BWW Review: HOW TO SURVIVE AN APOCALYPSE, Finborough Theatre
Opening its doors for the first time since March 2020, London’s iconic little Finborough Theatre is back.
Aliya Al-Hassan - Page 86
Latest Articles
BWW Review: WITNESS FOR THE PROSECUTION, London County Hall
Based on Agatha Christie’s 1925 short story, Witness For The Prosecution was well-established at London’s County Hall before the pandemic.
BWW Review: THE MIDSUMMER MARRIAGE, Southbank Centre
In 1955 Michael Tippett introduced his first opera The Midsummer Marriage to a grey, post-war society desperate for some joy and optimism.
BWW Review: ROCK OF AGES, New Wimbledon Theatre
Rock of Ages, the brash rock musical, is back for another tour.
BWW Review: BLITHE SPIRIT, Harold Pinter Theatre
Richard Eyre’s production of Noël Coward’s 1941 Blithe Spirit was just settling into its West End home last year when lockdown struck.
BWW Review: BACK TO THE FUTURE: THE MUSICAL, Adelphi Theatre
Since its release in 1985 Back to the Future has been an iconic film.
BWW Review: STATEMENTS AFTER AN ARREST UNDER THE IMMORALITY ACT, Orange Tree Theatre
Famous for his overtly political works against apartheid, Athol Fugard is probably South Africa's most highly regarded playwright.
BWW Review: CIRQUE BESERK!, Garrick Theatre
Cirque Beserk! is a circus with a very good pedigree.
BWW Review: CINDERELLA, Gillian Lynne Theatre
Theatre has endured a truly torrid time during the pandemic, with Andrew Lloyd Webber’s Cinderella delayed for a year and last month’s opening night called off at the last minute.
BWW Review: JERSEY BOYS, Trafalgar Theatre
It’s been over four years since jukebox musical Jersey Boys was in the West End.
BWW Review: CABARET ALL STARS FT. BILL BAILEY, Proud Embankment
Proud Embankment's Cabaret All Stars is back with a bang for another season of some the best burlesque, cabaret and circus acts in London at the moment.
BWW Review: TWELFTH NIGHT, Shakespeare's Globe
The Globe’s Artistic Director Michelle Terry has not had the easiest start to her tenure.
BWW Review: THE WAR OF THE WORLDS, Rose Theatre
In October 1938, Orson Wells broadcast a radio adaptation of H.
BWW Review: HEATHERS THE MUSICAL, Theatre Royal Haymarket
Before Clueless or Mean Girls came Heathers, a cult 1988 film satirising the explosive consequences of painful social pressures in an American high school.
BWW Review: COPENHAGEN, Rose Theatre
In 1941 two leading physicists secretly met in Nazi-occupied Denmark to discuss the race between Hitler and the allies to create the nuclear bomb.
BWW Review: ROMEO & JULIET, Globe Theatre
Shakespeare is such a constant in the theatrical cannon that there is often a desire to do something innovative with his work.
BWW Review: LAST EASTER, Orange Tree Theatre
Inspired by a trip to Lourdes and the illness and death of a member of her cabaret group, Bryony Lavery’s play Last Easter is a funny and engaging exploration of life, death and friendship.
BWW Review: CONSTELLATIONS, Vaudeville Theatre
A play featuring string theory, beekeeping and the same scenes repeated numerous times might not be the easiest sell.
BWW Review: HAPPY DAYS, Riverside Studios
2021 marks the 60th anniversary of Samuel Beckett’s challenging play Happy Days.
BWW Review: JESSIE CAVE: SUNRISE, Soho Theatre Online
Intimately confessional stand-up shows are not new for Jessie Cave.
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