BWW Review: REPUBLIC, VAULT Festival
The nation of Mars is finally free.
UK / West End Theater Reviews
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BWW Review: JOE ICONIS LIVE, The Other Palace
Currently in London overseeing the London transfer of his Broadway musical Be More Chill, composer Joe Iconis took to the stage last night at the Other Palace with Joe Iconis Live: a charming and authentic collection of his best-loved work.
BWW Review: THE TAMING OF THE SHREW, Sam Wanamaker Playhouse
The Taming of the Shrew is arguably one of Shakespeare's most controversial comedies.
BWW Review: THE HAYSTACK, Hampstead Theatre
Terrorism.
BWW Review: GORGON: A HORROR STORY, VAULT Festival
It's very hard to distillate horror and put it on stage.
BWW Review: DEATH OF ENGLAND, National Theatre
Roy Williams and Clint Dyer's one man play explores the complexities of white working class identity in a multicultural, post-Brexit England with verve and passion.
BWW Review: IN MY LUNGS THE OCEAN SWELLS, VAULT Festival
Julie (Jenny Walser) and Simon (Jack Brownridge-Kelly) grew up in a small fishing village at the end of the world, in Cornwall.
BWW Review: THE LOST HOURS, VAULT Festival
On a morning in late January in 1989, Salvador Dalí was dying at the age of 84 after changing the art world forever.
BWW Review: RETURN TO HEAVEN, Tobacco Factory Theatres Bristol
A post-apocalyptic road warrior, an astronaut and a shark walk into a bara??
BWW Review: ALBION, Almeida Theatre
Having premiered at the Almeida in 2017 to critical acclaim, Mike Bartlett's play Albion returns home with a spellbinding revival directed by Rupert Goold.
BWW Review: PATRICIA GETS READY (FOR A DATE WITH THE MAN WHO USED TO HIT HER), VAULT Festival
Patricia has spent the past year recovering from an abusive relationship.
BWW Review: THE GRIM, VAULT Festival
VAULT Festival is notorious for its offerings of promenade and immersive shows.
BWW Review: ALICE'S ADVENTURES UNDER GROUND, Royal Opera House
Antony McDonald's production of Gerald Barry's hurtling dash through Wonderland and behind the Looking Glass is a delight from start to finish - or it will be for some.
BWW Review: THE CROFT, Perth Theatre
Sometimes we just want to get away.
BWW Review: LOST LAOWAIS, VAULT Festival
In Beijing, four expats at different stages of emigration are grappling with how Chinese society perceives them.
BWW Review: ENDGAME/ROUGH FOR THEATRE II, Old Vic
Hot on the heels of Trevor Nunn's recent production at Jermyn Street Theatre, Samuel Beckett's plays continue to grace London in all their bleak splendour.
BWW Review: POET IN DA CORNER, Royal Court
a?oeGrime changed my life, more than my two first class degrees, it gave me permission.
BWW Review: ASKING FOR IT, The REP Birmingham
Louise O'Neill's award-winning 2015 novel, Asking For It, has been adapted for the stage by playwright, Meadhbh McHugh, and received its UK premiere at The REP Birmingham last night, following great success in its country of origin in 2018.
BWW Review: SIERRA BOGGESS, Cadogan Hall
Since making her Broadway debut as Ariel in Disney's The Little Mermaid in 2007, Sierra Boggess has firmly established herself as one of theatre's biggest stars on both sides of the Atlantic.
BWW Review: MY COUSIN RACHEL, Richmond Theatre
Daphne du Maurier's 1951 novel My Cousin Rachel is a dark, psychological thriller that focuses on jealousy, female sexual power and control over men.
BWW Review: SADLER'S SAMPLED, Sadler's Wells
Sadler's Sampled is Sadler's Wells' annual parade of varied dance offerings - although this year proved somewhat of a disappointment from previous iterations.
BWW Review: THE JOURNEY OF A WARLIKE MIND, VAULT Festival
Ana Luiza Ulsig brings the result of a nervous breakdown to VAULT Festival.
BWW Review: FIRST TIME, VAULT Festival
After an acclaimed debut in Edinburgh last summer, Nathaniel Hall is bringing his autobiographical one-man show First Time to VAULT Festival before heading off on tour to tell his story of shame and acceptance.
BWW Review: FRANKIE FOXSTONE A.K.A. THE PROFIT: WALKING TOUR, VAULT Festival
Young property developer Frankie Foxstone has her eyes on the Waterloo area.
BWW Review: A MIDSUMMER NIGHT'S DREAM, Wilton's Music Hall
Watermill Ensemble's production of A Midsummer Night's Dream (directed by Paul Hart) offers up a wonderful reimagining of one of Shakespeare's most well-loved plays.
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