Nedelle Torrisi Shares New Video for 'Can't Wait' via Noisey
This self-titled album, the first Nedelle Torrisi has released under her full name, is basically the story of a friendship. A couple of years ago, she and Kenny Gilmore (of Ariel Pink's Haunted Graffiti) lived in the same house in Los Angeles. Through a wall she could hear Kenny playing keyboards and guitar, and he could hear her making demos of the songs on this album. At one point, he passed her a tape of his own music where he beguilingly recorded and performed all the songs himself, so when it came time for Nedelle to make the proper album, it seemed natural to knock on his bedroom door and ask for his expertise. At the time they never could have known the album would take a little more than two years of diligent work after the initial two weeks of studio time in which they slept in the studio and barely saw sunlight, for they would work between every tour they went on (Gilmore and Nedelle play with APHG, and Sufjan Stevens, respectively.) Not to mention the time Gilmore's computer containing the recording sessions got left behind in a taxi cab in Russia. Which led to a four month hiatus before the powers of persistence, faith and loopholes in customs, delivered it safely back to Los Angeles.
Listen to Torrisi's "Can't Wait" (Dir. by Forrest Borie) here - http://vimeo.com/74086965
Here we find what can be simply be described as Gilmore's sonic vision of Nedelle's songs based on the original demos that she made. Kenny played the majority of instruments on the album as well, with a little help from Julia Holter, Ramona Gonzalez (Nite Jewel), and Dev Hynes (Blood Orange).
No matter how her albums have been produced in the past (either with her previous band Cryptacize with Chris Cohen, or the handful of solo records released under her first name) her songs have a distinct and unmistakeable tone. Musically there is a mix of girl-group/Brill Building era pop, (her choruses reach for that age-old notion, "the hook"), musical theater, (she has good diction and a penchant for Busby Berkeley-style grandeur), not to mention the omnipresent melancholy often found in her sophisticated melodies and chord progressions. There is also a hint of "quiet storm" R&B on this album which has been an favorite of Nedelle's since childhood, hence the echoes of artists like Sade or Anita Baker on tracks like "Perfect Timing," "Psychic Returns" and "Cathartica."
On this recording Nedelle and Gilmore have masterfully combined their shared musical interests, creating complex arrangements by combining interwoven "licks" like something off of Gaucho, or layered, synthy interludes a la Stevie Wonder, and nodding to Prince by using the Linn drum machine which is featured famously on all of his early albums.