Photos: THE SECRET GARDEN at York Theatre Royal
by A.A. Cristi
- Mar 19, 2026
York Theatre Royal has released production photos for the revival of the Tony Award-winning Broadway musical The Secret Garden - The Musical. The production, performed by a company of actor-musicians, has book and lyrics by Marsha Norman, music by Lucy Simon, and direction and design by Tony Award-winner John Doyle.
Photos: KISS OF THE SPIDER WOMAN UK Tour In Rehearsal
by A.A. Cristi
- Mar 17, 2026
Rehearsal photos have been released for the upcoming UK revival of KISS OF THE SPIDER WOMAN, opening at Curve in Leicester before touring to Bristol Old Vic and Mayflower Southampton Studios.
Review: R.O.I. (RETURN ON INVESTMENT), Hampstead Theatre
by Cindy Marcolina
- Mar 17, 2026
Loeb certainly offers a list of thought-provoking provocations but doesn’t delve into anything that’s not already obvious if you’re a cynical mind. Predictably, money is the source of all evil, and what begins as a legitimate project to help heal the illnesses of the world becomes a profitable machine. Working around an ethical discourse is fun if it’s matched with a solid story, but the narrative lacks the appropriate pull to properly propel the philosophical side forward.
Review: CHILDREN OF THE NIGHT, Southwark Playhouse
by Cindy Marcolina
- Mar 14, 2026
The tail end of the 90s is shaking the walls of Southwark Playhouse’s studio space. Inspired by over 30 testimonies from Donnyites, and originally shortlisted for both the 2023 Women’s Prize for Playwriting and the 2024 New Diorama Untapped Award, Children of the Night is a thumping anthem to friendship and club culture. Post-Thatcherite Britain is on the cusp of the new millennium and the first heterosexual HIV cases are about to hit Doncaster, but Lindsay isn’t concerned. She is just desperate to dance with her friend. Danielle Phillips writes a tender coming-of-age story that doubles as a love letter to her beloved hometown.
Review: EVENING ALL AFTERNOON, Donmar Warehouse
by Cindy Marcolina
- Feb 25, 2026
“What a thing to have a mother!” That’s how Anna Ziegler’s new play ends. Studies show that it takes two to five years for a blended family to become a cohesive unit, and when Jennifer marries John, his daughter Delilah refuses to cooperate. Jennifer badly wants to be in Delilah’s life. In her fifties, she’s never been married nor had any romantic liaisons before, but the young woman struggles to reconcile her devotion to her late mother with the recent addition to her world. Ziegler introduces two women who struggle with change. They’re extremely different, but, unsurprisingly, very much the same.
Photos: EVENING ALL AFTERNOON at the Donmar Warehouse
by Stephi Wild
- Feb 20, 2026
All new production photos have been released from Evening All Afternoon at the Donmar Warehouse. This is the World Premiere of Anna Ziegler’s new play, starring Erin Kellyman and Anastasia Hille. Performances run 14 February – 11 April 2026.
Review: AMERICAN PSYCHO, Almeida Theatre
by Cindy Marcolina
- Feb 2, 2026
Make no mistake, the writing is dated and it’s far from being a masterpiece, but the production does something that’s so specifically disturbing that it’s difficult to ignore. Bateman’s raison d’être is unnerving to begin with. Once you combine this archetypal psychopath with a jaunty synth-heavy score and a glitzy choreo, watching our executioner dance maniacally with a cleaver becomes a spectacle in itself.
Review: THE TEMPEST, Shakespeare’s Globe
by Clementine Scott
- Jan 31, 2026
The Tempest is perhaps the most metatheatrical of Shakespeare's plays: the plot takes place in real time, and Prospero asks the audience to “free” him with their applause. So who better to direct than the king of theatrical deconstruction himself, Tim Crouch?
Review: A GHOST IN YOUR EAR, Hampstead Theatre
by Katie Kirkpatrick
- Jan 9, 2026
Walking down an ominous red-lit corridor and being asked to put on over-ear headphones isn’t your typical start to a night at the theatre – but then A Ghost in Your Ear isn’t your typical play. Jamie Armitage’s second show as both writer and director (after last year’s An Interrogation) is a true horror piece, with ingenious use of binaural sound design.
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