BWW Review: THAT DRAG SHOW!, Proud Cabaret City
Fun, frisky and fabulous, That Drag Show! took to the stage at Proud Cabaret last night and delivered a stellar act from start to finish.
UK / West End Theater Reviews
The latest reviews and critic recommendations from UK / West End.
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BWW Review: ROMEO AND JULIET, Bolshoi Ballet in Cinemas
To bring some much-needed distraction into our lives, Russiaa??s iconic Bolshoi Ballet is bringing some of its recent performances to cinemas nationwide.
BWW Review: THE THIRD DAY, AUTUMN, Sky Arts
We spend 12 hours at an island's pagan festival where all is not as it seems.
BWW Review: THE LAST FIVE YEARS, Southwark Playhouse
Jason Robert Brown's The Last Five Years has a brilliantly problematic narrative - two souls taking us on a journey of their relationship, but one in chronological order (Jamie), and one in reverse (Cathy).
Book Review: DRAMA MENU AT A DISTANCE, Glyn Trefor-Jones
Every drama teacher, youth theatre director or community arts worker knows the value of a good drama game.
BWW Review: WE WERE HAVING A PERFECTLY NICE TIME, Omnibus Theatre
Clapham's award-winning independent theatre reopens its doors with this short dark comedy about loo roll, lost love at the bus station and knowing when to end a conversation.
BWW Review: TONIGHT AT THE LONDON COLISEUM: AFTER YOU, London Coliseum
After You is a musical a?oeabout the lives we choose, the paths we dona??t take and the things we sometimes need to keep for ourselvesa??.
BWW Review: THE THEATRE CHANNEL
The first episode in a brand new web series, The Theatre Channel promises high-level performers singing musical numbers youa??ve never seen them do before.
BWW Review: TONIGHT AT THE LONDON COLISEUM: CASSIDY JANSON, London Coliseum
I had the privilege of seeing Cassidy Janson perform at London's iconic Coliseum in Man Of La Mancha last year, so to see her return to the stage now, without an audience in light of the pandemic, is tinged with sadness.
BWW Review: THE TEMPEST, The Duke Of Kent Ealing
In these troubled times, ita??s more important than ever to find innovative ways to keep live performance going.
BWW Review: THE THIRD DAY, SUMMER, Sky Atlantic
Jude Law, Emily Watson and Paddy Considine do what they can with over-familiar hokum delivered with a grim earnestness.
BWW Review: MATTHEW BOURNE'S THE RED SHOES, Cinema Screening
What are you prepared to sacrifice for your art? Filmed at Sadlera??s Wells in January, Matthew Bournea??s The Red Shoes asks what a passionate obsession might cost a person.
BWW Review: BEFORE AFTER, Southwark Playhouse
It's six years since Before After premiered at what was then the St James Studio, with Hadley Fraser and Caroline Sheen in the lead roles.
BWW Review: ROMANTICS ANONYMOUS, Bristol Old Vic
Emma Ricea??s acclaimed Romantics Anonymous was supposed to be embarking on a US tour in March, which was cancelled due to the pandemic.
Book Review: MY WHITE BEST FRIEND (AND LETTERS LEFT UNSAID), Rachel De-Lahay and Milli Bhatia
My White Best Friend (And Other Letters Left Unsaid) was originally commissioned by The Bunker Theatre in March 2019 as a festival where letter-writing engages with a range of provocative topics such as racial tension, emotional engagement, unspoken prejudice and underlying social issues.
BWW Review: SUNNYMEAD COURT, Tristan Bates Theatre
Presented by Defibrillator, in conjunction with The Actors' Centre, Gemma Lawrence's new play Sunnymead Court is a two-hander tale for our times.
BWW Review: EMERGING DANCER 2020, English National Ballet HQ
English National Balleta??s Emerging Dancer marks the companya??s first live performance since lockdown and the opener to their newly curated Digital Season as a response to the current COVID-19 restrictions.
BWW Review: THE BOSS OF IT ALL, Soho Theatre
Based on the 2006 Danish film of the same name by Lars Von Trier, The Boss of It All was adapted into a play in 2013 by writer and director Jack McNamara for New Perspectives - an East Midlands based theatre company.
BWW Review: FAITH HEALER, Old Vic: In Camera
Faith Healer is the third production in the Old Vic: In Camera live-streamed series, and the first with multiple performers involved.
BWW Review: TONIGHT AT THE LONDON COLISEUM: SHARON D. CLARKE, London Coliseum
FFew performers in the industry are on top of their game like Sharon D Clarke right now.
BWW Review: PIPPIN, The Garden Theatre At The Eagle
After launching this summer with the sold-out musical Fanny and Stella, The Garden Theatre at The Eagle presents a new production of the popular musical Pippin.
BWW Review: PAAVO JÄRVI CONDUCTS THE PHILHARMONIA ORCHESTRA, Royal Albert Hall
Accentuating agony across three erasa?? worth of works, Paavo Järvi conducted the Philharmonia Orchestra unsettlingly in both good and bad ways.
BWW Review: JANIE DEE: A NEW LIFE, Crazy Coqs
Sweeping into Crazy Coqs in a haze of red sequins, Janie Dee took to the stage last night at the intimate (yet socially distanced) cabaret venue to deliver her latest show entitled Janie Dee: A New Life.
BWW Review: LOVE SCREENS, Open Ealing Online
Love Screens brings three short plays by Nicolas Ridley together in one pre-recorded Zoom presentation, with themes of love, loss, friendship, and life.
BWW Review: ONE NIGHT ONLY PRESENTS...EVERYBODY'S TALKING ABOUT JAMIE
Last night saw the third in a special a??One Night Onlya?? virtual series, which reunites cast and creatives from musical theatre productions, past and present.
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