Cast Set for ROME SWEET ROME at Chicago Shakespeare Theater
by Chloe Rabinowitz - Aug 20, 2025
Chicago Shakespeare Theater has revealed the cast and creative team for Rome Sweet Rome, a wild and satirical new “add-rap-tation” of Shakespeare's Julius Caesar from Q Brothers Collective. Learn more!
Industry Pro Newsletter: NEA Reports On the State of Nonprofits, Tom Viola Honored
by Alex Freeman - Dec 23, 2024
From nonprofit theaters innovating in the face of financial pressures to the anticipation of live performance rebounding amidst AI fatigue, the stories highlight an industry evolving while staying grounded in community and creativity. Stories include Broadway honoring Tom Viola, regional theaters navigating leadership changes, and international venues undergoing major renovations.
Photos: PRIMARY TRUST Begins Rehearsals at the Goodman Theatre
by Stephi Wild - Sep 19, 2024
Goodman Theatre will launch the 2024/2025 Season in its 350-seat flexible Owen Theatre with a newly minted Pulitzer Prize-winning play. The Chicago-premiere production of Primary Trust by Eboni Booth——helmed by BOLD Artistic Producer Malkia Stampley, in her Goodman directing debut—is now in rehearsal toward an October opening. Check out photos here!
Video: Scene from Goodman's THE PENELOPIAD
by Joshua Wright - Mar 25, 2024
Get a first look at this spirited scene from THE PENELOPIAD by Margaret Atwood starring Jennifer Morrison (Once Upon a Time, House) in an all-new video.
Review: THE PENELOPIAD at Goodman Theatre
by Rachel Weinberg - Mar 17, 2024
Goodman Theatre Artistic Director Susan V. Booth puts her own spin on Margaret Atwood’s decidedly feminist tale THE PENELOPIAD. As with her famous novel THE HANDMAID’S TALE, Atwood uses THE PENELOPIAD as a device to convey the horrors and abuse committed against women. Atwood’s points are valid and mirror the gender inequalities and abuse women still experience now (the original novella was penned in 2005). But THE PENELOPIAD’s feminist argument isn’t revelatory. Instead of providing truly new insight or perspective, the play rather reinforces existing (though rightfully undeniable) points.