BWW Review: TOM BROWN'S SCHOOL DAYS, Union Theatre
The Union Theatre's Essential Classics season kicks off with Phil Willmott's updating of a classic with much to say about England in 2020....
BWW Review: LE CORSAIRE, London Coliseum
On paper, Le Corsaire emphatically should not work. Based very loosely on the poem Le Corsair, written by Lord Byron, the plot is flimsy and the score is a mash-up of work by ten different composers. However, this revival of Anna-Marie Holmes' 2013 production for English National Ballet actually wor...
BWW Review: MAGIC GOES WRONG, Vaudeville Theatre
Mischief Theatre continue their epic takeover of the West End, with their brand new show all about magic going terribly wrong. This time the company have collaborated with superstar magicians Penn & Teller; two people who are at the top of their game, and normally headline their own show in Las Vega...
BWW Review: LEXICON, Roundhouse
Who doesn't love a bit of circus? It's the medium that really pushes the limits of the human body, generating moments that wow audiences and inspire so much drama. They're adrenaline-fuelled, magical creations that make you think 'wow, how did they do that?' That's pretty much the feeling in this pr...
BWW Review: THE TYLER SISTER, Hampstead Theatre
Hampstead Theatre opens the new year with a heartwarming but generally forgettable play on their smaller stage. The Tyler Sisters follows three girls as they grow up and find their place in the world from 1990 to 2030. What the audience gets to see of this time frame in the life of women who might n...
BWW Review: THE NUTCRACKER, Royal Albert Hall
In true balletomane style, my first thought when I knew I would be in London over the Christmas and New Year period was that I would finally be able to catch Birmingham Royal Ballet's (BRB) Nutcracker which runs for just seven performances....
BWW Review: CHRISTMAS AT THE (SNOW) GLOBE, Shakespeare's Globe
Shakespeare's Globe has opened its doors during the winter season for the first time to host Sandi Toksvig's Christmas at the (Snow) Globe which she created with her sister Jenifer....
BWW Review: CURTAINS, Wyndham's Theatre
For those on stage, an opening night can be the stuff of nightmares. In Curtains a?" the acclaimed duo John Kander and Fred Ebb's 2006 musical a?" the nightmare turns real when a lead actor gets murdered right after curtain call. So begins a comedic, entertaining whodunit that is chock-full of show...
BWW Review: LA TRAVIATA, Royal Opera House
Richard Eyre's production gets yet another run out 25 years on, but it's so beautiful and brilliantly sung, no further justification is required....
BWW Review: HANDEL'S MESSIAH, Royal Albert Hall
'Messiah' is probably Handel's best-known piece; written in 1741, the oratorio was originally composed for Easter time, but you don't have to travel far to find a performance of it at this time of year. Handel at Christmas at the Royal Albert Hall is always a special, festive event. The composition ...
BWW Review: SNOWFLAKE, Kiln Theatre
It's Christmas Eve and Andy (Elliot Levey) is waiting for his daughter Maya (Ellen Robertson) to come back to him. She left home three years prior after they had - according to her father - a silly argument and she hasn't spoken to him since, nor has she replied to his texts. But someone has seen he...
BWW Review: THE RED SHOES, Sadler's Wells
It's fitting that Matthew Bourne's The Red Shoes returns to London to finish up another year of reviewing dance. By far Bourne's most accomplished, creative and complete work, it's a theatrical joy from start to finish that is performed with confidence by a cast who have now had time to perfect it s...
BWW Review: GIRL FROM THE NORTH COUNTRY, Gielgud Theatre
Following a critically acclaimed run at the Old Vic, with a subsequent West End transfer, Conor McPherson's Girl From The North Country has been remounted with an almost completely new cast. It had a short run at the Royal Alexandra Theatre in Toronto, and is now back in London for a limited engagem...
BWW Review: CINDERELLA, Trafalgar Studios
This is by far the most outrageous pantomime I have ever seen. It's also the most unpolished pantomime I have ever seen. But that doesn't seem to matter; because in its messiness comes a lot of charm. The improvised madness is a huge strength, and throughout the entire performance, the audience are ...
BWW Review: LONDON COMMUNITY GOSPEL CHOIR AT CHRISTMAS, Royal Albert Hall
Two towering Christmas trees dominate the stage of the Royal Albert Hall. Pillars of festive spirit, they were an ample backdrop for the London Community Gospel Choir's (LCGC) Christmas concert, which was a magical evening of love and worship....
BWW Review: FASCINATING AÏDA, Southbank Centre
Fascinating Aïda's new show offers irreverent looks to growing old, politics, the environment, dogging, and everything in between. Having gone a?oefungala?? with 'Dogging' and the infamously naughty 'Try Not To Be a C**t, It's Christmas', the group are now playing a limited four-week season at th...
BWW Review: RANDOM, Tristan Bates Theatre
A family start their day like any other. A daughter, a younger brother who's still in school, a mum who takes care of everyone and everything, and a dad who often works night-shifts. They don't know that, as they go about their life as normal, their lives are going to be changed forever when police ...
BWW Review: FITTER, Soho Theatre
Following on from their phenomenal debut HOTTER, dynamic duo Mary Higgins and Ell Potter this time return with a show all about men. That's both cis and trans-identifying men, aged all the way from eight to 102. The pair interviewed close to 50 of them, asking the question of what makes them hard. I...
BWW Review: GETTING OVER EVEREST, Hope Theatre
It's the most wonderful time of the year...unless you've just been dumped by your partner of ten years. That's exactly what's happened to Libby. After a decade with boyfriend Rob Everest a long-term relationship status is all Libby knows. Spiralling into depression and knocking back Pinot Grigio at...
BWW Review: MARTHA, JOSIE AND THE CHINESE ELVIS, Park Theatre
The Park Theatre are doing Christmas a little differently on their smaller stage this year, presenting an adult play that's seasonal only in its wintery setting. Martha, Josie and the Chinese Elvis is an avalanche - and not in a good way....
BWW Review: GUYS AND DOLLS, Crucible, Sheffield
The Crucible takes us to New York's bustling backstreets in this joyous revival....
BWW Review: SWIVE, Sam Wanamaker Playhouse
Few English reigns have been quite as theatrical as that of Elizabeth I; from her fine gowns and jewellery to the youthful (or so she thought) wigs and makeup, she preserved her position as monarch by creating the characters of Gloriana and the Virgin Queen. This theatricality feeds into Ella Hickso...
BWW Review: CINDERELLA, Fairfield Halls
Cinderella delivers a true family pantomime that mixes spectacular sets and costumes with plenty of laughs in a show that doesn't push back any boundaries, but delivers what its audience wants at Christmas....
BWW Review: THE SNOW QUEEN, Rose Theatre
Kingston's Rose Theatre always goes all-out for their Christmas production. After last year's huge success with Hansel And Gretel, writer and director Ciaran McConville turns his hand to another Hans Christian Andersen tale with The Snow Queen....
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