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‘Peter Pan Goes Wrong’ review: Neverland nincompoops bring laughs on Broadway
7 / 10
At two hours and five minutes over two acts, the effect of the wackiness wears off a tad toward the end - even though the final chase scene is brilliantly choreographed on Simon Scullion's set of a million secrets. And some adults in the audience (not this one) might turn up their noses at Shields' pantomime-like insistence that kids boo Captain Hook. And they boo a lot. A few theatergoers looked aghast, like some drunks had just thrown their bras at King Lear. To them I'll give the opposite advice that Peter Pan would: Grow up! Shields' self-debasement is delightful. That's really all this lovable cast wants anyway - for us to get rowdy for them to be ridiculed.
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