The Plays/Playwrights Of 2018 Bay Area Playwrights Fest Announced
Playwrights Foundation announces the plays and playwrights of the 2018 Bay Area Playwrights Festival (BAPF) running July 20-29, 2018 at Potrero Stage, 1895 18th St in San Francisco. The 2018 Bay Area Playwrights Festival (BAPF) features SUSPENSION by Kristiana Rae Colón, HOUSE OF JOY by Madhuri Shekar, VRTU-L by T.D. Mitchell, WHEN LIGHTING THE VOIDS by Jon Bernson, COLONIALISM IS TERRIBLE, BUT PHO IS DELICIOUS by Dustin Chinn and THE DAUGHTERS by Patricia Cotter. A nationally recognised launchpad for exceptional plays and playwrights the Festival features twelve staged readings, offers a Theater Professionals weekend 7/27-29, with special events and a kick-off fundraiser on 7/15. Tickets on sale June 1st at www.playwrightsfoundation.org
The six plays in #BAPF2018 were selected from more than 700 submissions nationally, and include a widely diverse and artistically challenging group of playwrights; all six are emerging talents. All of the plays in the 2018 Festival are stylistically and formally playful, exploring the ways in which non-linear storytelling can carry a complex plot forward with humor and (in some cases) deep tragedy. Echoing our turbulent times, all of the plays explore turning-points in past or future history, moments where worlds shift and the rules change. In the past BAPF initially developed George Brant's play Grounded which subsequently received an NNPN rolling world premiere, premiering in New York at Page 73, and then moved to London, and then The Public Theater in 2015, featuring the Oscar-winning actor Anne Hathaway, who has indicated a desire to produce and star in the film version of Grounded.
"BAPF 2018 will be a super-charged ride into six completely different worlds," remarks Artistic Director Amy Mueller. In Madhuri Shekar's play set in the 17th century Mughal Empire, female bodyguards break the ancient code of the Imperial Harem to protect their queen while in Kristiana Rae Colón's piece, set in a not-so-distant dystopian future, a group of high school girls tap into the power of their black girl badassery to resist militarized discipline protocols. Jon Bernson's docudrama explores the explosive consequences of deregulation while Patricia Cotter traces the past and present and vanishing future of lesbian social spaces. Dustin Chinn takes us through turning points in colonial history by tracing a bowl of Vietnamese soup, while T.D. Mitchell explores the transformation of military practices with the advent of the pervasive use of technology in waging a modern war.
THE PLAYS of #BAPF2018
#BAPF2018 includes: When Lighting The Voids by Jon Bernson, the story of a tragic explosion at a Gulf Coast shipyard commissioned by Storyworks and The Center for Investigative Reporting; Colonialism is Terrible, But Pho is Delicious by Dustin Chinn, an irreverent satire on colonialism as seen through the transformation of a bowl of noodle soup over two centuries; suspension by Kristiana Rae Colón, ancestral magic and black girl badassery combat a harrowing dystopian future; The Daughters by Patricia Cotter, a ballsy comedic lesbian romp set in the world's queer epi-center - San Francisco; VRTU-L by T.D. Mitchell, an exposé of the modern warrior's reliance on VR; House of Joy by Madhuri Shekar, seduction, skullduggery and swordplay in a mythic 17th Century rebellion by the female bodyguards of an Imperial Harem .
When Lighting the Voids by Jon Bernson: The dangers of working The Voids on massive ships are well known, but often ignored by both the workers, the government, and titans of industry. An investigation into the causes of a tragic explosion at a Gulf Coast shipyard in 2009 revealed how blatant and systematic the disregard for human life can be. Constructed as a mystery, and culled from interviews with OSHA investigators, shipyard workers and family members of the deceased, the play unravels the story of what happened, and reveals the human trauma inflicted by the accident; it also underscores the determination of those still seeking justice to this day. When Lighting The Voids is a commission by StoryWorks, a documentary theater project from the Center for Investigative Reporting which experiments with new approaches to the portrayal of factual events.
