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Review: MURDER GIRL at Milwaukee Chamber Theatre by Sofia Ascorbe
- November 24, 2025 As I walked into Studio Theatre at the Broadway Theatre Center, a neon sign reading “Marty’s Supper Club” prominently sat next to a scene with strung indoor Christmas lights, wood paneled walls, Packers memorabilia, and local beer signs. The low buzz of the lights hummed from Lisa Schlenker’s dimly lit set. As the house lights lowered and the show came alive, a door swung open into the bar from the cold, snowy, outside weather…we are in Wisconsin, and we are at Marty’s.
Review: MOZART'S THE MAGIC FLUTE at Ouachita Baptist University McBeth Recital Hall by Theresa Bertram
- November 24, 2025 Ouachita Baptist University’s Division of Music Opera Theatre Workshop brought Mozart’s The Magic Flute to sparkling life November 16–17 in McBeth Recital Hall, offering an intimate, imaginative take on the beloved Singspiel.
Review: THE PHANTOM OF THE OPERA at Orpheum Theatre Minneapolis by Jared Fessler
- November 24, 2025 If you’ve lived in Minneapolis long enough, you’ve probably seen a touring Phantom (or at least pretended you did when talking to theatre friends). But the production now at the Orpheum through December 7 feels surprisingly alive. Not “reinvented,” not “modernized”—just performed with the kind of conviction that makes you remember why this show became a juggernaut in the first place.
Review: AN EVENING WITH SARAH MCLACHLAN BETTER BROKEN TOUR at The Armory by Jared Fessler
- November 24, 2025 Sarah McLachlan doesn’t make a big entrance. She just walks out, smiles like she’s greeting old friends, and settles in behind the piano as if she’s about to play something she wrote five minutes ago. That’s how the night started at the Armory, and the whole show kept that same unforced, almost conversational energy.
Interview: Chris Unger of JINGLE BELLS AND JAZZ NOELS at Twin Citie's Gay Mens Chorus by Jared Fessler
- November 24, 2025 With Jingle Bells & Jazz Noels almost here, we wanted to take a moment to spotlight one of our Twin Cities Gay Men’s Chorus members, Chris Unger (he/him). This year’s show has been a blast to put together—big band brass, holiday favorites with a fun twist, and a couple of theatrical moments they can’t wait for you to see.
Review: DIE LIEBEN ELTERN at Boulevardtheater Bremen by Konstantin Georgiou
- November 24, 2025 Sehr empfehlenswert – insbesondere für all jene, die abseits des Mainstreams eine Komödie mit Herz und Hirn erleben möchten.
Interview: Sarah Brightman Previews Holiday Tour & Reflects on SUNSET BOULEVARD by Josh Sharpe
- November 24, 2025 On November 26, singing superstar Sarah Brightman will embark on her holiday tour, A Winter Symphony. BroadwayWorld recently spoke with the renowned soprano about what fans can expect from the tour, her experience playing the iconic role of Norma Desmond in Sunset Boulevard, and how she celebrates the holidays on the road.
Review: A FAIRYTALE FOR CHRISTMAS, Dominion Theatre by Mica Blackwell
- November 24, 2025 From the team behind Seven Drunken Nights -The Story of The Dubliners, A Fairytale for Christmas returns with their biggest tour yet. Following four back-to-back sell-out runs across the UK and US, the concert arrived at the Dominion Theatre for one night only.
Update on the Broadway Tax Credit - Deadline Shifts and How Non-Profits are Qualifying by Cara Joy David
- November 24, 2025 There has been a lot of press about the NYC Musical and Theatrical Production Tax Credit, but so much remains unclear. I continue to get regular questions about it, months after any major news hit. I can report now that Empire State Development (ESD), which administers the credit, is taking applications from shows with a first paid performance on or prior to December 1, well over a month after the previously reported deadline. This article will also cover a frequently asked question regarding nonprofit eligibility for the tax credit.
