BWW Review: MOULIN ROUGE! THE MUSICAL, Piccadilly Theatre
There can be few shows that have been quite so pushed from pillar to post by Covid.
Aliya Al-Hassan - Page 85
Latest Articles
BWW Review: BAT OUT OF HELL, New Wimbledon Theatre
The songs of Meat Loaf and J.
BWW Review: NUTCRACKER, London Coliseum
Last year's festive period didn’t feel like Christmas in so many ways, especially for those who return year after year to see the English National Ballet’s production of Nutcracker.
BWW Review: BEAUTY AND THE BEAST, Rose Theatre
After being cancelled last year, the traditional musical extravaganza at the Rose Theatre is back with a bang.
BWW Review: FAIR PLAY, Bush Theatre
Sex, gender identity, competition and friendship are all touched upon in Ella Road’s energetic new play Fair Play.
BWW Review: LIFE OF PI, Wyndham's Theatre
Lolita Chakrabarti’s adaptation of Yann Martel’s Booker prize-winning novel Life of Pi received rave reviews when it debuted at Sheffield’s Crucible theatre back in 2019.
BWW Review: THE DRIFTERS GIRL, Garrick Theatre
The Drifters Girl, despite that missing apostrophe, should be a smash-hit jukebox musical.
BWW Review: A CHRISTMAS CAROL, The Old Vic
A definite sign that London may be heading back to some sort of normality is the live return of The Old Vic’s award-winning adaptation of A Christmas Carol.
BWW Review: THE SEVEN POMEGRANATE SEEDS, Rose Theatre
There’s a huge amount going on in a short time in Colin Teevan’s The Seven Pomegranate Seeds, now showing at the Rose Theatre.
BWW Review: PRIVATE LIVES, Richmond Theatre
Private Lives is often considered Noel Coward’s masterpiece: an elegantly acerbic commentary on the relationships and morality of society’s upper classes.
BWW Review: THE GIRL WHO WAS VERY GOOD AT LYING, Omnibus Theatre
After a short run as part of Jermyn Street Theatre's Footprints Festival Eoin McAndrew's inventive and intriguing play, The Girl Who Was Very Good At Lying, now arrives at Clapham's Omnibus Theatre.
BWW Review: THE HOUND OF THE BASKERVILLES, Richmond Theatre
The Hound Of The Baskervilles, one of Sherlock Holmes’ most famous cases, is not known for its comedy.
BWW Review: THE DRESSER, Richmond Theatre
In the right hands, Ronald Harwood’s Olivier award-nominated tragicomedy The Dresser is poignant, hilarious and also heart-breaking.
BWW Review: TOP HAT, The Mill At Sonning
Made famous by the 1935 film featuring the legendary Fred Astaire and Ginger Rogers, Top Hat is a nostalgic and light-hearted piece of escapism now playing at The Mill at Sonning.
BWW Review: 9 TO 5 THE MUSICAL, New Wimbledon Theatre
Is there anyone in the world who doesn’t love Dolly Parton? Even country music-haters know her tunes and appreciate her philanthropy.
Audiences Behaving Badly
We know that there is an etiquette when watching a theatrical performance, but it's fair to say that in the past eighteen months many of us have grown used to watching all our entertainment solely on a screen where chatting about the performance, eating loudly and getting up mid-speech is the norm.
BWW Review: A SPLINTER OF ICE, Jermyn Street Theatre
Alan Strachan and Alistair Whatley’s well-received production of A Splinter Of Ice was streamed online before a national tour.
BWW Review: RICE, Orange Tree Theatre
As part of their new Recovery Season, the Orange Tree Theatre, in a co-production with Actors Touring Company now brings us Rice, a powerful, thought-provoking and funny play about cultural identity, class, race and power told through two very different women, who form an unlikely friendship.
BWW Review: THE MIRROR AND THE LIGHT, Gielgud Theatre
Many people got through the first lockdown engrossed in the final part of Hilary Mantel’s literary trilogy following the rise and fall of Thomas Cromwell.
BWW Review: DIRTY DANCING, Richmond Theatre
Dirty Dancing debuted on stage back in 2006.
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