Colonialism is Terrible, But Pho is Delicious by Dustin Chinn: Your starter takes place in 19th-century French Indochina, where a native finds herself in the kitchen of a colonial aristocrat. The second serving finds us in 1990's Ho Chi Minh city as two Americans make first contact with the local breakfast. And for dessert, the charms of gentrifying modern-day Brooklyn, and its artisanal offerings. A three-course irreverent tasting menu of the tension that simmers between authorship and ownership across food culture, told across the history of Vietnamese noodle soup.
suspension by Kristiana Rae Colón: For the students of Climb & Succeed Charter Academy, a high school in a dystopian near future, the slightest defiance is met with riot-gear-clad security who patrol the halls informed by an AI bot. Armed and ready with each student's protocols, she deploys harrowing new disciplinary codes that take 'in-school suspension' (ISS) to a haunting extreme. In search of their mysteriously missing sister, and guided by a mystic teaching artist, Voltaire & Yansa learn to wield their ancestral magic and black girl badassery to combat the harrowing militarization of public education.
The Daughters by Patricia Cotter: A ballsy comedic romp over 60 years: from the first secret meeting of the first lesbian social club in San Francisco to closing night of the last lesbian bar. As women loving women gather in defiance of convention (and the law), they drink, debate, politicize, flirt, drink more, dance hard, makeout, fall in love, break up-and though they are entirely unaware, make history and change the world. A play about the transformation of identity, gender, and sexuality across generations in the queer epi-center of the universe.
VRTU-L by T.D. Mitchell: For the modern warrior it can be hard to distinguish between a video game, an AI weapon, a VR training camp populated with real Hollywood actors, a therapeutic reenactment and reality itself; it's harder still to recover. Set during his intensive period of deprogramming, Joe toggles between quixotic and disorienting memory flashes of his training and deployment, which are prone to shifting rules, pixelation and buffering. As he criss-crosses the strange, confusing, and at times absurd terrain of 'militainment' (the pervasive use of gaming and psychology to recruit, reprogram, train and deprogram contemporary military personnel), his grasp on what is real and what is virtual skews just beyond reach.
House of Joy by Madhuri Shekar: In an Imperial Harem, in a place like India, in a time like 1666: Hamida, a bodyguard, wakes to the oppression in her midst and decides to do something about it. Seduction, skullduggery and swordplay in a mythic, swashbuckling action-romance for the ages!
THE PLAYWRIGHTS of #BAPF2018
JON BERNSON is a playwright, musician and interdisciplinary artist from San Francisco. He is a former artist-in-residence at the de Young Museum and a current member of the RPI program at Playwrights Foundation. Bernson's prolific and varied works tend to be site-specific and exploratory. In Distant Future Symposium, he fuses science fiction, live music and repurposed YouTube footage. PDX to OAK is an interactive play, written for six actors and fourteen passengers on an overnight train trip from Portland to Oakland. Bernson's StoryWorks play, Overnighters is Over re-imagines Jesse Moss's Sundance award-winning film as an immersive multimedia experience. Logbook is an audiobook which is comprised of twelve pirate broadcasts that interrupted the programming of international television stations between 1986 and 2009. As a musician, Bernson has released more than twenty albums under several names, including Exray's, whose music was featured in David Fincher's Academy-Award winning film, The Social Network. Recent installations include Sound Affects, a large-scale multimedia collaboration at the Sonos Studio in Los Angeles and Beautification Machine, his sound-sculpture with Andy Diaz Hope, which opened at Catherine Clark Gallery before it was collected by the Nevada Museum of Art. god(s)(dess)(es) - another collaboration with Hope - was voted Best-in-Show at Richmond Virginia's 2016 InLight Festival. In addition to his participation in BAPF, Bernson will be in residence this summer at The Growlery in San Francisco working on Third Eye Moonwalk, a large-scale performance and sound installation to be exhibited and staged at Minnesota Street Project in October 2018.
