Come From Away - 2017 Broadway History , Info & More
Gerald Schoenfeld Theatre (Broadway)
236 West 45th St. New York, NY
On September 11, 2001 the world stopped. On September 12, their stories moved us all.
COME FROM AWAY is the breathtaking musical that reminds you of what good the human spirit is capable of. Written by Irene Sankoff and David Hein, and directed by Christopher Ashley, this musical shines a lot on the best of what we are capable in the absolute worst of times.
In a heartbeat, 38 planes with 6,579 passengers were stranded in a remote town in Newfoundland on a devastating day in September 2001. The locals in Gander opened their hearts and homes to thousands of stranded strangers, spurring unexpected camaraderie in extraordinary circumstances.
Come From Away - 2017 - Broadway Cast
FEATURED REVIEWS FOR Come From Away
‘Come From Away’ review: Finding a bit of good in 9/11
8 / 10
Could it be? Had the theater finally found a way to sing and dance with dignity regarding 9/11, a catastrophe that has, thus far, been the third rail of theatergoers' emotions? Well, 'Come From Away' may not be Broadway's first feel-good musical about the Sept. 11, 2001 attacks, but it is a feel-pretty-nice musical. Think of the simple 100-minute show as psychological training wheels, perhaps a way to ease us into the unbearable stories our playwrights might someday ask us to confront.
Come From Away’ Broadway Review: Stranded in Newfoundland, as Well as the Theater
7 / 10
Sankoff and Hein's book tries to drum up suspense in the show's opening scenes by telling us that few of these visitors to Gander knew about the attacks on the World Trade Center and the Pentagon, because few people back then owned cell phones. Really? As songwriters, this duo relies on a strong percussive element that's so incessant that their songs take on a militaristic flair. And they're also very, very loud. Gareth Owen's sound design is the most abrasive to grace a Broadway stage since the entry of 'Waitress' a year ago. Dialogue is shrill and disembodied from the actors, and when the ensemble sings any of the show's foot-stomping anthems, the lyrics are indecipherable. Come from Away is a musical about hope, perseverance and people coming together to help each other in difficult times. The Gander townspeople have much in common with the citizens of Meredith Willson's River City, only they're much more adorable.
Category
Come From Away FREQUENTLY ASKED QUESTIONS
38 Planes
Blankets and Bedding
28 Hours Wherever We Are
Darkness and Trees
On The Bus
Darkness and Trees (Reprise)
Lead Us Out of the Night
Phoning Home
Costume Party
I Am Here
Prayer
On The Edge
In The BarHeave Away
Screech In
Me and the Sky
Stop the World
Somewhere in the Middle of Nowhere
Something's Missing
Finale
Come From Away History
Other Productions of Come From Away
| 2016 | Washington, DC (Regional) |
Ford's Theater Production Washington, DC (Regional) |
| 2017 | Broadway |
Original Broadway Production Broadway |
| 2018 | Toronto |
Toronto Production Toronto |
| 2018 | US Tour |
First National Tour US Tour |
| 2021 | West End |
Original West End Production West End |
| 2023 | US Tour |
North American Tour US Tour |
Come From Away - 2017 Broadway Awards and Nominations
| Year | Ceremony | Category | Nominee |
|---|---|---|---|
| 2017 | Drama Desk Awards | Outstanding Book of a Musical | Irene Sankoff |
| 2017 | Drama Desk Awards | Outstanding Choreography | Kelly Devine |
| 2017 | Drama Desk Awards | Outstanding Costume Design for a Musical | Toni-Leslie James |
| 2017 | Drama Desk Awards | Outstanding Director of a Musical | Christopher Ashley |
| 2017 | Drama Desk Awards | Outstanding Featured Actress in a Musical | Jenn Colella |
| 2017 | Drama Desk Awards | Outstanding Lyrics | Irene Sankoff |
| 2017 | Drama Desk Awards | Outstanding Music | Irene Sankoff |
| 2017 | Drama Desk Awards | Outstanding Musical | Come From Away |
| 2017 | Drama Desk Awards | Outstanding Orchestrations | August Eriksmoen |
| 2017 | Drama League Awards | Outstanding Production of a Broadway of Off-Broadway Musical | Come From Away |
| 2017 | Outer Critics Circle Awards | Outstanding Book of a Musical (Broadway or Off-Broadway) | Irene Sankoff |
| 2017 | Outer Critics Circle Awards | Outstanding Choreographer | Kelly Devine |
| 2017 | Outer Critics Circle Awards | Outstanding Director of a Musical | Christopher Ashley |
| 2017 | Outer Critics Circle Awards | Outstanding Featured Actress in a Musical | Jenn Colella |
| 2017 | Outer Critics Circle Awards | Outstanding New Broadway Musical | Come From Away |
| 2017 | Outer Critics Circle Awards | Outstanding New Score (Broadway or Off-Broadway) | Irene Sankoff |
| 2017 | Outer Critics Circle Awards | Outstanding Sound Design (Play or Musical) | Gareth Owen |
| 2017 | Tony Awards | Best Book of a Musical | Irene Sankoff |
| 2017 | Tony Awards | Best Choreography | Kelly Devine |
| 2017 | Tony Awards | Best Direction of a Musical | Christopher Ashley |
| 2017 | Tony Awards | Best Lighting Design of a Musical | Howell Binkley |
| 2017 | Tony Awards | Best Lighting Design of a Musical | Howell Binkley |
| 2017 | Tony Awards | Best Original Score (Music and/or Lyrics) Written for the Theatre | Irene Sankoff |
| 2017 | Tony Awards | Best Performance by an Actress in a Featured Role in a Musical | Jenn Colella |
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