressed desires abound in this 80-minute one-act play that finally examines the forgotten life and dreams of Mrs. Lincoln, through the lens of an idiot (playwright Cole Escola).
Escola originate dthe title role in the production, which is directed by Sam Pinkleton. The cast also inlcudes, Conrad Ricamora, James Scully, Bianca Leigh, and Tony Macht.
The play arrives on Broadway following a sold out, twice extended world premiere run at the Lucille Lortel Theatre. The limited engagement, originally scheduled to close in September 2024, is now extended through June 28, 2025.
EmmyⓇ nominee Betty Gilpin (“GLOW,” “American Primeval”) stars as Mary Todd Lincoln through March 16. Tituss Burgess (“Unbreakable Kimmy Schmidt,” “30 Rock”) stars as Mary Todd Lincoln beginning March 18 for three weeks only!
The most controversial cabaret in town might be happening at the August Wilson Theatre, but the best one is at the Lyceum. There, Cole Escola’s riotous, extremely faux-historical farce, Oh, Mary!, has begun its Broadway run, and long may it reign. Oh, Mary! took the West Village deliriously captive in its big gay pirate ship back in the spring, and while the wickedly clever Escola — who made their name first on YouTube playing wonderfully unhinged characters, then as a scene-stealer on shows like Search Party and Difficult People — is on record calling the uptown transfer “a mistake,” they and director Sam Pinkleton have wisely left funny enough alone. Really, far more than enough — Oh, Mary! is hilarious and, underneath the mayhem, both structurally rock solid and sneakily moving. It may be playing the palace now, but it’s confident enough in its own skin to have resisted any sort of unnecessary makeover.
Second, the director Sam Pinkerton moves the show at such a lightning pace that we’re all on to the next laugh before you start to wonder about the merits of the one before or even dare to question the whole tawdry enterprise. Blackouts come so hard upon the lines of dialogue that the actors have to rush to get their gags out, which makes them all the funnier because it both raises the stakes and keys into one of the key ingredients of great farce: the mutual experience of the chaotic.
| 2024 | Off-Broadway |
Off-Broadway Premiere Production Off-Broadway |
| 2024 | Broadway |
Original Broadway Production Broadway |
| 2025 | West End |
West End |
| Year | Ceremony | Category | Nominee |
|---|---|---|---|
| 2025 | Drama League Awards | DISTINGUISHED PERFORMANCE | Cole Escola |
| 2025 | Drama League Awards | OUTSTANDING DIRECTION OF A PLAY | Sam Pinkleton |
| 2025 | Tony Awards | Best Costume Design of a Play | Holly Pierson |
| 2025 | Tony Awards | Best Direction of a Play | Sam Pinkleton |
| 2025 | Tony Awards | Best Performance by an Actor in a Featured Role in a Play | Conrad Ricamora |
| 2025 | Tony Awards | Best Performance by an Actor in a Leading Role in a Play | Cole Escola |
| 2023 | Outer Critics Circle Awards | Outstanding Featured Performer in an Off-Broadway Play | Conrad Ricamora |
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