DUSTIN CHINN is a Seattle native whose plays include Snowflakes, Or Rare White People, I Am Nakamura, The Ensemble Studio Theatre/Sloan Commission Herschel: Portrait Of A Killer and Let's Ninja Science Ranger Team Get! He's developed work at the Ground Floor at Berkeley Rep Summer Residency Lab, A.C.T.'s New Strands Festival, the University of Washington via a Mellon Creative Fellowship, SPACE on Ryder Farm, UMass at Amherst New Play Lab and Vampire Cowboys. He's also written for the 52nd Street Project. Dustin is a member of the Ars Nova Play Group and Ma-Yi Writers Lab. BA: Cornell University.
KRISTIANA RAE COLÓN is a poet, playwright, actor, educator, Cave Canem Fellow, creator of #BlackSexMatters and co-director of the #LetUsBreathe Collective. She was awarded 2017 Best Black Playwright by The Black Mall. In 2016, her plays good friday had its world premiere at Oracle Productions, Octagon its American premiere at Jackalope Theater in Chicago, and but i cd only whisper had its American premiere at The Flea in New York. Octagon was the winner of Arizona Theater Company's 2014 National Latino Playwriting Award and Polarity Ensemble Theater's Dionysus Festival of New Work, and had its 2015 world premiere at the Arcola Theater in London. In 2013, she toured the UK for two months with her collection of poems promised instruments, winner of the inaugural Drinking Gourd Poetry Prize and published by Northwestern University Press. Kristiana is an alum of the Goodman Theater's Playwrights Unit where she developed florissant & canfield, an epic reimagining of the Ferguson protests, which was featured in the 2016 Hedgebrook Women Playwrights Festival. She is a resident playwright at Chicago Dramatists and one half of the brother/sister hip-hop duo April Fools. She appeared on the fifth season of HBO's Def Poetry Jam. Kristiana's writing, producing, and organizing work to radically reimagine power structures, our complicity in them, and visions for liberation.
Patricia Cotter is a Resident Playwright at Playwrights Foundation, class of 2019. Awards include American Academy of Arts Letters, Richard Rodgers Award, three-time Heideman Award Finalist, Emmy Award. Plays include Drinking on A Plane performed as part of Actors Theatre of Louisville's The Tens in 2018, Rules of Comedy which was produced in 2015 Humana Festival Ten-Minute Plays and The Anthropology Section, previously performed as part of Actors Theatre of Louisville's The Tens in 2015. Other plays include 1980 (Or Why I'm Voting For John Anderson) Chicago's Jackalope Theatre 2017, The Surrogate, production Centenary Stage Company, NJ, 2017 and The Break Up Notebook (a GLAAD Award nominee). Musicals (librettist/ adaptations) include Rocket Science: A Musical, received readings at Playwrights' Horizons in New York (directed by Kathleen Marshall) and was produced at The Village Theatre, Seattle; The Break Up Notebook: A Musical (based on her play), at The Vineyard Theatre in New York and produced at Hudson Theatre, Los Angeles, and Mulan, Jr., based on the Disney film Mulan. She has written for Twentieth Century Fox Television, Disney Theatrical and Comedy Central. .
T.D. Mitchell's previous plays include A Gray Matter, In Dog Years, Madame Red, The Crowd, Beyond the 17th Parallel, and Queens For A Year. Her work has appeared at the Ojai Playwrights Conference, Bay Area Playwrights Festival, Wet Ink Festival, Pacific Rep, EST's Octoberfest, and Estrogenius, among others. Seattle ACT received an NEA Artistic Excellent Grant for Beyond the 17th Parallel, which is also being adapted for film. Queens For A Year, which premiered at Hartford Stage, was named "One of the 50 Notable Productions of 2016" (The Stage Review) and was nominated for the Pulitzer. In TV, she is a writer for ABC's "Army Wives," and won a 2010 Norman Lear Sent