The Museum of Arts and Design (MAD) will present Body & Soul: New International Ceramics, an exhibition featuring the work of 24 international ceramic artists addressing critical social and political issues through figurative sculpture. By way of clay, the figure becomes a catalyst for exploring the impact of contemporary pressures confronting societies today. Body & Soul will offer visitors a rare opportunity to experience a diverse range of ceramic artistry and expression. The exhibition will be on view at MAD September 24, 2013 - March 2, 2014.

In recent years, the human figure has experienced a renaissance among artists around the world. Body & Soul draws attention to the power of the figure to convey strong emotions and to the versatility of ceramics as a medium for artistic expression through works that address societal, political, and personal views. Themes explored in the exhibition include gun violence, bullying, rebellion, sexual abuse, anxiety, and identity. The exhibition will highlight several artists who will be shown in New York for the first time. Many of these artists came to clay as painters, draftsmen, or sculptors. Adopting the medium of clay, they create powerful, engaging, and provocative work each inspired by his or her own experience as a participant or observer of contemporary society and culture.

"The artist with a social conscience who models in clay strives to capture an immediacy and a passion through tactile manipulation. With a focused purpose, he or she creates a specific message of historical or current concern, giving voice to a cause," said Guest Curator Wendy Tarlow Kaplan. "Body & Soul underscores the ability of the human form to convey intense emotions, and we feel privileged to bring this important work together for the first time, and to address the human condition with raw power and pathos."

Exhibition highlights include:

Mounir Fatmi, (Morocco, b. 1970; lives in FR), Forget, 2010, an installation of several ceramic skulls wearing hard hats comments on the fragility of both body and brain, and the hard demands of physical labor and work.

Teresa Gironès, (SP, b. 1941), Victima [Victim] 2012, a poignant representation of a woman unable to speak out against her abuser; the raw treatment of the clay expresses the anger of the incident.

Michel Gouèry, (FR, b. 1959) Riri, Fifi, 2006, a sardonic pair of seated female bodies with no distinguishable facial features: empty vessels without identity, encased in a restrictive armor, and rendered powerless.

Elsa Sahal, (FR, b. 1975) Pieds Noirs/Black Feet, 2010, depicts the memory of bias and hostility by the French people to French immigrants from North Africa.

Kim Simonsson (Finland, b. 1974) Untitled, 2013, andCarrie II, 2009, eerie, dramatic, and forceful depictions of children, contrasting innocence with a sense of impending violence.

"From ancient Greece through the Etruscans and Romans to the Renaissance and, ultimately, to the twenty-first century, clay has remained a powerful and immediate way of expressing ideas," added David Revere McFadden, William and Mildred Lasdon Chief Curator, Museum of Arts and Design. "Since 1956, when the Museum of Arts and Design opened in its first manifestation as the Museum of Contemporary Craft, we have underscored our commitment to ceramics in general, and ceramic sculpture in particular. The MAD collections include landmark works by such luminaries as Robert Arneson and Viola Frey, both of whom concentrated their vision on the human figure and its perpetually evolving nature. Body and Soul: New International Ceramics is the latest manifestation of how the humble and quotidian material born of the earth itself once again claims center stage in contemporary art."