Review: BRIGADOON at Porthouse/Kent State University
In order to create authentic dances for Pothouse’s BRIGADOON, if social media pictures can be trusted, during rehearsals Martin Céspedes, the shows choreographer, wore a kilt.
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In order to create authentic dances for Pothouse’s BRIGADOON, if social media pictures can be trusted, during rehearsals Martin Céspedes, the shows choreographer, wore a kilt.
Tina Fay’s MEAN GIRLS, with the right level of farce can be a delightful experience.
Another exposure as Cleveland Heights’s Cain Park outstanding production directed by Victoria Bussert the present Director of Oberlin College’s Musical Theater program, which featured Gregg Violand, who will be featured, later this season, in Porthouse’s BRIGADOON.
An experience that may possibly require more than one visit.
GREASE, Porthouse-style, is a nostalgic reminder of the era of mid-1900’s and left those of a certain-age satisfied and maybe those of the Information Age/Digital Age asking “what was the attitude, grease and angst” all about.
Young performers overcame weather and sound issues to bring the vibrant, musical retelling of the 2004 film Mean Girls to the vintage, nostalgic Akron Civic Theater.
The national tour of A Beautiful Noise rocks into town this week, bringing enough sequins to light up all of Toledo.
THE GREAT GATSBY: A NEW MUSICAL is Surprisingly Great
What did our critic think of FREAK THE MIGHTY at Cleveland Play House?
Dorthy Gale arrives at Stranahan Theater by tornado (and tour bus!) as Broadway in Toledo brings the National Tour of The Wiz to town this week.
DanceCleveland’s 69th season came to a satisfying close Saturday night at Playhouse Square’s Mimi Ohio Theatre with the Northeast Ohio debut of YY Dance Company.
Summertime is approaching, and it may not be safe to go back in the water.
Jay Gatsby is throwing a party at the Stranahan Theater—and it does not disappoint.
What did our critic think of MARTHA GRAHAM DANCE COMPANY - GRAHAM 100 at KeyBank State Theatre At Playhouse Square?
STEREOPHONIC, which is now on stage at the Connor Palace, is a 4-act, 3-hour production, was written by American playwright David Adjmi, with music composed by Will Butler.
When I reviewed it on Broadway, several year ago, my capsule judgment stated: SPONGEBOB SQUAREPANTS THE BROADWAY MUSICAL is a wonder of neon psychedelic delight starring a character-perfect lead surrounded by a fun-centered cast which should delight adults and children of all ages!”
SPAMALOT, also known at MONTY PYTHON’S SPAMALOT: A MUSICAL (LOVINGLY) RIPPED OFF FROM THE MOTION PICTURE MONTY PYTHON AND THE HOLY GRAIL, is settled in at the Connor Palace for a short run (December 1-6).
What did our critic think of SHREK THE MUSICAL at Chagrin Valley Little Theatre?
Normally, in a who-done-it, the question facing the audience is to figure out who the killer is.
Normally, juke-box musicals, which are scripts created from pre-conceived music, have songs shoe-horned into what is generally an acceptable, but less-than well-written story (think MOULIN ROUGE! and MAMMA MIA!).
“The universal themes of transformation, belonging, and resistance found in [Jen] Silverman's work resonates with diverse audiences.
George Pierre Seurat was a French post-Impressionist artist best known for devising a painting technique entitled Pointillism, “a series of paint or crayon dots of multi-colored paint which allows the viewer's eye to blend colors optically, rather than having the colors physically blended on the c
When one thinks of seeing experimental or area premieres of new contemporary scripts at local theaters, one normally doesn’t think of Beck Center for the Arts.
The Notebook the Musical tells the heart warming, and often heartbreaking life-long love story, of Allie and Noah.
A CHORUS LINE is considered by many theatre experts to be one of the shows that set the pattern for what is labeled the American Musical Theater.
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