Deborah Bostock-Kelley

Joining Mikhail Roberts (guitar) on Stage is a talented ensemble that includes Morgan Tapp (fiddle), Kara Arena (guitar, dulcimer), Troy Brooks (bass, percussion), Tristan Braboy (guitar), and Max Dalton (swing). Each musician brings their unique flair, creating a rich, authentic sound that honors Cash's legacy without imitating it, and they also play multiple roles in the performance.

The themes of What The Constitution Means to Me, such as women's rights and immigration, resonate strongly with the current political climate. 'The plays' themes are so relevant to what's going on today, and it's not sugar-coating anything, which I think is so powerful and eye-opening,' says 15-year-old Raleigh Lockett, who plays Thursday Williams, a teen debater.

Whether you missed it, dissed it, or want to reminisce it, Life Amplified SPECTACULAR offers the perfect opportunity to create or recreate those special moments. The prom's theme is a throwback to the 70s, voted on by social media, inviting attendees to dust off their bell bottoms and tease their hair for a night of Saturday Night Fever.

Hosted by the Patel Conservatory, this free event provides representatives from educational institutions nationwide who will share invaluable insights and answer questions.

Michael Uslan's memoir, The Boy Who Loved Batman, captures this journey from a comic book-obsessed boy to the producer who brought a darker, grittier version of Batman to the big screen. Adapted for the stage, The Boy Who Loves Batman makes its world debut at the Straz Center for the Performing Arts from October 1 to November 10.

'As a former performer of national tours and Europe, it's a subtle hope in every mentor and teacher that one of their students makes their dream come true. It's surreal and in perfect timing for Jacob. Jacob is my fourth Broadway soon-to-be alum, and he also deserves it,” said Pena.

Co-founded by Mike Cote, Susan Dearden, Stephen Bell, Graham Jones, and Dee O'Brien, TheatreFor aims to be more than just a venue; it aspires to be a cultural hub where the community can gather to experience the magic of live theatre. The founders have meticulously designed the space to offer an intimate yet versatile setting, perfect for a wide range of performances. The theatre in the Sunset Square Shopping Center is easily accessible and designed to welcome everyone.

'FABLE' offers a fresh perspective on Ethel Merman, focusing on her most exaggerated and stereotypical personality traits. 'We get to see how she may have engaged in the creative process knowing full well that she's walking into this project already a bankable star.'

Director James Grenelle and actor Nathan Daugherty emphasized the themes of friendship, trust, and uncompromised freedom of expression as central to the story. Grenelle believes the biggest message is to 'CREATE NO MATTER WHAT.' He hopes the show inspires people to pursue their creative passions despite any doubts or discouragements.

Director Jessica Rhodes reveals the inspiration for this year's theme: 'I have always loved the Broadway Cares event that has done a show like this, and I thought it would be interesting to give the kids an opportunity to play their 'dream role' that they would never be cast in.'

Grace Hafer who plays the iconic Grizabella hopes the audience will appreciate every aspect of the musical. 'I want them to talk about the hard work from the dancers, the vocals we provide, and the acting skills; all of the above!'

On September 20 and 21, Powerstories presents Celebration of the Power of the Arts with 'Right Before I Go,' narrated by playwright Stan Zimmerman renowned for his work on The Golden Girls, Gilmore Girls, and more. The theatrical fundraising event features the reading by Zimmerman and local celebrities like Denis Philips, Wendy Ryan, and more.

'We held auditions at the Center, and I was so nervous we wouldn't get anyone to come out. We had an amazing turnout! Between the open auditions and video submissions, we had 150 people try out. Casting just came to us. And this cast is solid and perfect for their roles,' said director Andi Garner.

Starring Analisa Martin, Sofie Acosta, Lily Oquendo, Rey Chavez, Jake Despenas, Tyson Branstetter, Natalie Bornstein, and Jinx Lopes, the show consists of four distinct plays, each with its unique flavor.

The king that rules the magical, ludicrous, kingdom of The Figs is quite actually addicted to figs, mah lord. His more publicly well-received daughter is in love with an inn-keeper in a sort of star-crossed lovers situation. A set of friends - human and swan - are on a journey thrown into existence by the royal family's insanity. All the while, our wily and multiple identity-sporting storyteller keeps us on a track that feels like the “Shrek” universe on an acid trip. But really, this is a story of kindness and what we’ll sacrifice for love. Sometimes stories exist just for the sake of telling stories.

Adapted by Broadway icons Betty Comden and Adolph Green, the show recreates each iconic scene, music, and dance from the original screenplay.

Michelle Petrucci reveals that this production boasts unique twists, such as a professional team of designers collaborating to bring the vision to life and introducing the Pro Technical Theater Track program. This initiative lets students learn directly from professional designers and technicians, offering invaluable hands-on experience during tech week and performances.

In today's politically charged climate, URINETOWN mirrors society's extremes. Director Cory Boyas encourages his young performers to delve into the material's political themes, reflecting, 'We are a divided country... so how can we not engage with it?' He sees the musical as representing the ideological spectrum, where 'Urinetown parallels this dynamic quite nicely.'

On stage, June 6-23, Stageworks Theatre presents the musical 'Falsettos.'  This production promises to be a poignant and humorous exploration of modern family dynamics set against the backdrop of the early days of the AIDS crisis.

TampaRep's NEXT TO NORMAL was, in one word, perfection. Expertly directed by Emilia Sargent, it was a theatrical triumph. The proof was that I could look across the stage and see patrons wiping their eyes and hear the quiet sniffling behind me. The intimate performance on Saturday night was a masterful blend of raw emotion, superb acting, and technical brilliance, leaving us spellbound.