Italy’s Arena Di Verona Opera Festival Reveals 2026 Season
by Stephi Wild
- Mar 20, 2026
Hosted since its founding in the 10,000-seat, open-air Roman amphitheater at the heart of the Italian city of Verona, the Arena di Verona Opera Festival is the largest, oldest, and most international opera festival in the world.
Review: PURITANI Is Bel Canto Bliss with Oropesa and Brownlee under Armiliato's Baton
by Richard Sasanow
- Jan 7, 2026
The Met’s new production of Vincenzo Bellini’s I PURITANI made its debut on New Year’s Eve, but I caught up with it at its third performance on January 6. I was glad I did--because it offered a cast with staggering singing abilities in four major roles that offered major demands, along with at least one minor one and the brilliant Met chorus under Tilman Michael. Simply put, soprano Lisette Oropesa, tenor Lawrence Brownlee, baritone Artur Rucinski and bass-baritone Christian Van Horn sang the pants off their roles, with Marco Armiliato conducting the fearless Met orchestra.
Review Roundup: I PURITANI at the Metropolitan Opera
by Stephi Wild
- Jan 2, 2026
Performances are now underway for The Metropolitan Opera's new staging of Vincenzo Bellini’s I Puritani, marking the company’s first new production of the opera in nearly 50 years. Find out what the critics are saying in the reviews here!
Carnegie Hall’s SONGSTUDIO Will Return January 2026
by A.A. Cristi
- Oct 29, 2025
Carnegie Hall’s SongStudio returns January 12–18, 2026, for its eighth season, led by Artistic Director Anthony Roth Costanzo. The week-long program includes master classes with Lisette Oropesa, Lawrence Brownlee, and Bryan Wagorn.
Preview: KAVALIER & CLAY Brings Three Sound Worlds to Met Season-Opener
by Richard Sasanow
- Sep 13, 2025
The forces behind the Met’s latest try at bringing a different (sic: younger) audience to the house, THE AMAZING ADVENTURES OF KAVALIER & CLAY, joined forces at the Guggenheim’s Works & Process series last week to introduce the new work to a receptive crowd. It’s the story of two Jewish cousins who team up in Brooklyn to create a comic book superhero, called the Escapist, to fight Hitler and the forces of fascism, “a story that unfortunately has extra resonance right now,” according to Met General Manager Peter Gelb. It brings three sound worlds--traditional, swing and electronica--to the Met’s season-opener.
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