Review: ME.... A LITTLE ANGEL THEATRE PRODUCTION, Little Angel Theatre by Christiana Rose
- November 24, 2025 Little Angel Theatre once again excel as a leader in early years storytelling with its gentle and beautifully crafted production of Me..., adapted from the much loved book by Emma Dodd and directed by Samantha Lane. Aimed at children aged two to five, the 35 minute show offers an inviting first experience of theatre, which is both visually enchanting and emotionally reassuring.
Festive Choirs For THE GRAND CHRISTMAS CONCERT Are Announced by Aliya Al-Hassan
- November 24, 2025 Community choirs and performers from all around the Liverpool city region and Halton have been working hard with Jay McWinen over the past few months for a collaborative festive concert which celebrates diversity, culture, age, ethnicity, ability or disability coming together as one to show how our region of the Northwest of England can example community inclusion through the art of group singing.
Review: HAL CRUTTENDEN: CAN DISH IT OUT BUT CAN’T TAKE IT, Leicester Square Theatre by Christiana Rose
- November 24, 2025 Hal Cruttenden is at truly at the top of his game, in his skilled and polished new show Hal Cruttenden: Can Dish It Out But Can’t Take It. The comedy is focused on schadenfreude, in terms of rawness and pain, by being brutally honest about the effects of heartbreak.
Review: MARKING TIME - NICO MUHLY, Sadler’s Wells by Matthew Paluch
- November 24, 2025 When a night is all about the music, and the music isn't for you, things aren't going to go smoothly. A case in point is Marking Time at Sadler’s Wells. The triple bill uses and celebrates the work of composer Nico Muhly, and features choreography by Jules Cunningham, Maud Le Pladec and Michael Keegan-Dolan.
Review: HUMBUG, The Vaults by Kat Mokrynski
- November 24, 2025 Santa has lost his Christmas spirit, and it’s up to you to save it! That’s the main theme of Humbug - a three-hour long experience inside of The Vaults, which has been transformed into a holiday-themed wonderland. But that’s not the only thing audience members have to save - After a long wait out in the cold, they are introduced to Howard the Mailman (Perry Meadowcroft), who has had one too many cocktails in the bar and has somehow managed to lose every letter written to the Big Man in Red. Thrown in a waitress (Savannah Beckford) whose singing brings a Christas curse, and you’ve got yourselves in quite the pickle.
Review: THE NUTCRACKER, Birmingham Hippodrome by Laura Lott
- November 24, 2025 Falling snow, a rapidly-growing Christmas tree and an army of sword-fighting rats: it can only be Sir Peter Wright's The Nutcracker. Birmingham Royal Ballet's opulent, charming and whimsical production returns to Birmingham Hippodrome - where Wright's version received its premier in 1990 - and brings with it a host of magical moments.
Free Noon-Hour Choir & Organ Concert Series Returns to Roy Thomson Hall In December by BWW News Desk
- November 24, 2025 Roy Thomson Hall will present the 28th Annual Choir & Organ Concert Series beginning December 19, offering audiences a free noon-hour opportunity to hear performances by some of Canada’s leading choral ensembles and organists.
Joffrey Ballet School To Present THE NUTCRACKER And SANTA’S TOYLAND At LPAC by BWW News Desk
- November 24, 2025 LaGuardia Performing Arts Center will welcome families back for its annual holiday tradition, combining a one-hour staging of The Nutcracker with the long-running Santa’s Toyland experience.
Kupferberg Center for the Arts to Present SOWETO GOSPEL CHOIR at Colden Auditorium by BWW News Desk
- November 24, 2025 The award-winning choir brings their all-new concert, PEACE, to Queens as part of their 60-City North American Tour. The inspirational concert also features spirited music by Aretha Franklin, Harry Belafonte, Peter Gabriel, Kate Bush, Leonard Cohen, and more.
RUPAUL'S DRAG RACE Film Gets Official Title and 2026 Release Date by BWW News Desk
- November 24, 2025 The first-ever film from the RuPaul’s Drag Race universe officially has a title. STOP! THAT! TRAIN!, the forthcoming action-comedy flick directed by Adam Shankman, will be released in theaters in North America on May 29, 2026, by Bleeker Street.